How to practice the basic practice of calligraphy calligraphy and calligraphy

First of all, you have to understand! Words don't happen in a day! You must insist on not fishing for three days!

Other! Practicing words should not be perfunctory! If you don't practice, you won't practice!

Practice must be serious! Remember! Xingshu it has the rules of the regular grass elegant, the writing is neither as slow as the regular script nor like the cursive script is unrecognizable, it looks very comfortable and smooth, it can be said that it will always be popular with people!

Recommend "King.

Italics, is the basis of calligraphy, learn to write well, the book of the morning and evening, the ancient times, the two kings, Huang, Europe, rice, etc., into the generation have, Qi Gong, Ertian, Fan Zhen, learn to adhere to the book, to stick, not greedy.

All the charm of calligraphy lies in regular script. Practice the calligraphy, other fonts are just form changes, that is to say, if you master the regular script, you will master most of the calligraphy, and the best book is of course Wang Xizhi's.

Pang Zhonghua's. The line is super beautiful.

The basic practice of calligraphy and calligraphy includes lifting the pen, pausing the pen, pressing the pen, and frustrating the pen.

1. Lifting the pen: refers to the lifting of the pen in one stroke. After starting the pen, lift the pen slightly, the tip of the pen does not leave the paper, and a thin dot drawing appears.

2. Dun pen: Dun pen is the opposite of lifting the pen, press the pen hard, so that the pen is fine, and there are thick and powerful points, which is called the pause pen. The pen and the pen are relative, and they are interrelated, and there is a mention and press in a stroke, there are fine and thick, and it seems to change vividly.

3. Press the pen: refers to the action of using the pen in the vertical direction and downward. Comparison: "Lifting the pen" is light; "Press the pen" is slightly heavier; "Tonbi" heavy.

4. Frustration of the pen: The pen suddenly stops changing direction during operation. Generally, to the corner, first pause the pen, and then lift the pen slightly, so that the pen turns, slightly away from the pause, so as to change the direction.

The pause and the frustration are two actions that are connected to each other. The frustration pen should be measured, too much will be out of touch, and if it is not enough, it will be detained.

The method of practicing the omission and ode to the words of the calligraphy: First, first choose to return to Zheng a brush.

Second, the rice paper should be cooked Xuan.

Reason: Cheap, strong ink absorption, ink will not leak when writing. When writing at the beginning, scholars can use the rough side, the friction is relatively large, and the pen is lucky.

3. Choose a copybook.

Selection method: Beginners generally practice Lishu, because Lishu pays the most attention to horizontal and vertical, which can lay a good foundation for beginners.

Fourth, practice more.

When practicing, pay attention to the temporary post, first carefully observe the copy, until you remember the glyph, and then put down the pen.

If you find it troublesome to use rice paper and ink, you can also consider using brush water to write calligraphy.

The techniques for practicing calligraphy are as follows:

1. The center of the pen.

As mentioned above, the line of writing must be carried with a pen most of the time for a round turn, and the center must be maintained in the line of writing, so as to make the lines more rounded and full and have a sense of entering the wood.

2. Avoid floating.

The words written by beginners or even people who have learned to write in an incorrect way for a long time are very drifting, especially at the end, and fly out directly, which is not right, and must be taken back by hiding the front, although sometimes it is to be pointed out, but it cannot be used indiscriminately.

3. Start writing in the air.

The line of writing is free, the line of writing is more free than the regular script, especially the place where the pen starts, most of the use of the air pen, the momentum and the line, and the circle supplemented by a variety of changes and the skills of the pen **.

4. Consistency.

The gesture requirements of the line of calligraphy are coherent and consistent, so it is necessary to have a good ability to control the pen, and it is easy to have a feeling of floating powerlessness when carrying the pen, which can not be seen in the first place when learning, so many people have not studied with a regular calligraphy teacher It is easy to have various problems.

In order to learn the book correctly, we should pay special attention to the following points:

1. Master penmanship.

Penmanship is the foundation of any typeface. Of course, we must first make the basic penmanship clear, and do not really grasp and digest, the writing of various points of the hand, the horizontal writing, etc., each dot painting, each line, each single word, there are a lot of penmanship rules, to pay more attention to the post, can not ignore the meaning of the ancients according to their own meaning.

2. Master the rules.

3. Master the copybook.

Jiaqiang often said to his students that the calligraphy is the steering wheel of learning the Zhaopeng collapse book, you can't pull out the steering wheel to drive, you can write the regular script yourself and slowly press the slow turn can also write a look, the book is not on the post and you write it yourself, it is equivalent to suicide.

4. Master the rotation.

To learn to do a good job, mastering the transformation is the most basic requirement, otherwise you will never learn to write. The transfer is the soul of the book, and without the change of the book, there will be no breath and vitality, and the words that come out will either be dying or lifeless.

There are three techniques for writing good calligraphy: the first skill: holding a pen is like holding a gun. In order to write a high-level work of calligraphy, it is necessary to master the basic essentials of holding a pen. At present, the traditional teaching of calligraphy advocates the "five-finger brushwork".

The second technique: proficient in penmanship. Learning calligraphy, it and painting are both art that outlines the characteristics of the subject through different lines, and homomorphism belongs to the art of line molding.

Tip 3: Set up a frame for your strokes. This is the last "pass" to write a font.

If the previous strokes are written, but the frame of the strokes is not set up, the space is empty or too compact, and the stability and beauty of the structure cannot be shown. To practice calligraphy, the structure of the font is more important than the strokes. If you know how to knot, you will master the gestures of strokes when writing and painting.