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The eyes were shy, and Dan's lips smiled. Windswept grape belt, sunshine pomegranate skirt. ——He Sicheng "Nanyuan Beauty".
There are beautiful women in the north, peerless and independent. One look at the city, and then look at the country. - "Song of the Beauty" of the Western Han Dynasty
Looking back and smiling, the six palaces have no color. - Bai Juyi's "Song of Long Hatred".
Yige moved weakly, candles and new makeup, Xu came to turn the festival, and went to the opposite line. - Xu Zhimo, "Shayanara".
The body is like a swimming dragon, and the sleeves are like Suni. - Cao Zhi, "Luo Shen Fu".
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1. Looking at it from afar, it is as bright as the sun rising to the morning glow; Forced to observe it, the scorching waves appeared.
2. More than thirteen curls, cardamom branches in early February.
3. There is a beautiful person, clear and graceful.
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(1) The brilliance of the cloth, the brilliance of the Yaobi. Wear gold and emerald jewelry, embellished with pearls to show off your body.
2) Hired more than 13 years, cardamom tips in early February.
3) The beauty is drunk, and the face is drunk.
4) Bright as spring, bright as the autumn moon.
5) The people on the edge are like the moon, and the frost and snow are condensed on the wrists.
6) The corners of the eyebrows and eyes are delicate, and the voice and smile are gentle.
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Describe the classical femininity of elegant verses, there are West Lake than Xizi, heavy makeup is always appropriate. - Yang Wanli's "Little Lotus".
Looking back and smiling, the six palaces have no color. - Bai Juyi's "Song of Long Hatred".
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Looking back and smiling, the six palaces have no color.
Soaring like a frightening dragon, graceful like a dragon.
There are beautiful women in the north, peerless and independent.
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Looking back and smiling, the six palaces have no color.
There are beautiful women in the north, peerless and independent.
The people on the edge are like the moon, and the frost and snow are condensed on the wrists.
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1. The heart is more than the dry, and the disease is like Xizi winning three points. - Cao Xueqin, "Dream of Red Mansions".
2. Looking back and smiling, the six palaces have no color. - Bai Juyi's "Song of Long Hatred".
3. The body is like a swimming dragon, and the sleeves are like a suni. - Cao Zhi, "Luo Shen Fu".
4. Fluttering like a frightening and graceful like a dragon. - Cao Zhi, "Luo Shen Fu".
5. If the West Lake is compared to the West Lake, it is always appropriate to apply heavy makeup. - Yang Wanli's "Little Lotus".
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1. The Yang family has a girl who has just grown up, and she is raised in the deep boudoir.
2. Quiet like a delicate flower shining on the water, and acting like a weak willow supporting the wind.
3. Explain that the spring breeze is infinitely hateful, and Shen Xiangting leans on the north of the Gangan.
4. There are beautiful women in the north, peerless and independent.
5. The beads rotate and the stars shake, and the flowers and vines shake and the dragon and snake move.
6. The bun is loose and loose, and the lead is lightly makeup.
7. The words are not spit out, and the breath is like a quiet orchid.
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1. There are beautiful women in the north, peerless and independent. One look at the city, and then look at the country. - "Song of the Beauty" of the Western Han Dynasty
2. The lotus leaf skirt is cut in one color, and the hibiscus is open to both sides of the face. - Wang Changling.
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Clear water out of hibiscus, natural carving. Yixing is always looking for it. Zhumen embraces the tiger warriors, and the halberd He Sensen.
Cut and chisel the bamboo and stone open, lingering and deep. sat on the stage in the water pavilion and spoke about many English sounds. The rhetoric is expensive and white, and the promise is light**.
It is said that I am worthy of the king, and the blue bird has a bright heart. The five-colored magpie among the clouds flies up to the sky. It was rumored that the pardon was coming, but Yelang was let go.
The heating becomes cold, and the smoke lives and dies. Jun Deng Fengchi went and abandoned Jia Shengcai.
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The poem that describes the elegance of femininity should be the poem "Song of the Beauty" of the Western Han Dynasty: There are beautiful women in the north, peerless and independent. One look at the city, and then look at the country.
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Bihesheng is a secluded spring, and the morning sun is bright and fresh.
