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Film and television post-production.
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3. On the project panel, right-click to select New Project, and select the color mask in it.
4. At this time, a color picker will pop up, select the color of the mask in white, and then click the OK button.
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Import the white background into Premiere Pro. In Explorer, locate your white background file and drag it onto a new track in the Timeline.
Add a white color filter:
Go to the Effect Controls panel and find the Color Correction effect in that panel.
You can use the Brightness and Contrast options to fine-tune the effect of the white color filter to achieve the best white background.
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1. First of all, open the PR to import a clip of video fiber guessing material, and drag it to the timeline.
Topmost. 3. Right-click on the project panel to select the new project and select the color mask.
4. Choose the color of the mask white in the color of the elastic rubber type.
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You can change to any color you like, including white, and here's how to do it
2. Create a new itemized subtitle; Click to confirm, you can also change the subtitle name Orange;
3. In the pop-up subtitle box, tick the background option on the right;
4. Select your favorite color and close the subtitle box after setting;
6. Use the selection tool to stretch the subtitles;
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3. Right-click on the project panel and select New Project, and select Color Mask.
4. Select the color of the mask from the pop-up color: white.
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File New Color Matte or press the New button below the Project panel to select Color Matte to create a color mask, you can set the desired color and duration, it is equivalent to a monochrome material.
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Subtitles – rectangular – filled with white.
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Can be replaced with any.
Copy your favorite color, including white, and here's how to do it
2. Create a new itemized subtitle; Click to confirm, and you can change the subtitle if you want to;
3. In the pop-up subtitle box, tick the background option on the right;
4. Select your favorite color and close the subtitle box after setting;
6. Use the selection tool to stretch the subtitles;
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There are three ways to change the background in Premiere: Use blue cloth or green cloth as the background in the early stage of shooting, and use the key filter to select color or brightness key in Premiere, and use the first one to choose the color or brightness key in Premiere.
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Please ask the Premiere master how to use PR to make the following ** effect, that is, to blend ** with the background, or to integrate ** into the background The specific steps are as follows:
2. Then click ** to open its "Effect Console".
3. Then adjust the scaling ratio and rotation angle of ** to achieve the ideal state.
4. You can also add keys to realize the animation of zoom and rotation.
5. You can also turn on the transparency switch of ** to set.
6. Achieve the effect of fading in and out, so that the ** addition is not abrupt.
3. Right-click on the project panel and select New Project, and select Color Mask.
4. Select the color of the mask white in the pop-up color.
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In the Project panel, right-click an empty space and select New Project. In the New Project dialog box, select the Color option and set the background color to the color you want to change to Chong Xiangcheng.
In the Project panel, right-click the newly created color image and select New Sequence. In the New Sequence dialog box, set the sequence to the same resolution and frame rate as your original.
In the Effect Controls panel, select your track, and then click the Chroma Keys effect. In the settings for the Chroma Key effect, change the Select Color option to the color you want to replace. You can adjust the effect by adjusting the Similarity and Soft Edges settings.
Finally, you can add a new track and place a background or color in it. Make sure to place it underneath the original Rail Sweep Lane so that it will display correctly after changing the background color.
These are the simple steps to change the background color. Please note that your specific ** and color replacement requirements may vary, so you may need to fine-tune and experiment to find the best solution for your situation.
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Nuke and AE are both synthesis software, but Nuke is node-based, AE is hierarchical, Nuke is more suitable for large-scale film and television scenes, AE is more suitable for column packages, etc., of course, it doesn't mean that AE can't do movies and TV series, this has to be based on the lens, especially the material has a lot to be on time, and the time is required to be particularly accurate, then AE is fast, AE timeline is very clear, and it is very troublesome in Nuke. However, complex scenes of AE will appear particularly bloated, often dozens of layers or hundreds of layers, the project looks particularly unclear, and the efficiency is not high, at this time Nuke can play its role, the larger the scene, the more obvious its advantages. You'll find that in Nuke, your process is clear... >>>More
If you want to learn systematically, you can consider signing up for a live online class, and recommend CGWANG's online class. The teacher speaks carefully, you can watch it back after the class, and there are also the same type of recorded classes that you can learn for free (give away lifelong VIP). >>>More
If you want to learn systematically, you can consider signing up for a live online class, and recommend CGWANG's online class. The teacher speaks carefully, you can watch it back after the class, and there are also the same type of recorded classes that you can learn for free (give away lifelong VIP). >>>More
If you want to learn systematically, you can consider signing up for a live online class, and recommend CGWANG's online class. The teacher speaks carefully, you can watch it back after the class, and there are also the same type of recorded classes that you can learn for free (give away lifelong VIP). >>>More