The era of modern oil painting landscape creation 15

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The development of modern Chinese oil painting in the first half of the 20th century (known as the "Chinese Western Painting Movement" at that time) was an important cultural phenomenon in the eastward movement of modern Western painting, and it was also a major chapter in the history of Chinese art in the 20th century. Mainly through the efforts and explorations of the first and second generations of Chinese oil painters, he transformed "foreign paintings" into "national blood", and gradually formed an artistic practice of cultural introduction and cultural creation. The historical development of modern Chinese oil painting has gradually evolved with the integration of Chinese and Western cultures, reflecting the modern characteristics of Chinese art in the 20th century.

Since the beginning of the 20th century, Chinese artists who have studied in Europe and Japan at different times have consciously taken Western art as the object of cultural introduction, taking modern art education as the core, and through a series of artistic activities such as clubs, exhibitions, and art publications, they have transplanted and borrowed the realism, impressionism and modernism of Western oil painting on a large scale, and have planned corresponding plans to integrate local culture and revitalize Chinese art. The outbreak of the War of Resistance Against Japanese Aggression brought about an important change in the Western painting movement, which strengthened the debate and concern about art for life and art for art's sake. The related localization exploration of modern Chinese oil painting, with the different artistic practices and behaviors of many artists, potentially appears in the debate of "pure tone" in the scope of art and the exploration of "national spirit" in the scope of society, and correspondingly presents different value orientations for modern Chinese oil painting.

Yes, the semantics are vague, no. The reference is unclear.

1. The charm of light and colorWe know that light and color are not separated, and without light, color will lose its meaning, color is the soul of oil painting, and the wide light is the helmsman who controls the "soul", and is an important carrier for the transmission of ideas and emotions in oil painting, as well as an important carrier for the artist's inner world and personal emotions. Therefore, the study of light and color of oil painting is particularly important, which plays an important role in the improvement of the expressive language of landscape oil painting, the expression of the artist's creative connotation, and the value of the work. Oil painting since the end of the 16th century into our country to today, has gone through hundreds of years of history, we usually understand the landscape oil painting is mostly the artist in the face of the reality of the landscape for subjective processing of the finished works, the natural scenery of the color, structure, light changes processing combination, for us to bring a strong visual impact of the art, light in the work as a symbol to create the atmosphere of the picture, the earliest can also be traced back to the Renaissance figure painting background, The pursuit and expression of light and color changes are very prominent in landscape oil paintings.

In most cases, in addition to color, oil painting is light, as for the use of brushstrokes or peculiar composition and other ways to create the atmosphere is relatively minority, good oil painting creation in the design of the picture form, the sense of transparency under the light to defeat the posture and light.

The process of creating an oil painting is as follows:

1. Frustration is a method of coloring the root tribe pen with an oil brush, press the pen after a little frustration and then lift, such as the reverse front line of calligraphy, vigorous and strong. The difference between the color of the nib and the root of the pen, and the direction of the pen, can produce a variety of variations and fun. The technique of dipping a wide oil brush or fan pen into the color and gently patting it on the screen is called patting.

The shoot can produce a certain undulating texture, which is not very obvious and not too simplistic, and can also deal with brushstrokes or colors that are too strong and weaken them.

2. Kneading refers to the method of directly manipulating two or several different colors on the picture with a pen, and the natural mixing changes are produced after the color manipulation, so as to obtain subtle and vivid colors and chiaroscuro, and can play a role in transition and cohesion.

3. The line refers to the line drawn with a pen, and the oil painting line is generally used with a soft sharp thread, but in different styles, the round head, the school shape and the old flat pen can also outline the thick lines like the strong center of the book. Both Eastern and Western paintings were formed with lines at the beginning, and in the early refueling paintings, they usually started with precise and rigorous line outlines, and in the Tempera technique, the line arrangement method was the main means of forming light and shade.

4. Western oil painting only evolved into a focus on light and shade and body heads, but despite this, the factor of the middle line of oil painting has never disappeared. Slim and bold. The use of neat or casual and repeated staggered and overlapping lines makes the language of oil painting richer, and the treatment of different shapes and edges is very important.

The use of lines in Oriental painting has also influenced the style of many modern Western masters, such as Matisse, Van Gogh, Picasso, Miró and Klee.

1. Oil painting is a kind of painting made on canvas linen, cardboard or wood board by quietly imitating oil and pigment with quick-drying plants. Oil painting is one of the main types of Western painting. Chinese oil painting originated 400 years ago, when the Italian Catholic priest Matteo Ricci and others came to China to preach and bring European oil painting works to China.

2. Oil painting first originated in Europe, and Chinese oil painting first originated 400 years ago, when the Italian Catholic Matteo Ricci and others came to China to preach and bring European oil painting works to China. Foreign art has developed into an integral part of Chinese painting, and has gone through a long process of learning, absorption and growth. It can be divided into the following periods.

3. In the 29th year of Wanli in the Ming Dynasty, Matteo Ricci presented gifts to Zhu Yijun of Mingshenzong included the statue of God and the statue of the Virgin. This kind of delicate and realistic painting amazed Chinese oil painters, but they did not give a high artistic evaluation, and it also regretted that no Chinese painters followed this painting method.