Break the group 3 1 6 method

Landlord, you must be a lottery player, here I want to say my opinion. There are many ways to break the group. It is a broken form that changes according to the change of number.

Different numbers have different number spacing. [Broken 3-3-4] is not a fixed form. It's subject to change.

I don't know if the landlord has his own special numbering tool. If anything, it's easy. I'm grouping groups according to the [number spacing combination] of numbers.

There are three different number areas, do the intersection of the three or [1+2] intersection. It can also be rationalized as the relationship between intersection and union of 2 yards. Let me take 714 as an example, in the [number spacing combination] with 147 of the same type of numbers are 036,037,047,148,158,258,369,259,269,147, a total of 10 numbers.

Different types have different number partitions. It's not something that can be made clear in a sentence or two here. Because the 3D language I'm quoting is different from other people's.

Let's put this type of number 147 with the left slash number [036] and the right slash number [258] and the slash number without the slash number [1479]. Formed [036]-[258]-[1479].

Montage is a means of filmmaking, which is simply the assembly of shots. For example, a close-up shot of a person's happy facial expression, followed by a shot of food being served, can make the audience feel that he is happy to see the food. Produces a connection between two individual shots that contains more information than the sum of the two individual shots.

As another example, if a medium shot of a person's back not catching the bus is followed by a shot of a withering flower, the viewer can have a sense of his loss, even though we only see his back and don't capture his expression.

His function is embodied in:

1. Help with storytelling. Continuous storyline narration through the assembly of shots. For example, the expression of dreams, a close-up of the face and the footage of the relevant episode, the expression of imaginary dreams, etc.

2. Generate deep meaning and express meaning beyond the picture itself. For example, in Chaplin's play, a scene in which he is driven away by someone is followed by a shot of a lamb being driven, forming a metaphor that he is a lamb to the slaughter, which has a meaning beyond a single shot.

3. Create suspense. For example, the shot of a person who is about to be executed and the shot of a person who is in a hurry are constantly combined, which is different from our usual time meaning, and the simultaneous time of connecting two lines with the lens shows a sense of urgency and suspense.

<> was very happy, and when he was in the Office of Student Affairs to let the waiter get the information about this sleepy banquet, Wang Yin, he.