What is the mantra of Xingshu?

Updated on culture 2024-08-03
8 answers
  1. Anonymous users2024-02-15

    "Xingshu Writing Mantra Song".It is not difficult to write a line of calligraphy, and the structure of regular script is memorized; The intention is to look at the structure of the pen first, who is steel and who is soft in front of the ink; The upper and lower structures should not be heavy, and the strokes should be arranged for fear of length;

    There is a rhythm in the pen, and there is a posture to change the angle on the front side; The changes are reasonable and realistic, and the left and right structures are divided into main and secondary; Lift the orderly front off the paper, and follow the rules to see the soft rhyme;

    The pen does not pause, and the upper and lower strokes should be connected; Radicals.

    Practice separately, slow and urgent, heavy and harmonious; In the middle of the seeking, see the connection, with the hook lingering with the mood;

    The dot painting pen is elastic, and the curved square circle is vivid; The rhythm is smooth and flexible, and the cranes dance in the flowing water; Write horizontally and deduct the middle line, and write vertically with affection; Calligraphy competitions are often participated, and the search for not sure will be successful.

  2. Anonymous users2024-02-14

    1. Strokes: there is movement in the regular print, and the dot painting is elegant;

    The gestures are coherent and undulating;

    Take care of each other, and flow smoothly;

    Horizontal and vertical skimming, the activity is prepared.

    2. Glyphs: there is movement in stillness, and there is stillness in movement;

    It seems to be a grass but not a grass, and it is not a grass;

    The structure is like Kai, and it is important to be smart;

    Glyph size, everything you need.

    3. Penmanship: the pen is back to the front, and the front can also be exposed;

    Lift the pen with a fresh stroke;

    Frustration brushwork, giving life;

    Twisted ** such as, square out of the line quality.

    4. Use the wrist: the most important thing is to use the wrist;

    The wrist should be alive, and the words will be smart;

    stiff wrists, dot painting is stunned;

    The strength of the wrist is all in the rotation.

  3. Anonymous users2024-02-13

    The mantra of Xingshu is as follows:

    To write smoothly, the main pen is the key.

    Quick simplification is a feature, and even the pen is light and not thick.

    There are many large variants of elasticity, and it is best to use a long edge with a pen.

    The pen is held with a pen like cursive, so that the ink must be moistened.

    The pen must be hung with the elbow, and the head of the whole article is the standard.

    Flexibility is free, and it is necessary to penetrate it in one go.

    The font of the book is the most beautiful, and the eight methods of the pen need to be remembered.

    The center of gravity is stable horizontally and vertically, and the structure is dense and symmetrical.

    The dot painting echoes the noble and lively, interspersed with affection.

    The back of the item is clear and varied, and the pen is light and stiff.

    Introduction

    Xingshu is a kind of calligraphy between regular script and cursive script, if there are more elements of regular script in Xingshu, it is called Xingkai, and if there are more components of cursive script, it is called Xingcao. Xingshu also evolved from Lishu, so its line, penmanship, etc. have retained some elements of Lishu.

    strokes, moving in the regular circles, and elegant dot paintings; The gestures are coherent and undulating; Take care of each other, and flow smoothly; Horizontal and vertical skimming, the activity is prepared.

    glyphs, there is movement in stillness, and there is stillness in movement; It seems to be a grass but not a grass, and it is not a grass; The structure is like Kai, and it is important to be smart; Glyph size, everything you need.

    Penmanship, starting from the pen back to the front, can also show the front; Lift the pen with a fresh stroke; Frustration brushwork, giving life; Twisted ** such as, square out of the line quality.

  4. Anonymous users2024-02-12

    Writing formulas:

    It is not difficult to write a line of calligraphy, and the structure of regular script is memorized;

    The intention is to look at the structure of the pen first, who is steel and who is soft in front of the ink;

    The upper and lower structures should not be heavy, and the strokes should be arranged for fear of length;

    There is a rhythm in the pen, and there is a posture to change the angle on the front side;

    The changes are reasonable and realistic, and the left and right structures are divided into main and secondary;

    Lift the orderly front off the paper, and follow the rules to see the soft rhyme;

    The pen does not pause, and the upper and lower strokes should be connected;

    The radicals are practiced separately, and the urgency is in harmony.

    In the middle of the seeking, see the connection, with the hook lingering with the mood;

    The dot painting pen is elastic, and the curved square Luzhou is round and vivid.

    The rhythm is smooth and flexible, and the cranes dance in the flowing water;

    Write horizontally and deduct the middle line, and write vertically with affection;

    Calligraphy competitions are often participated, and the search for not sure will be successful.

    Characteristics of the book

    In the seal, Li, Kai, line, grass five kinds of calligraphy, seal, Li is the ancient style, now as a traditional calligraphy and its artistry, many people are still studying and creating, but from the evolution of the font, it is very early that is outdated, after the Eastern Han Dynasty is rarely in practice.

    Cursive writing is too simplified, the knots have become simple and symbolic, and cursive writing is not easy for people to recognize, so it is not suitable for practicality, and it is even more inconvenient for most people to understand, and it is very difficult and not easy to popularize. However, from the perspective of calligraphy art, cursive is the most life-rich, which can best reflect the author's creative personality and ideological mood, and is a kind of calligraphy with a creative artistic sense in the creation of calligraphy art.

