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The natural nunnery is also called Biefeng hermitage, which is the reading place of Zheng Banqiao. Zheng Xie once said in a letter to "Qi Shedi": "The river rain is sunny, the smoke is exhausted, the forest flowers and willows are all washed and bathed in the morning; And the delicate birds call people, the breeze and waves, the mountains of Wu Chu, and the bright and beautiful ......It's really a fairyland on earth.
This couplet writes the scenery seen by the riverside, which is to write the fairyland of the world with the pen of nature, through the anthropomorphism of the mountains and rivers, and to write the "mountain light" after the rain with "fluttering faces". The "evening tide" called ** with "turning back", looking down on the river, due to the infiltration of the evening tide, the river water slowly flows backwards to the west. In addition to giving readers the enjoyment of fresh and lively beauty, the joint language also reveals the causal relationship in natural phenomena: the mountains are beautiful, and the river flows backwards due to the new rain, and the source is the evening tide.
Melting scenery, emotion, and reason in one furnace, the aftertaste is endless, and the poetry and painting are linked, which can be described as extraordinary.
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Zheng Banqiao is an important painter in the history of Chinese art, his paintings are mainly depicted with orchid, bamboo, stone, pine, chrysanthemum, plum, etc., and he works especially on orchid bamboo, pushing ink and bamboo to the extreme. Plum, orchid, bamboo, and chrysanthemum have always been known as the "Four Gentlemen", and together with the hard and enduring stones, they symbolize the virtues of steadfastness and nobility in the minds of the literati, as well as the pride and freedom of life, so they are often used as the subject matter of paintings.
Zheng Banqiao's bamboo paintings have reached the artistic realm of perfection. The bamboo in his pen is in a variety of forms, many but not chaotic, less but not sparse, the appearance is sparse, and the pen is strong, which is a portrayal of his stubborn personality. He is good at outlining simple and vivid lines to show us the tenacity and vitality of bamboo branches.
His paintings do not use the method of painting with color blending, but ink on paper, which conveys the verdant or weathered bamboo in the hearty ink color, with a timeless charm and a wonderful artistic conception, which is endlessly evocative. At the same time, his paintings combined his poems with a crazy style with calligraphy brushes, words mixed with painting brushes, and indulgent seals, and fused them into a furnace to form a unique painting art, which opened a generation of painting styles and had a huge impact on later generations.
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<> "Hello, Kiss! <>
The connection and correspondence between the <> art creation process and Zheng Ban's bamboo painting process are as follows:1First, the body and mind are condensed and calm.
The first is the wholehearted attention to the object, which is the beginning of the whole artistic creation activity. Zheng Banqiao likes bamboo, good bamboo, and has been in contact with bamboo since childhood. The Yu family has two thatched huts, planting bamboo in the south, and walking in the bamboo when the day returns.
For 40 years, he has painted bamboo branches, and he has written thoughts during the day and at night. 3 Write it by hand, make a game by yourself, and be able to be reasonable. It is the result of a deep familiarity with the objects he paints.
2.Second, there is a harmonious and harmonious mental environment. There is an objective external environment and an internal subjective environment that is sufficient to induce the artist's attention and impulse.
This mental environment is similar to the mental field described by Gestalt psychology. According to Kaufka, the world is the mind and matter, the mind is the empirical world, the matter is the physical world, and the mental activity of human beings is the mental field formed by the combination of the two. Zheng Banqiao said:
In summer, the new fence is in full bloom, and the green shade is shining. Put a small couch in it, and it is cool and comfortable. In the autumn and winter season, take the bones of the screen and cut off the two ends, Heng'an thought that the window lattice, and paste it with a thin and white paper.
3.The third is the state of quiet and empty readiness. As Zhuangzi said, Xinzhai ("Zhuangzi.
The World"), sit and forget (Zhuangzi. Great Grandmaster). Eliminate all psychological interference and the original empirical schema, and enter the state of non-functional aesthetic pleasure.
With a desire to imitate the world, the poetry is wonderful, tireless, empty and quiet. The state of mind and object is aesthetically intuitive to the object. This aesthetic reflection of the state of the world, as Kant said:
In pure aesthetics, people are by no means seeking knowledge, seeking to discover universal laws and objective truths, but to appreciate the expression of images and forms of objects in contemplation.
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Summary. Hello, I am glad to answer your question, your question is: Briefly describe the connection and correspondence between the art creation process and Zheng Ban's bamboo painting processThe answer is:
The syllogism on artistic creation proposed by Zheng Banqiao profoundly explores the intricate relationship between objective objects, subjective images and artistic expressions, and provides new references and ideas for the presentation and expression of art, which has multiple levels of practical significance. This paper first briefly summarizes the content of the syllogism of painting bamboo, and makes an in-depth analysis of the syllogism in combination with the actual creation of Zheng Banqiao, and finally puts forward the practical guiding significance of the syllogism of painting bamboo, which provides a reference for the improvement of the level of artistic creation.
