What is the essentials of calligraphy formulas, what are calligraphy formulas?

The mantra of Xingshu is as follows:

Stroke formula.

There is movement in the regular print, and the dot painting is elegant; The gestures are coherent and undulating; Take care of each other, and flow smoothly; Horizontal and vertical skimming, the activity is prepared.

2.Glyph formula.

There is movement in stillness, and there is stillness in movement; It seems to be a grass but not a grass, and it is not a grass; The structure is like Kai, and it is important to be smart; Glyph size, everything you need.

3.Penmanship formulas.

The pen is back to the front, and the front can also be exposed; Lift the pen with a fresh stroke; Frustration brushwork, giving life; Twisted ** such as, square out of the line quality.

4.Use the wrist mantra.

The most important thing to do is to use your wrist; The wrist should be alive, and the words will be smart; stiff wrists, dot painting is stunned; The strength of the wrist is all in the rotation.

5.Chapter formulas.

The beauty of the book is all in the layout; There is space between words, and there is space between lines; The size is sparse, and the surprise can be; Carefully arranged, counting white as black.

Structural features of the book:

1.Big and small. That is, the size of each word is different, there is a word of the pen and the pen are connected, and the words are connected with each other, both real and intentional, broken and connected, and the hope echoes.

2.Combination of retraction and release. Generally, the short lines are closed, and the long lines are released; The return front is to receive, and the flank is to release; Most of them are left and right, up and down, but they can also be converted to each other, and it is not excluded that they can be left and right, and they are put down and closed.

3.Dense and decent. Generally, it is dense at the top and sparse at the bottom, dense on the left and sparse on the right, and dense inside and sparse outside. The middle palace is tightly knotted, and the smaller the white space in the frame, the better, and the smaller the white space for the circled strokes, the better. The layout is tightly spaced, the line spacing is widened, and the stumbling is vigorous and colorful.

4.Shades blend. Writing should be relaxed, lively, and fast, and master the combination of good and slow, movement and stillness. The first word should be thick and the last word should be dry. The lines are long, thin, short and thick, light and heavy, and the shades are alternate. It's about the same as cursive, but not as cursive.

1. The yin strokes are thin, and the right yang strokes are thick. The italics are not oblique, and the middle strokes are long and downward. The cross arm should be distinct, and the lower part should be aligned. Left contraction should be contracted.

2. The horizontal pen is obliquely upward, and the skimming is oblique. The left and right verticals are short and thin on the left, and the right is stout. Two words and one of them, the left is high and the right is low, and the right is hanging and can be placed.

3. Horizontal, short, vertical and long, skimming and pretending to be stretched out to make up for the void. The upper point should be inward, and the lower point should be outward. The upper part is the cardinal point, and the lower part is centered. It should be given way to the right.

4. Left straight short, right hand run. Left and right, left and right. The same word is lined on the left and right, and the left is small and the right is large. The left vertical can be short.

5. The left and right sides are together, and the right part is the main body. The strokes are polymorphic and large, and the thin strokes are proportional. The cloth should be evenly discussed, and the thickness should be appropriate. The same word is lined up and down, and the top is small and the bottom is large.

Calligraphy mantras are:

1. Learn to write quickly in stroke order, without smearing and messing around.

2. First up and then down left to right, first horizontal and then vertical.

3. Skimming in the first and last

4. Write outside and write inside.

5. Pay attention when writing the box, and wait for people to enter the latch door.

Calligraphy needs to be measured on paper before practice, that is, before writing, you need to determine the position of the words on the paper, the size of the words, etc., as well as the overall layout, row and column arrangement, payment format and printing. Write regular script, official script, seal script, should first calculate the number of words, fold the box in advance, line script, cursive, only fold the vertical or horizontal line, just start to write when you can use the manuscript paper to arrange it, there are inappropriate places to adjust in time.

When writing calligraphy, the final end of the whole word should be complete, especially the last line, try to avoid only one word at the end, and there is the situation of the whole piece, or long, re-receiving, or large receiving, flat receiving, you can also appropriately aggravate the meaning of the pen.

