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Sculpture, this is Michelangelo's classic.
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David Copperfield is a masterpiece, and Michelangelo also has a statue of David.
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The author is Michelangelo.
Michelangelo grew up in the turbulent years of Italy, and the death of his mother and his father's violent temper brought him a lot of blows and hurts, making him full of doubts about life. Michelangelo loved painting since he was a child, but he did not get the approval of his family, and was often beaten by his father for secretly learning to paint, but this did not affect his firm attitude of loving painting, and he insisted on his choice and eventually became an artist.
It is precisely because of his childhood experience that his sculptures are extraordinary, strong and powerful, trying to get a little comfort through sculpture. His works are not only completely realistic, but also imaginary, and this unique style of work eventually became a model of sculpture of the era, reaching the peak of Renaissance European sculpture.
Persona:
Michelangelo did not follow the previous scene of David trampling the enemy's head under his feet after defeating the enemy, but chose the state of David when he was ready for battle.
He meticulously portrayed David's expression in the moment before the battle: he stood confidently, with a heroic posture and a handsome face, his head slightly turned to the left, his eyes fixed on the enemy, as if he were searching for the enemy in the distance on the horizon, ready to enter a new battle; He holds the catapult on his shoulder in his left hand, and his right hand hangs down naturally, slightly in the shape of a fist; The right leg stands firmly on the ground, while the left leg is slightly bent in a relaxed way.
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The origin of the sculpture "David" can be traced back to the political, economic and cultural changes in the city of Florence, Italy, in the 15th century. During this period, Florence was a wealthy and powerful city-state, whose ruling politics were controlled by mercantile aristocratic families, who managed the economic and cultural life of the city together with the organization of public institutions.
In this context, the sculpture of David became a symbol of the Florentine city and a representative of the arrogant fashion of the times. Michelangelo's sculptural prowess was considered the best of his time, and the quest for muscle, strength and space can be seen in his work. These three factors are perfectly represented in the David's sculpture.
The sculpture depicts the image of David, a muscular young man, looking up into the distance with a slingshot in his hand. At this moment, he was starting to aim the slingshot and shoot the fatal blow of the slingshot. The sculpture embodies David's courage and ability to deal with danger.
Character detail and line depiction are one of the best features of this work, and even the tension between the flow of muscles and the strength can be seen.
Therefore, the David sculpture not only represents the artistic concept, social culture and political atmosphere of the time, but also one of Michelangelo's masterpieces, and is also one of the representative works of art of the Renaissance. In modern times, people still pay homage to this work and consider it one of the greatest masterpieces of sculpture art in the world.
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David is the embodiment of Renaissance humanist thought.
Its praise of the human body, ostensibly a "revival" of ancient Greek art, in essence indicates that people have been freed from the shackles of the dark Middle Ages and fully realized the great power of man in transforming the world.
Michelangelo injected great enthusiasm into the carving process, creating not just a statue, but a symbol of the artistic expression of the emancipation movement. As the highest level of sculpture and art of the era, "David" will always radiate endless brilliance in the history of art.
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The author of the sculpture "David" is the Italian sculptor Michelangelo Bonarroti.
Michelangelo is a great painter, sculptor and architect of the Italian Renaissance, and a representative of the highest peak of Renaissance sculpture art. Michelangelo represents the pinnacle of European Renaissance sculpture, and his figures are majestic, majestic, and full of infinite power. A large number of his works show an extraordinary ideal processing on the basis of realism, which became a typical symbol of the entire era.
The background of David's creation
Michelangelo lived in an era of social upheaval in Italy, and the vicissitudes of life on the go made him doubt the times in which he lived. In addition to the pain and disappointment, Min Yunxiang poured his thoughts into his artistic creation, and at the same time searched for his own ideals, and created a series of heroic images with majestic physiques and strong and brave like a quiet giant. "David" is the most outstanding representative of this kind of thinking.
David is a biblical teenage hero who once killed the Philistine giant Goliath who invaded the Jews and defended the city and people of his homeland.
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Answer]: B Analysis: Reach? Vinci, Michelangelo and Raphael are known as the "Three Masters of the Renaissance", and "David" is Michelangelo's representative sculpture of the mountain. Rubens is a typical representative painter of Baroque art.
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