The correct posture for violin practice empty strings, and what sounds are open strings for violins

After the preparatory movements are completed, stand in the required posture, hold the piano, and hold the bow. Play the piano with the middle bow (the middle of the bow), pull the fretboard of the 4-string and the middle part of the saddle, making sure that the bow is perpendicular to the string and do not let the bow slide around on the string. When the bow stays in the center, your elbow, wrist, and bow are on a plane.

In other positions, there will be natural changes in wrist and elbow height. It's best to pull it in front of the mirror, but you should be aware that there will be errors in the mirror and vision, so you should constantly adjust the direction of the bow. You can use a thin silk thread to place vertically and horizontally on the strings, and look at the angle of holding the string to see that the correct contact point between the bow and the string is **, and then use the bow to pull the contact points on each string.

Of course, if there is someone next to you who reminds you whether you are pulling vertically or not, then after a few adjustments, you will improve faster.

When the bow pulls the 4th string, get close to the 3rd string, and don't be afraid to touch the 3rd string and pull it towards the ground. Then pull the other strings in turn.

The bow is divided into upper bow and lower bow, one up and down, in the opposite direction, the action should be connected, and the speed should be even. The action when changing strings should be in an arc, not a diamond. Swap two strings next to each other in an oval shape, and change from 1 string to 4 strings or vice versa, in a circular shape.

Don't be afraid to play the violin too hard without sounding, just make the bow on the string and the hand on the bow, with the natural force of little control (uncontrolled control). When pulling the full bow, in order to make the sound evenly, pay attention to the difference in the strength used in the tip, middle bow and bow root.

The violin has a total of 7 planes when playing empty strings (if you don't play empty strings, but press the strings, then there will be more planes, hence some books)."The violin has 7 planes"is not right), the four strings are four planes, and the two adjacent strings are pulled together, forming three planes in turn. At the end of this phase, it is appropriate to add the practice of the other three planes (two strings pulled together). It is also the easiest two-tone exercise.

What is the correct posture for violin practice with empty strings? This disproportionate posture should be called: the correct bow of the empty string.

Beginners should use the middle section of the bow to learn to play the A2 string first, and then play the other strings when they are proficient. When transporting the bow, straighten the bow and the horsetail and each string into a 90-degree relationship, with a piano yard of about centimeters, and then pull the whole bow after the middle section of the bow is used and practiced. Another:

Posture refers to the violin: holding the piano, holding the bow, standing and sitting, the position of the arms and the strings, etc.

When the violin has an open string, the tones of the four open strings are, from thin to thick, are: mi, la, re, sol. An empty string means that the left hand does not press any strings, but simply uses the right hand to move the bow, and this kind of drawing is called an empty string.

The violin has four strings, and the notes from the thick string (G string) to the thin string (E string) are G, D, A, and E.

The violin's thin to thick open string note is 3 (sung-call mi, sung-called e) (la, sapped a (re, d-called sol, g).

The thinnest string: E string [3, there is a dot above, no dot below] Thinner string: A string [6, no dot above, no dot below] A thicker string:

Are you going to learn? It's e (the first root).

a (ii) d (iii).

g (iv).

So re la mi should be, I remember the teacher told me when I first started learning

You're starting to learn the violin, too.

To practice double tones, you still have to start with open strings. Use different bows every day, take the method of weak play to pull the three planes, especially to practice the whole bow, the longer the bow drags the better. Carefully observe whether the bow is in contact with the two strings evenly, and if it is at 90 degrees.

It is best to tilt the bow forward, touching the string with the bevel of the bow hair. Also pay attention to whether the upper and lower arms are close to the balance of the bow shaft, of course this is not absolute, only when the middle of the bow is resting on the string, the elbow, wrist, and bow are absolutely on the same plane.

After practicing the open strings, start practicing simple double notes, that is, a single note and a double note with an open string, taking care not to let the sound of the open string drown out the single note, and practice with split bows and straight bows respectively.

Further, start practicing the double tones of 3, 5, 6, and 8 degrees, and the others can be ignored for the time being. At this time, it is necessary to strengthen the visual spectrum ability of the two tones. When I'm not practicing, I lie at home and think about how to play with my mind.

It is also important to understand that the pitch of a double tone and a single tone is not exactly the same, but the average person may not be able to hear it.

There are several reasons why violins don't use empty strings:

1.Due to the difference in timbre between the open string sound and the press string tone, the use of open strings will produce an abrupt effect in **.

2.The timbre of the empty shouting strings is brighter, and the timbre of the strings is weaker, and the use of empty strings will affect the overall effect of **.

3.When using open strings, stringed instruments often require a lot of velocity to produce the correct tone, which can make it more difficult for the player to play.

4.In some particular styles, such as classical, the use of open strings may be seen as an inappropriate or unprofessional playing technique.

However, in violin**, open strings also have their specific use cases, such as in some fast phrases or difficult tricks, open strings can provide more stable finger support and better intonation. In addition, in some specific styles, such as jazz and pop, the use of open strings may be seen as an innovative and personalized way of expression.

In general, the violin does not use open strings in order to maintain the coherence and uniformity of the timbre, but in specific situations, open strings can also exert their unique effect and expressiveness.

The reason why the violin avoids open strings when playing a piece is because there is a difference in timbre between the empty strings and the strings, and the open strings are easier to play. In a continuous **, a blank string tone is inserted into the string tone, and the empty string sound will sound particularly abrupt, which is why some people say that this bird balance is "not good". However, there are also places in the music that use the timbre of open strings.

In all three positions, whether placed at the tip, mid or base of the bow, do not place your elbows against the sides of your body. Be sure to keep a certain distance from the side of the body. The right shoulder should be relaxed, not raised.

This point will appear inadvertently for 90% beginners, and you must pay attention to practicing by yourself) The right hand of the bow should always be maintained and not deformed. Pull from the bow base position to the bow position in the middle of the bow, pause, and adjust the posture of holding the bow in your right hand. Continue to pull to the tip of the bow, which is the lower bow of the circle.

Summary. Kiss, glad of your question. The open string sound of the violin is relatively fixed, but subtle variations occur in certain situations.

Kiss, glad of your question. The open string sound of the violin is relatively fixed, but subtle variations occur in certain situations.

Generally speaking, the four empty strings of the violin are G, D, A and E, which correspond to the G, D, A and E tones in **. These open strings are usually tuned according to the international standard pitch, which is 440 hertz (Hz) for the A4 note (also known as the A tone). This type of tuning is widely accepted and is known as the "standard tone".

However, there may also be some slight variations in the pitch of the violin's open strings in different cultures and performances. For example, some classical musicians or folk musicians may use different tuning methods, such as using a lower standard pitch, or fine-tuning open strings to meet the needs of a specific work or performance. Some modern works may require the violin to be played in an unconventional tuning way, resulting in a change in the pitch of the open strings.

So, while the open string sound of a violin is usually fixed, there may be slight variations depending on the player, the culture, or the piece in a given situation. When playing the violin, the player usually adjusts the pitch of the violin's open strings according to the needs of the performance and the agreed tune.