Autumn flowers are green water, dense leaves and green smoke.
The beauty is empty, and the fragrance is passed on.
Sit and watch the frost be full, withering this red year.
If you don't get the roots, you want to be by the pool.
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1. Looking back and smiling, the six palaces have no color.
2. Fluttering like a frightening and graceful dragon.
3. There are beautiful women in the north, peerless and independent.
4. Clear water out of hibiscus, natural carving.
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The poems that describe the elegance of femininity are: clear water out of hibiscus, natural carving;The beauty is empty, and the fragrance is passed on. The beautiful color covers the present and the ancient, and the lotus flower is shy and jade.
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The poems that describe the femininity and elegance are: "Looking back and smiling, the six palaces have no color", "There are beautiful women in the north, peerless and independent".
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There is a beautiful woman in the generation, living in the hollow valley. - Du Fu's "Beauty".
If the West Lake is compared to the West Lake, it is always appropriate to apply heavy makeup lightly. - Yang Wanli's "Little Lotus".
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The hands are like soft wattles, the skin is like clotted fat, the collar is like a grub, the teeth are like a rhinoceros, the head of the mantis is like a moth eyebrows, the smile is clever, and the eyes are beautiful.
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The eyes were shy, and Dan's lips smiled. Windswept grape belt, sunshine pomegranate skirt.
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The poem that describes the freshness of femininity has "clear water out of hibiscus".
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, Yerong has many sideburns, and the fragrance has been overflowing.
2. The beauty is empty, who is the fragrance for?
3. Pretty like the peach of three springs, pure like the chrysanthemum of nine autumns.
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The elegant verses that describe classical femininity are as follows:
1. Dignified and dignified
It seems to be like a light cloud covering the moon, and fluttering like the snow of the wind. Graceful and graceful, moving like a living posture. The face is not old and graceful, and the shirt is full of hairpins and letters. The good time has not yet come, when will Fanghua cry forever?
Second, gentle and lovely.
Fluttering like a frightening Hong, graceful like a traveling dragon. Quiet as a virgin, moving as a rabbit. When the clothes and sideburns are settled, where can the moon be white and the wind is clear?
3. Fresh and refined.
Light and indiscreet, the bead curtain and green curtain cover the boudoir. Cut the water and double pond in autumn and think about the old, faint Luo red sleeves cold file Xun stool lamp west.
Fourth, elegant and noble.
Talent tunes handsome and beautiful, and the courtesy is fragrant and fragrant. The eyes of the ten postures are beginning to fall, and the feelings are only Changpi has the owner.
5. Sadness and loneliness.
The silver arrow autumn wind leads the thin magpie, and the long sleeves of the shirt hang the weeping poplar. The bright moon and cold of the jade building looked at each other, and the soul was sad in front of the sad song.
Sixth, bright and moving.
The arm holds a green feather fan, and the hand is red and socks. Autumn knows the road, and the pengmen passes the snow.
Seventh, soft and charming.
Flowers can be folded straight, do not wait for no flowers and empty branches. The flowers are similar every year, but the people are different every year.
8. Smart and elegant.
Lying down and watching the morning glory Vega, I want to fall with the dust. It is like seeing each other without relying on each other, and since ancient times, there has been affection and hatred.
In addition, in addition to these verses, there are many literary works and art forms that also express the characteristics of classical femininity and elegance. For example, characters such as Lin Daiyu, Xue Baochai, and Jia Baoyu in "Dream of Red Mansions", as well as characters such as Chunxiang and Liu Rushi in "The Legend of Chunxiang", are all representatives of classical female images.
In ancient Chinese galleries, operas, ** and other art forms, there are also many classic works depicting elegant and classical women, such as Wang Wei's landscape paintings, Shan Tianfang's storytelling, etc. These works vividly show the temperament and charm of classical women, leaving us with precious cultural heritage and aesthetic enjoyment.
The above are some poems that describe the elegance of classical women, including solemn and dignified, gentle and lovely, fresh and refined, elegant and noble, sad and lonely, bright and moving, soft and charming, and smart and elegant. The emotions and temperaments contained in these poems are the essence of traditional Chinese culture, and they are also valuable assets that we need to inherit and carry forward.
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