How do you knead empty strings on a violin? Can the cello sound be kneaded?

There are three ways to knead the strings:

Arm kneading, wrist kneading, finger kneading.

The effect of these three different kneading strings is naturally different.

The kneading of the arm mainly relies on the trembling of the forearm, which sounds enthusiastic. Wrist kneading mainly relies on wrist trembling, which sounds euphemistic. The finger kneading relies on the finger joints to tremble, which sounds soft and soft.

Mastering these three different methods of kneading the strings and being able to use them freely will naturally lead to a change in the timbre of the performance, and enter an extraordinary and wonderful realm. Unfortunately, many players are accustomed to a certain method of kneading strings from the very beginning. As a result, the timbre of the performance is poor and monotonous.

Special note: It is important to point out here that many children do not have the correct way to knead the strings when they first learn to knead. So there are usually two drawbacks:

One is that the tremor action is too fast and cannot be controlled, forming a spasmodic trembling sound like a little goat bleating. The other is too slow, with irregular twisting of the wrist, and its sound is like the sound of a gramophone without a full winding. Learn the proper way to knead strings:

The first thing you need to do is to learn how to knead the strings at your wrist. The method is to first place the arm on the thigh or chair arm, then relax the wrist and shake it back and forth, striving to be even, and then put it on the fretboard to practice after the movement is comfortable.

Do not pinch between the big finger and the tiger's mouth, and it is important to emphasize the movement of the wrist back when rubbing the fingers back and forth in the position of the fretboard, and then move forward back to the original position. And never blindly rub forward, without leaning back.

There are two kinds of violin empty kneading: one is the kneading of the arm, and the other is the kneading of the wrist, the kneading of the wrist only moves above the wrist, and the kneading of the arm is moving the whole arm.

The kneading of the arms has a large change in pitch, which is suitable for rough sections. You must be able to knead both kinds of strings, and you will have a complete understanding of kneading strings.

The similarity between these two kneading strings is that the fingers will move, but the point of force is different, one is from the arm and the other is from the wrist.

Therefore, the biggest problem in kneading the string is how to make the fingers hold down the string, but the joints of the fingers can be relaxed at the same time, so that when the arm or wrist moves, the fingers can move to cause the effect of kneading. (As a reminder, the movement of the fingers is driven by the arm or wrist when kneading the strings, and the fingers themselves do not need to exert force.)

Therefore, the problem lies in the way the strings are pressed, and when the strings are pressed, if the strings are pressed with the force of the hand point, the fingers will become stiff and unable to move. The correct way to press is to relax the hands and hands, use the weight of gravity to drive the fingers down, and the fingers themselves are hung on the fingerboard like a hanger, and the fingers themselves feel that they have gravity to stand on the fingerboard.

Hello, happy to answer for you. The cello can be kneaded with empty strings. the method of kneading the strings; 1. Practice with one hand first, that is, leave your right hand aside and train your left hand alone, so as to concentrate on carefully experiencing the details of the action and improve the accuracy of kneading.

2. Start from the third or second position to learn to knead the strings, because the kneading of the middle position is relatively easy, and it can better perform all the movements. 3. After the left hand kneading the strings is basically mastered, you can play it at the same time with both hands with the bow. During this period, it is important to be slow and patient, and do not lose confidence due to temporary discomfort and uncoordinated hands.

It is important to know that the natural and smooth kneading of the strings has to go through a long process, such as the tremor finger of a quarter note to the half note and then to the whole note of the tremor. <>

Summary. Hello dear<>

The cello can knead the strings with empty strings. The tremor or kneading of the cello is an important means to improve the level of cello performance, and it must be taken seriously, studied diligently, and persevered. If you want to practice the kneading of the cello strings, the most important thing is to relax, imagine the feeling that your hands will naturally hang down and swing when you walk, after relaxing, first find a random note (such as the 7 of the A string) 1 finger hold down 7 and then slowly swing up and down, at first slow and then gradually increase the speed, remember that the whole arm and fingers should be relaxed.

Secondly, if you want to learn cello, relatively speaking, your hands should be bigger, you should be taller, and the natural conditions will be good, and your future learning will be smoother.

Can the cello sound be kneaded?

Hello dear<>

The cello can knead the strings with empty strings. The tremor or kneading of the strings of the cello is an important means to improve the cello performance, so it must be taken seriously, studied diligently, and persevered. If you want to practice the kneading of the cello, the most important thing you need is to relax, imagine the feeling that your hands will naturally hang down and swing when you walk, after relaxing, first find a random tone (such as the 7 of the A string) 1 finger brother stop and hold down 7 and then slowly swing up and down, at first slow and then gradually increase the speed of the wild, remember that the whole arm, fingers should be relaxed.

Secondly, if you want to learn cello, relatively speaking, your hands should be bigger, you should be taller, and the natural conditions will be good, and your future learning will be smoother.

Is the empty string tone 6 on the A string rubbed by shaking the cello?

The strings of the cello are kneaded up and down.

I know how to knead the sound, but I don't know if the 6 of the A string should be kneaded on the D string?

Yes. Originally, I played the violin, so the violin can't be kneaded on open strings, and the cello can't be kneaded with open strings either?

No, you can't.

Hello, dear, can you knead the cello empty string sound, you can't knead the strings. Then a few masters upstairs said yes, what's going on? What happens when one is an empty string tone, but you have to knead the string?

Fortunately, the open strings on the violin can be found on other strings. You can understand this. But the G string empty string sound is the lowest note in the sedan car, and there is no homophony, what should I do?

As the masters upstairs said, pull the G string empty, but press your fingers on the G note of the D string (i.e., the octave higher) and rub it. Theoretically, it is because of the resonance relationship, it can be obtained"Approximately"Kneading the limbs of the strings for a solemn effect. In this way, you can also rub your fingers on the E note of the A string when you pull the E string.

It's a redundant approach, and I don't know under what circumstances I'm going to be forced to do it) but one thing is for sure, it's not something that beginners are going to use. So it is advisable to ignore it with empty strings. FYI.