What kind of DSLR machine is suitable for medium photo studios 10

Updated on number 2024-02-09
9 answers
  1. Anonymous users2024-02-05

    I don't know if the 10,000 you said is the leading **, if it's just the fuselage, then.

    Fijifilm's S2 Pro,S3 Pro is worth considering,The so-called portrait king,More expertise in portrait performance,But its fuselage design,Don't talk about it,Find some S2,S3 disassembly drawings yourself,But it doesn't matter if you use it in the studio。

    If you even have a lens of 10,000, it's more nervous, the machines at this price are actually about the same, D50 D70 350D, depending on whose lens you like, Nikon's 135F2CD 105DC, all of them are portrait top heads, D50 with a 105DC is not bad, or you can use it even, it's much cheaper. Canon, XXB XB and other lenses are not enough, so they have to be matched or.

    If the fuselage investment is small, then work more on the post-production, and try to shoot in RAW format as much as possible in the post-production.

  2. Anonymous users2024-02-04

    The d50 is sufficient, the sharpness is good, and the ** is cheap.

    With a good portrait head, about 10,000 years old.

  3. Anonymous users2024-02-03

    I now open a mid-to-high-end photo studio, and I have four Nikon D70S.

    The headers are: two headers, one telephoto and one medium focus, which is especially easy to use!

  4. Anonymous users2024-02-02

    Fujifilm S3 fuselage approx. 12000.

    Generally, photo studios use Nikon D100, and in 06 years, D200 will be basically used, and the current price is 15000.

  5. Anonymous users2024-02-01

    The most suitable camera for a medium photo studio.

    Nikon: D70S D50 with Nikor28--105mm or if funds allow.

    Canon: 20D 350D with Canon-EF28--105mm or more cameras are most suitable for portrait shooting in photo studios, the performance is good, I have used them all, Nikon lenses are harder and textured, Canon lenses are softer, but the lens focuses fast, suitable for snapshots.

  6. Anonymous users2024-01-31

    In the case of digital photo studios, my suggestion is to mainly choose models that are better for portrait restoration. 1.The higher the pixels, the better.

    2.The wider the aperture, the better. 3.

    The shorter the shutter lag, the better. 4.The longer the shutter life, the better.

    5.There is more room for later adjustments. Shooting in RAW format is preferred.

    6.The zoom range should be large. 6.

    Portrait ** is better restored. 7.Have a good grasp of the light and white balance of the scene.

    8.Strong operability. The quality should be good.

    Plenty of electricity. Water and dust resistance is preferred.

    DSLR can choose entry-level SLR, I will tell you a few models, Nikon D40, Canon 1000D, Sony A200, you can also choose some high-end digital cameras, such as Fujifilm 100FS, Canon G10, and Fujifilm's new S205EXR, etc.

    Well, the lens is generally equipped with an 18-55 dog head. Of course, in view of the fact that the photo studio mainly shoots portraits, it is mainly in addition to the lens equipped with the SLR, adding 2 more models, 1 50mm standard lens and 1 85mm standard portrait lens are enough.

  7. Anonymous users2024-01-30

    Look at what kind of photo studio you have. Generally, you can take ID photos, ordinary digital cameras are fine, and you can buy lights. General photography studio.

    D300, D700S are also fine. The key is to match the lens according to the application. Even high-end photo studios don't need to use the highest-end cameras.

    Choose according to your own talent and financial resources. As long as the equipment for doing business is sufficient. There's no need to burn the equipment.

    The later stage of the photo studio is also very important.

  8. Anonymous users2024-01-29

    The former. The latter is not good at doing professional newspapers.

  9. Anonymous users2024-01-28

    Photo studios generally use SLR cameras, and some photo studios use telephoto cameras. Not only is the difference between the lenses that can be changed, but also the comparison of various technical parameters, the SLR is much higher than the indicators of the card machine. For example, the SLR can adjust the sensitivity value and shutter speed by manually adjusting the light sensitivity value to obtain various special effects**, although the card machine can also be used, but the effect is much worse.

    The highest single-lens reflex camera is 24.7 million pixels, and the card machine is only 14.7 million

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