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It expresses the poet's desolate state of mind and tragic feelings.
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The desolate state of mind and tragic feelings are philosophy in life, and philosophy is the dialectical exploration of human existence. In the pathos of ancient and modern times, we can feel the greatness and eternity of the universe.
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<> "Dengyouzhou Taiwan Song" is selected from "Chen Boyu Collection", the author is Chen Ziang. This poem is a tragic song of life that hangs the past and hurts the present, from which we can see the poet's lonely and independent feelings of loneliness. This poem expresses the poet's long-depressed grief and indignation by describing the infinite emotion caused by climbing the tower and looking into the distance.
Chen Ziang (661-702), also known as Boyu, was a native of Shehong, Zizhou (now Shehong City, Sichuan Province). He was a writer and poet in the Tang Dynasty, and one of the innovative figures in poetry and literature in the early Tang Dynasty. Because he once served as the right picker, later generations called Chen pickup.
Chen Ziang was light on wealth and charity when he was young, generous and chivalrous, and at the beginning of civilization (684), he was promoted to Jinshi, and the above book on politics was valued by Empress Wu Zetian, and he was awarded Lintai orthography.
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Chen Ziang. I don't see the ancients before, and I don't see the comers after.
Thinking of the world and the world, I cried alone.
Notes] 1In the great land of Yanguo, before I was born, how many Ming monarchs and virtuous ministers performed generation after generation of tragic historical dramas, Jin Ge Iron Horse, but unfortunately he was born too late and didn't catch up; After my death, there will be many outstanding military strategists and politicians roaming the North China Plain.
2.Life is accidental and absurd.
3.The premise of tragedy is "sublime".
4.From the perspectives of time and space, I lament that compared with the long river of history and the vast universe, life is limited and self-insignificant.
Essay] Burning limbs.
"The man who has not seen the ancients before, and the one who has not seen the future after him" is often understood to mean that this person is so powerful and excellent that no one can surpass him during his lifetime or after his death, which is actually the author's expectation of a virtuous monarch.
The premise of tragedy is sublime, because if you can't feel the beauty and nobility of life, family, love, and friendship, when you lose it, you just accept it calmly, and you won't be hungry and regretful, then there is no tragedy at all.
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"Song of Dengyouzhou" is the work of the Tang Dynasty poet Chen Ziang.
The full poem is as follows:I don't see the ancients before, and I don't see the comers after. Thinking of the world and the world, I am alone and crying!
The literal meaning of the whole poem:I don't see the holy monarch of the corporal of the ancient Lixian in the future, and I don't see the spine Mingjun who seeks talents in later generations. Thinking that there is only the vast world and infinite leisure, I can't help but be full of sadness and tears.
Appreciation of the whole poem:
I don't see the ancients before, and I don't see the comers after. "Knowing this, this is a sigh of the shortness of life. Poets look at the past and present, looking at the long river of history, and cannot help but feel the shortness of life.
The world is long, life is in a hurry, and the short decades are really like the passing gap of a white horse, and they disappear in an instant. This kind of exclamation can not only lead to the decadent and violent infiltration of the idea of being happy in time, but also trigger the ambition to redouble the effort. Since ancient times, how many people with lofty ideals have not been depressed and depressed because they feel that life is short, but have lifted their spirits even more, so that their limited life has achieved nearly infinite meaning.
It is precisely because Chen Ziang has such a positive attitude that he "burst into tears". It is precisely because in the depths of pathos that there is a positive desire to make a difference, so it can resonate with us. The poet looked up to the past and the present, deeply felt that life is short, the universe is infinite, and unconsciously shed tears.
This is the poet's cry that must not be displayed with the heart of serving the country and the people. Reading carefully, the tragic and desolate atmosphere arises spontaneously, and the uneven length of the syntax and the changing syllables add to the artistic appeal.
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"Song of Dengyouzhou" is the work of the Tang Dynasty poet Chen Ziang.
Background: This poem was written in the first year of Wu Zetian's long live Tongtian (696). Chen Ziang was a man of letters with political insight and political talent.
The poet suffered setbacks one after another, and saw that the grand desire to serve the country became a failure, so he climbed the north tower of Jibei, groaned generously, and wrote poems such as "Song of Dengyouzhou" and "Jiqiu Langu Gift to Lu Jushi for Tibetan Use".