The mantra of Xingshu is as follows:

To write smoothly, the main pen is the key.

Quick simplification is a feature, and even the pen is light and not thick.

There are many large variants of elasticity, and it is best to use a long edge with a pen.

The pen is held with a pen like cursive, so that the ink must be moistened.

The pen must be hung with the elbow, and the head of the whole article is the standard.

Flexibility is free, and it is necessary to penetrate it in one go.

The font of the book is the most beautiful, and the eight methods of the pen need to be remembered.

The center of gravity is stable horizontally and vertically, and the structure is dense and symmetrical.

The dot painting echoes the noble and lively, interspersed with affection.

The back of the item is clear and varied, and the pen is light and stiff.

Introduction

Xingshu is a kind of calligraphy between regular script and cursive script, if there are more elements of regular script in Xingshu, it is called Xingkai, and if there are more components of cursive script, it is called Xingcao. Xingshu also evolved from Lishu, so its line, penmanship, etc. have retained some elements of Lishu.

strokes, moving in the regular circles, and elegant dot paintings; The gestures are coherent and undulating; Take care of each other, and flow smoothly; Horizontal and vertical skimming, the activity is prepared.

glyphs, there is movement in stillness, and there is stillness in movement; It seems to be a grass but not a grass, and it is not a grass; The structure is like Kai, and it is important to be smart; Glyph size, everything you need.

Penmanship, starting from the pen back to the front, can also show the front; Lift the pen with a fresh stroke; Frustration brushwork, giving life; Twisted ** such as, square out of the line quality.

Writing formulas:

It is not difficult to write the line book, and the regular script structure is memorized.

The intention is to look at the structure of the pen first, who is steel and who is soft in front of the ink.

The upper and lower structures should not be heavy, and the strokes should be arranged for fear of long.

There is a rhythm in the pen, and there is a posture to change the angle on the front side.

The change is reasonable and realistic, and the left and right structures are divided into main and secondary.

Press the orderly front off the paper, and follow the rules to see the soft rhyme.

The pen does not pause, and the upper and lower strokes should be connected.

The radicals are practiced separately, and the urgency is in harmony.

In the middle of the seeking, see the connection, with the hook lingering with the mood.

The dot painting pen is elastic, and the curved square Luzhou is round and vivid.

The rhythm is smooth and flexible, and the crane dances in the flowing water.

Write horizontally and deduct the middle line, and write vertically with affection.

Calligraphy competitions are often participated, and the search for not sure will be successful.

Characteristics of the book

In the seal, Li, Kai, line, grass five kinds of calligraphy, seal, Li is the ancient style, now as a traditional calligraphy and its artistry, many people are still studying and creating, but from the evolution of the font, it is very early that is outdated, after the Eastern Han Dynasty is rarely in practice.

Cursive writing is too simplified, the knots have become simple and symbolic, and cursive writing is not easy for people to recognize, so it is not suitable for practicality, and it is even more inconvenient for most people to understand, and it is very difficult and not easy to popularize. However, from the perspective of calligraphy art, cursive is the most life-rich, which can best reflect the author's creative personality and ideological mood, and is a kind of calligraphy with a creative artistic sense in the creation of calligraphy art.

At present, a large number of regular scripts are used. In daily writing, due to the strict requirements of regular script dot painting, and slow writing, so in practical writing, often do not write regular script in the strict sense, but as a calligraphy learner, it is a kind of calligraphy that must be practiced. Through the practice of regular script, master the knot of calligraphy and the basic rules of using the pen to accompany the repentance.

As for Xingshu, whether it is artistic or practical, it is a kind of book style that is commonly written. This is because Xingshu is the most suitable for practicality and artistry, so it is loved by calligraphers and accepted by the masses.

Xingshu has the basic structure of regular script, and there are simple and fluent lines and lines in cursive script, which can express oneself to a certain extent, vivid and smooth, full of artistic temperament, and calligraphers and the masses love it.