    At present, a large number of regular scripts are used. In daily writing, due to the strict requirements of regular script dot painting, and slow writing, so in practical writing, often do not write regular script in the strict sense, but as a calligraphy learner, it is a kind of calligraphy that must be practiced. Through the practice of regular script, master the knot of calligraphy and the basic rules of using the pen to accompany the repentance.

    As for Xingshu, whether it is artistic or practical, it is a kind of book style that is commonly written. This is because Xingshu is the most suitable for practicality and artistry, so it is loved by calligraphers and accepted by the masses.

    Xingshu has the basic structure of regular script, and there are simple and fluent lines and lines in cursive script, which can express oneself to a certain extent, vivid and smooth, full of artistic temperament, and calligraphers and the masses love it.

  5. Anonymous users2024-02-11

    The mantra of Xingshu is as follows:1. It is not difficult to write a book, and the structure of regular script is kept in mind.

    The intention is to look at the structure of the pen first, who is steel and who is soft in front of the ink;

    2. The upper and lower structures should not be heavy, and the strokes should be arranged for fear of long.

    There is a rhythm in the pen, and there is a posture to change the angle on the front side;

    3. The changes are reasonable and realistic, and the left and right structures are divided into main and secondary.

    Lift the orderly front off the paper, and follow the rules to see the soft rhyme;

    4. Put down the pen and look up without pausing, and the upper and lower strokes should be connected.

    Radicals. Practice separately, slow and urgent, heavy and harmonious;

    5. In the middle of the seeker to see the connection, with the hook lingering with the mood.

    The dot painting pen is elastic, and the curved square circle is vivid;

    6. The rhythm is smooth and flexible, and the crane dances in the flowing water.

    Write horizontally and deduct the middle line, and write vertically with affection;

  6. Anonymous users2024-02-10

    1. The square word is not square, and the left and right are insiders. The left yin strokes are thin, and the right yang strokes are thick.

    2. Italics are not oblique, and the whole should be upright. Although the oblique pen is obvious, standing stable is the main skill.

    3. The middle line is long, and the horizontal burden should be distinct. A lump sum is used without losing the pillar.

    4. The herringbone is crossed, and the fork is in the air. The lower part should be aligned, not west-east.

    5. The cross under the eight characters is also in the middle of the word. If it is biased, this word will not be formed.

    6. The original word is upright, and the horizontal pen is obliquely upward. If you want to be flat or down, you will reduce beauty.

    7. There are words without a positive pen, and the line is oblique. The partial ones should be slightly correct, and the overall beauty is born.

    Kaishu: A font of Chinese characters, also called Kaiti, Zhengkai, Zhenshu, Zhengshu. It gradually evolved from the official book, which became more simplified, horizontal and vertical.

    Cihai explains that it has "a square shape, straight strokes, and can be used as a model". This kind of Chinese character font is upright, and it is the handwritten orthographic character of modern Chinese characters.

  7. Anonymous users2024-02-09

    1. The square word is not square, and the left and right are insiders. The left yin strokes are thin, and the right yang strokes are thick.

    2. Italics are not oblique, and the whole should be upright. Although the oblique pen is obvious, standing stable is the main skill.

    3. The middle line is long, and the horizontal burden should be distinct. A lump sum is used without losing the pillar.

    4. The herringbone is crossed, and the fork is in the air. The lower part should be aligned, not west-east.

    5. The cross under the eight characters is also in the middle of the word. If it is biased, this word will not be formed.

    6. The original word is upright, and the horizontal pen is obliquely upward. If you want to be flat or down, you will reduce beauty.

    7. There are words without a positive pen, and the line is oblique. The partial ones should be slightly correct, and the overall beauty is born.

  8. Anonymous users2024-02-08

    "Xingcao Formula" is a Chinese calligraphy formula: Xingcao formula. As far as the author knows, Mr. Liu learned calligraphy from his father since he was a child, and his family history is very deep. This series of books lasted sixteen cold and summer.

    Mr. Liu's series of books is divided into seven types: oracle bone inscription, golden inscription, cylinder silk script, official script, Wei tablet, block letters, and big grass; For the three kinds of "Three Hundred Rhymes of Seal Book", "Song of Chapter Cao Cao Jue" and "Song of One Hundred Rhymes of Cao Jue" of the predecessors, they have either been explained or supplemented.

    In this series of books, he started from the introduction of calligraphy, from dots and paintings, knots into articles, interframe structure, chapter management, his own deep experience in learning calligraphy, failure experience, and innovative ideas have been summarized and elaborated, with a deep foundation, is the crystallization of practice.

    The characteristics of this series of books are, first of all, concise, and one book has the best of all books. To learn calligraphy, we must learn the history of the development of calligraphy, and learn the production, form and style of calligraphy; It is necessary to learn the aesthetic principles and technical rules of the book itself; Students should learn how to use the pen and other writing instruments; It is also about learning about the art and culture associated with it.

    About the author of "The Formula for Walking Grass":

    Liu Zengxing, since 1990, with the title of "Chinese Calligraphy Formula", has written "Dacao Formula" (published), "Oracle Bone Formula", "Jinwen Formula", "Han Jian Formula", "Lishu Formula", "Weibei Formula", "Positive Formula";

    And interpret the ancient books "Grass Recipe Hundred Rhyme Song", "Seal Law Silk Rhyme Song", "Chapter Grass Grass Recipe Song", making it a complete Chinese calligraphy formula, and contributing to the cultural cause of the motherland.

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