Hello, I'm glad to answer your questions, your question is: Briefly describe the connection and correspondence between the art creation process and Zheng Chai and the bamboo painting process of Zheng Chai Vertical PlankThe answer is: Zheng Banqiao's syllogism on artistic creation profoundly ** The intricate relationship between objective objects, subjective images and artistic expressions provides a new reference and idea for the presentation and expression of Fringe Dashu, and has multiple levels of practical significance.
This paper first briefly summarizes the content of the syllogism of painting bamboo, and makes an in-depth analysis of the syllogism in combination with the actual creation of Zheng Banqiao, and finally puts forward the practical guiding significance of the syllogism of painting bamboo, which provides a reference for the improvement of the level of artistic creation.
Zheng Banqiao is a representative figure of the "Eight Monsters of Yangzhou" in the Qing Dynasty, he is mainly famous for his poems, calligraphy and painting creations, and in Hail Liangxian's painting creation, he is the most outstanding work with the theme of orchid and bamboo, which has had a great influence on many later artistic creations. The reason why Zheng Banqiao was able to achieve extraordinary artistic achievements is that he put forward the famous "painting bamboo syllogism" in the process of creation, that is, from observation, imagination to presentation, the three stages of progressive artistic expression process, in today's more than 300 years later, the key width still has a unique value.
When it comes to Zheng Banqiao's artistic life, the most famous is his innovative artistic thoughts, he believes that art should not only rely on imitation to create, but should have a certain sense of innovation. Based on this creative idea, he also put forward the famous syllogism of artistic creation, that is, the phased transition of "observation-imagination-presentation", and the whole creative process pays attention to the concept of "meaning the pen first". Observation refers to the meticulous examination of the characteristics of objective things themselves, so as to further appreciate the spirituality of the things that are objectively stored in the silver; Imagination refers to the conception of the things to be observed, and to think more deeply about how to express a complete aesthetic conception; The presentation process requires the artist to make a lot of emotional investment, and further use rich brushstrokes and techniques to express the object of the painting, so as to give birth to a work of art with rich connotations.
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Answer]: Zheng Banqiao originally contained the name Zheng Xie, painted more bamboo in his life, and then painted orchid and stone, but also painted pine and chrysanthemum, and was a more representative literati painter in the Qing Dynasty, and the representative painting was "Orchid and Bamboo Picture". Lan:
Four o'clock do not thank the orchid, orchid talk makes people reminiscent, to be like an orchid as quiet, and let long-lasting, fragrant, not impetuous, not glamorous; Bamboo: 100 joints of evergreen bamboo, bamboo tenacity, before the birth of the knot, is a good image in nature, is a symbol of the noble; Stone: The stone that is invincible through the ages, the stone is a hard, not weak image, symbolizing the spirit of never giving up.
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Summary. Zheng Xie has a deep understanding of the generation of aesthetic images in the process of artistic creation, as well as the various stages of aesthetic imagery from conception to implementation into concrete material forms. the"Confident"Yes"Be confident"and theoretically perfected the theory of ugly stones.
Hello Zheng Xie has a deep understanding of the generation of aesthetic imagery in the process of art splitting branch art, as well as the various stages of aesthetic imagery from conception to implementation into a concrete material form of confession. the"Confident"Yes"Be confident"The enrichment and development of the ugly stone socks in theory perfected the source of the ugly stone socks said.
You don't need to be so detailed, just summarize what the three sentences are.
Fresh and smooth, free and easy, bent to the heart, calm and happy; Write freely and go straight to the heart.
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Zheng Banqiao, one of the "Eight Monsters of Yangzhou", is famous all over the world for his "poetry, calligraphy and painting." However, for more than 200 years, people have only focused on his calligraphy and painting, and have little to do with his creative thoughts, creative methods and literary ideas. In fact, Zheng Banqiao's ability to get rid of the trap of retroism and formalism in the era of Yongzheng Qianlong, when the literary network was extremely strict, boldly innovated, and formed his own unique artistic style of "not opening up a road to Linchi", which is inseparable from his creative thoughts, creative methods and academic attitude.
Zheng Banqiao's works break through the barriers of traditional flower and bird painting, and his works are not the "reproduction" of natural scenes, nor the reproduction of the art of predecessors, nor are they far away from life, but have a unique personality and innovative spirit. Therefore, since the advent of its works, it has been well received by people at home and abroad. It is not difficult to find that people's aesthetic standards like works with personality, intention, innovation and appeal, which gives us inspiration:
Only when the work has personality and innovation can it have infinite vitality.
In any case, Zheng Xie is a leader in history in terms of art and personality, and is admired by my descendants!
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Zheng Banqiao (Count it yourself.) The question you are asking is so weird.
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