Why do Japanese dramas always have a feeling of reluctant to shine ?

Pursue a sense of naturalness,Japanese like air very much,Japanese makeup too,It's because the bitrate suppressed by the film source is not enough, but the root cause is that the production cost of Japanese dramas is not high,The resolution bitrate is like that,The color is different from TVsThat's because different brands of TVs do color grading optimization,Especially now in the HDR era,The gap is more obvious,Not the different film sources。

It's not reluctant, it's deliberately beaten like that. The picture of the Japanese drama pays a lot of attention to the atmosphere, the izakaya has the lighting of the izakaya atmosphere (warm light is the majority), the home has the lighting of the family atmosphere, the workplace has the lighting of the company atmosphere, and the exterior has the atmosphere of the exterior (there are few street lights in Japan, so it is dark).

Domestic dramas are all white flowers that give you a strong face no matter where you are, and take pictures (retouched) of people. In Japanese dramas, the faces are all natural yellow. On the other hand, it can bring out how easy it is to shoot domestic dramas, I don't want to complain, I don't want to watch it anymore when I see the light in domestic dramas.

I like it very much, it looks much more comfortable than the pink and white filters in China and South Korea, and the color of the filter in many domestic dramas is very fake at first glance, I want to say that Japanese dramas are suitable for watching under the covers, and they will not suddenly brighten up and be blind, and there is also a layer of filter in the daytime drama, natural light, the pursuit of reality.

Whether it's the lights, furniture, carpets or walls, it's all the same brown and yellow color as the furniture. Japanese dramas love this kind of big orange and yellow light soft light filter, with a dermabrasion effect, and a blue light, or the faces of the actors who are offline from the lighting division are dusty, and there is almost no bright normal light, which is the Japanese aesthetic.

I used to think it was dark, but then I thought about it, in fact, the environment I stayed in every day was like this, it couldn't be very bright and white, it was real, I think it was much more comfortable than some domestic filters, and the pixels of the film were low, but that feeling was irreplaceable by digital.

So there is a kind of filter called Japanese, I think this is more real, such as those bedrooms in the main building, bars, and near the station late at night, in reality, it is also this tone, to create a warm feeling, I like this kind of tone filter very much, and the realistic writing without a filter is basically not lit on this effect,

It's fresh and pleasant to look at.