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The True Story of A Fei
Wong Kar-wai's film that won his brother the Hong Kong Film Awards.
To be honest, watching Wong Kar-wai's films is really a time-consuming and energy-consuming task. When I started watching it, I felt that it was going very slowly, not in the film"Before three o'clock on April 16, 1960"a minute, but a minute in early October 2003.
But my brother's acting skills, and"Xu Zai"The value of this character is incomparable.
An unemployed vagrant who roamed between four women (two girlfriends, a lifelong mother, and an adoptive mother) in the early sixties, making two men jealous, actually became an idol in a sense of life. His ego, his casualness, his truth and nothingness, faintly flirted across the screen, piercing into the foggy heart of the **.
Xu Zai"tangible", have style (maybe my brother who likes to carry English words will say so), have goals (find a biological mother), have courage (single-handedly fight a gang of hooligans), have girlfriends (two with completely different styles), have a house (although it is rented, but it is not too cheap), have a car (and drive chic), it seems to make many people envious"stuff"He had it all. But in the end, he died in a foreign land for no apparent reason, and he didn't even see his biological mother. The life that has not officially started has come to an end in a hurry.
All that's left is the attachment of the living -- whether it's the women who love him, or the men who love those two women.
It can be said that Xu Zai is a status that is self-respecting. Invisibly, these people can't help but love him in their own way, pay attention to him, admire him, follow him, and even help him at critical moments. This is almost none"Seriously lived"It's hard to say it's not a kind of luck.
He is the darling of fate, and he does not have to work hard to survive, and he does not need to be ignored and abandoned. And he was insignificant, and when the god of fortune grew tired of his willfulness, he abandoned him without warning, and gently erased his existence.
"The Bird That Doesn't Touch the Ground" became one of his most famous parables. Suspended in the air in pursuit, the inevitable fall. If it's a tragedy, I don't feel the real sad swan song.
Everything is so random and natural, it seems to be predestined, and there is no need to make a fuss.
Before the end, did Xu Tsai feel the pain of landing? Or is it a relief, a relief from a tiring flight?
The only thing that is certain is that the people who are alive are still going on their tracks. Perhaps, having never flown before, will walk more calmly, a little longer.
But when they are old, what kind of mood will these people who have walked the journey with their feet think back to Xu Zai? Is it sighing, pity, melancholy, or inexplicable envy? After all, without feet, when his feathers were not covered with dust and his voice was not yet old, he became a legend and became eternal with the last minute.
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