Why do you say that the radical of the gluttonous pattern is like the text?

The meaning of the gluttonous pattern is to represent wisdom and spiritual will, symbolizing solemn authority; The gluttonous pattern is the main decoration of the utensils, reflecting the cultural life of the ancient people.

The so-called gluttonous pattern is a common pattern on bronze ware, and it is believed to depict the face of the animal that depicts gluttony. This pattern appears on the jade of the Liangzhu culture in the lower reaches of the Yangtze River, but the gluttonous pattern is more common on bronzes, especially Dingshang, which has been found on the bronzes of the Xia culture in Erlitou. Gluttony has a relevant image in online games, networks**, and film and television works with the theme of Chinese legends or fantasy martial arts

Precautions and key points to know for gluttony:

Gluttony is a kind of mysterious monster in ancient Chinese myths and legends, alias roe deer owl, the ancient book "Classic of Mountains and Seas - Northern Second Classic" introduces its characteristics: its shape is like a sheep's body and human face, eyes in the armpits, tiger teeth and human hands. Its name can be compared to the greedy people, and people generally call such people gluttons.

In the Zuo Biography, it is recorded that Tao Tao is the son of the Jinyun clan, not one of the nine sons of the dragon.

It also represents a ferocious beast that can be worshipped by nature, so it has become one of the most common patterns on bronzes. Moreover, this kind of pattern is fierce and solemn, the structure is rigorous, and the production is exquisite, which can be described as one of the best works of bronze decorative patterns, representing the highest level of bronze decorative patterns.

The above content reference: Encyclopedia - gluttony.

The taotao pattern is a kind of ornament commonly used in Shang and Zhou bronzes. This kind of ornamentation is combined with the shape of the utensils themselves to decorate, such as using the two buttons of the utensils as the eyes, and the edges and corners of the utensils as the bridge of the nose, such as "Da Yu Ding".

Gluttony is a greedy beast in ancient myths and legends, and the gluttonous image decorated on the bronze combines the characteristics of cows, sheep, tigers and other animals, and forms a kind of decorative ornamentation after exaggeration and deformation, making it look like many animals, but it is not like, in fact, it is the image of the god created by people through imagination at that time. ——Opening the Door to Art: Reading Famous Paintings of Chinese and Foreign Masters".

"Da Yu Ding" week.

"Gluttony" is a mythical beast in ancient Chinese legends, and its biggest feature is that it can be eaten.

The true name and prototype of the mythical beast referred to by the beast face pattern have long been buried in the irreproducible era, and the descendants are given the name gluttony because of their fierce appearance, mysterious, terrifying, and some of them have human heads in their mouths. Gluttony was originally used in "Zuo Chuan" to describe the unkind and unrighteous who are greedy for money and gluttony. Modern scholars have pointed out that naming the animal face pattern as a cannibal gluttony is purely far-fetched and contrary to the social and cultural conditions of the Shang and Zhou dynasties.

Because of its ferocious and terrifying face and notoriety for its gluttonous nature, the beast is almost impossible to find in the evolution of Chinese culture and art. In the middle of the Western Zhou Dynasty, animal ornamentation, which had prevailed for hundreds of years, suddenly withdrew from the field of bronze decoration. However, several animal patterns that appeared on the bronze at the same time as the gluttonous pattern, such as dragons, tigers, phoenixes, turtles, etc., appeared in large numbers in the later cultural evolution, both official and non-governmental, and became the most famous mascots in Chinese culture, and the theme of artistic expression endlessly.

Dragons, in particular, in the Bronze Age, mostly possessed the same ferocious faces as gluttonous patterns. In terms of mystery, might, and status, dragons were far inferior to gluttony in the Bronze Age. However, the dragon later ascended to the highest throne of Chinese cultural and political symbolism, and the supreme "glutton", the supreme of the Bronze Age, is difficult to find.

What exactly does the gluttonous pattern refer to? There has been a lot of controversy, and so far there is no conclusive conclusion. Some say that it is a cow, a sheep, a tiger, a deer, a mandrill .......

Among these sayings, gluttony is the loudest for the tiger. Many scholars engaged in the study of primitive culture and art believe that the gluttonous pattern is an exaggeration and deformation of the tiger stripe. In ancient times, the tiger was also a very important beast of the heavens, and the shape of the sorcerer riding the tiger appeared in the cultural relics of later generations.

In the long river of Chinese cultural history, before the worship of "dragon and phoenix", there was a rather long stage of dragon and tiger worship, and the dragon and tiger fighting pattern was very popular in the Eastern Zhou Dynasty to the Western Han Dynasty, especially the dragon and tiger fighting picture unearthed from the Mawangdui Han Tomb is the most exquisite, and the momentum is extraordinary. The ancients believed that the tiger was a yang beast, "the cloud is from the dragon, and the wind is from the tiger." "The dragon and tiger fight each other, indicating the combination of yin and yang.

In the Han Dynasty, Canglong, White Tiger, Vermilion Bird, and Xuanwu represented the four officials of the East, West, South, and North of the Astronomical Universe. At least, in the early years of Chinese history, the tiger's status was not below the dragon. However, the depiction of the tiger's supernatural powers in ancient texts is clearly difficult to compare with the prominence of gluttony in bronze.