In the Observation of the Dance, I will talk about the aspects in which the author expresses the fl

Watching the Dance is a beautiful prose written by the famous writer Bing Xin after admiring the graceful dancing of the Indian dancers Kalama sisters. The article takes the praise of the Kalama sisters as an emotional clue, and vividly and delicately depicts the foreign culture and customs in front of us.

The use of superb linguistic skills to express the art of the stage is the most prominent feature of this article. This essay mainly uses rhetoric such as metaphor and analogy to vividly depict the delicate dance of the Kalama sisters, and transforms the visual image into a verbal image as much as possible, which stimulates the reader's imagination. While reminiscing about the article, the author seems to appreciate the unique physical beauty of dance art, so as to obtain the dual aesthetic enjoyment of language and dance.

Body, clothing, demeanor, mind, etc.

Figure", "Clothing", "Demeanor", "Mood".

5 in total. Body, clothing, demeanor, movement, mind.

Dance, costume, mind, demeanor.

From "figure", "clothing", "demeanor", "mood", etc.

Why is it said that Kalama "in the carnival of dance, she forgets the audience and forgets herself"?

Kalama's dance is very graceful, as if "flying", but it is not enough to "fly", it is necessary to have the complete devotion of the mind to achieve the state of "beauty". She is a part of the dance herself, her body and mind are one, transcending the carrier of form and entering the realm of free flight. True dance is a dance of the mind, not a dance of skill. 】

Karma wants to convey the emotions contained in the dance to the hearts of the audience by relying on the body, and if you can't get selfless into it, then the emotions expressed will inevitably be discounted by the environment and personal thoughts.

Kalama's dance is very graceful, as if "flying", but it is not enough to "fly", it is necessary to have the complete devotion of the mind to achieve the state of "beauty". It is a part of the dance itself, the body and mind are integrated, transcending the carrier of form and entering the realm of free flight. True dance is a dance of the mind, not a dance of skill.

Kalama's dance is so graceful that it seems to "fly". However, it is not enough to "fly", but also to fully devote oneself to the dance, so that oneself can become a part of the dance, and the body and mind can be integrated in order to achieve the realm of beauty.

Indian culture is the food that nourishes the national arts. All outstanding artists draw nourishment from the cultural soil of their own nation. The same is true of the Kalama sisters, who absorb the nourishment of Mother Earth, without the influence of India's long-standing culture and the connotation of Indian culture and history, the Kalama sisters' dances would not be so beautiful and moving.

The root is the influence of India's long culture and the connotation of Indian cultural history!

Indian dance has a strong religious color, every gesture, movement, and eye look has its specific meaning like a mute language, and dancing a dance is equivalent to silently telling a story. So the Kalama sisters are not just dancing, but also telling, using their bodies to express emotions, thoughts, intentions.

=。You call ** and ask me kid.

The Kalama sisters are represented by their bodies, demeanor, and clothing.

1) Radiant: a beautiful face; A pair of long eyebrows and a pair of eyes that can say thousands of words. Women's charm is not only manifested in the beautiful facial features, but also in the eyebrows. Before dancing, there is brilliance, and there is affection.

2) Man dance: long eyebrows, clever judgment, fingers, waist, bun flowers, pleated skirts, and slender steps - from "slow movement like a light cloud" to "whirlwind speed".

3) Shen Yun: The Kalama sisters vividly expressed the "joys and sorrows of clutch" with their energetic dancing. The exquisite dance transcends cultural barriers and connects people's hearts.

The Kalama sisters danced beautifully, as if they were "flying". But "flying" is not enough. It also takes the complete devotion of the soul to achieve the state of beauty.

She is a part of the dance herself, her body and mind are one, transcending the carrier of form and creating a realm of free flight. As the saying goes: smug and forgetful.