Chen Ziang (659 A.D. 700 A.D.), known as Boyu, was a native of Shehong, Zizhou (now Shehong County, Suining City, Sichuan Province), a poet of the Tang Dynasty, and one of the innovative figures in poetry and literature in the early Tang Dynasty. Because he once served as the right to accompany the relics, later generations called Chen relics.
There are more than 100 poems in total, and its poetry style is magnificent, far-reaching, vigorous and powerful. Among them, the most representative poems are 38 poems "Feelings", 7 poems of "Jiqiu Langu" and "Dengyouzhou Taiwan Song", "Dengzezhou City North Building Banquet" and so on.
Extended Materials. Dengyouzhou Taiwan Song".
I don't see the ancients before, and I don't see the comers after.
Thinking of the world and the world, I am alone and crying!
Vernacular translation: I can't see the sages of the past looking forward, and I can't see the current lord when I look backwards.
When I thought of the infinite ominousness and stupidity of heaven and earth, I felt desolate and wept alone.
Dengyouzhou Taiwan Song" is short, which profoundly expresses the poet's lonely and boring emotions when he has no talents. The language is vigorous and unrestrained, full of appeal, and has become a famous passage that has always been recited.
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If a person loses his credit or does not speak of his credit, he does not know what else he can do.
The pinyin is rén ér wú xìn, bù zhī qí kě yě, which means that if a person is not trustworthy, he really does not know whether he can (do things). That is, it is not good for people not to be trustworthy. From "The Analects of Politics".
Introduction: The Analects was written during the Spring and Autumn Period and the Warring States Period, and was recorded and organized by Confucius's students and their re-students. By the time of the Han Dynasty, there were three versions of the Analects of Lu (20 articles), the Qi Analects (22 articles), and the Ancient Analects (21 articles).
At the end of the Eastern Han Dynasty, Zheng Xuan took the "Lu Analects" as the base book, and compiled a new book with reference to the "Qi Analects" and "Ancient Wen Analects", and annotated them. After Zheng Xuan's annotations were circulated, the "Analects of Qi" and "The Analects of Ancient Texts" gradually died out. The main editions of the commentaries of the Analects in subsequent generations are:
During the Three Kingdoms period, He Yan of Wei State "Commentary on the Reform of Schools", Huang Kan of the Liang Dynasty of the Northern and Southern Dynasties "On Semantic Sparseness", Xing Yan of the Song Dynasty "Annotations on the Analects", Zhu Xi "Annotations on the Analects", Liu Baonan of the Qing Dynasty "Analects of Justice", etc.
The Analects covers many aspects such as philosophy, politics, economics, education, literature and art, and is very rich in content, and is the most important classic of Confucianism. In terms of expression, the Analects is concise and vivid, and is a model of quotation-style prose. In terms of arrangement, the Analects does not have a strict compilation of precedents, each article is a chapter, and the collection of chapters is an article, and there is no close connection between the chapters and chapters, but only a general classification, and there are duplicate chapters.
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"Dengyouzhou Taiwan Song" is a long poem written by the famous poet Chen Ziang in the Tang Dynasty, with 15 poems and a total of 152 words. The article praises the vast territory and great natural scenery of the north in a magnificent tone, expresses the poet's broad mind and pride, and has a strong patriotic color.
In the poem, Chen Ziang depicts the natural scenery of the north based on what he has seen and heard. He climbed the high platform and looked around, only to see the lofty mountains, surrounded by mountains, peaks, and deep canyons, with the rushing north wind, as if shouting the hero's name. He sighed
In the past, people have taken the yellow crane to go, and the yellow crane tower is vacant here", and used a "building" metaphor to express his love for the vast world, but also show a poet's noble spiritual outlook.
The last few sentences in Chen Ziang's "Song of Dengyouzhou": "I don't see the ancients before, and I don't see the comers after." Thinking of the world and the world, I am alone and crying! It is a manifestation of his thinking about remembering history, cherishing the present, and cherishing the future, which has a very profound connotation and philosophy.
This poem has a large number of rhetorical devices, such as allusions, analogies, metaphors, metaphors, exaggerations, etc., which are used freely, and grand ideas and strong patriotic feelings are vividly expressed in each sentence of Mo Min. "Song of Dengyouzhou" is known as "Lingyun's work" and "imposing poem" in the history of Chinese literature. <
A brief analysis of Chen Ziang's "Song of Dengyouzhou".
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