Regarding the question of poetic rhythm, what does poetic rhythmic mean?

Let's take the seven words as an example, the so-called Ping Qian relative, mainly look at two points: each sentence is 246 words, the couplet (such as 12 sentences for adjacent sentences or 34 sentences or 56 sentences or 78 sentences) The upper sentence is Pingping, and the next sentence is corresponding to Pingping; Each pair of sentence endings, except for 12 sentences, should be equal, and the last sentence and the next sentence should be flat. This is the battle of sentence structure.

How not to be lonely flat, that is, in addition to the even number of digits, there needs to be an odd number of digits also flat. (There is no solitary flat sentence form)||But sometimes we will see some strange sentences such as "the wildfire burns inexhaustibly, and the spring breeze blows and grows", and it is written out of the ordinary "仄仄平仄仄, 平平平仄平", 24 words fire and not are all 仄, which seems to be out of line. In fact, this is a kind of remedy for awkward sentences, the above is not awkward, and the following is remedied by blowing.

For more information about the rescue, please refer to the information).

Because your question is so confusing, all three of the above answers are not answered.

First of all, to be clear, there is only one kind of sentence that can be called "committing a lonely peace", and there is only one kind of "仄平仄仄平 (仄仄平平仄仄平)", it seems that you also understand this, and I don't know what you mean by "lonely ping" mixed in this question.

Let's answer your main question, why "Pingping" must be "Pingping"; "Pingping" must be the opposite of "Pingping". This situation only appears when "Ping Ping Ping" or "Ping Ping" is the first sentence of a poem, and the metrical poem has four basic sentence patterns, and these four basic sentence patterns can be used as the first sentence of a poem, but the metrical poem requires even sentences to rhyme and rhyme flat, so if "Ping Ping" or "Ping Ping" is the first sentence of a poem, according to the relative relationship between Ping Ping, then the sentence should be "Ping Ping Ping" or "Ping Ping", but in this way, it cannot meet the provisions of even sentence rhyme. Therefore, in order to comply with this provision, when "Ping Ping Ping" and "Ping Ping Ping" are the first sentence of a poem, the couplet must be "Ping Ping" and "Ping Ping Ping" in order to meet this requirement. In Wang Li's booklet, he did not elaborate on this issue, which caused many people to be confused, and I wonder if my explanation has made it clear to you.

Poetry is to be symmetrical.

The level of the word is based on the name of the word brand.

A word to a song, the song is fixed, the word of the name of the word card must be particular, and peace and harmony cannot be messed with.

From this, it is called "poetry" and "lyrics".

Pingqian is the tone of words used in Chinese poetry. "Ping" refers to straightness, and "Qi" refers to the folds of Quchun stove. Rhyme books revised from the Sui Dynasty to the Song Dynasty, such as the Cut Rhyme

Guangyun", etc., Middle Chinese has four tones, called ping, shang, go, and enter. In addition to the sound of Pingbi Huai, the other three tones have high and low changes, so they are collectively called Qi Sheng.

Ancient poems are silent.

The new rhyme is based on the northern rhyme of Mandarin and is organized by the Chinese Poetry Association.

Ancient rhyme, generally called flat water rhyme.

It is a reference to the more recognized metrical books in the past. Even the Poetry Society said that the new rhyme was only put forward in parallel, and he did not dare to cancel the flat water rhyme.

And Pingshui rhyme is the official language of the Song Dynasty.

It is roughly Luoyang (the general name of ancient Chinese official dialect) is biased towards Bianjing.

Cavity. His rhyme is more specific than Mandarin: Shangping, Xiaping, Shangsheng, Xiasheng, Detophoning and Entering Voice.

The "Pingxuan" in the ancient poem is the tone of the words used in the poems of Zhongxian Huiguo. "Ping" Shenpai Mountain refers to straightness, and "Qi" refers to twists and turns. According to the rhyme books revised from the Sui Dynasty to the Song Dynasty, such as "Cut Rhyme" and "Guang Rhyme", Middle Chinese had four tones, called Ping, Shang, Go, and Enter.

In addition to the flat sound, the other three tones have high and low changes, so they are collectively called the voice.

Pingqian is a term used to change the rhythm of poetry. The poets divided the four voices of Sunzhou into two categories: Pingsheng is Pingsheng, and Pingsheng is the three voices of Shang, Go, and Ren. The four tones were developed according to the Indian three-tone theory, which was summarized by Zhou Liang and Shen Yue by a complete inductive method, and then completed the dualization of the four tones by Wang Rong and Liu Tao, thus giving birth to Pingxuan.

Poetry rhythm refers to the fact that the ancients had a certain format for writing poems and lyrics, as well as rhyme and rhyme requirements.

"Ping" refers to the straight of the friend, and "Qi" refers to the twists and turns. In the sound of the spring in the world, the straight and unchanged is called "Yin Ping", and the slow rise is called "Yang Ping". In addition to the flat sound search, the other three tones have high and low changes, so they are collectively called the voice.

Hello, Pingqian is the tone. The ancient four tones are flat and go in, and the modern four tones are yin flat, yang flat, liquid key sound, and go sound. In ancient times, Ping was Pingsheng, and Qi was to go up and enter. The modern slippery and clever flat is the yin and yang level, and it is absolutely the sound and the sound.

The rules of metrical poetry mainly include the upper and lower levels, the relative level, and the non-substitution.

Pingqian is the tone of words used in Chinese poetry. "Ping" means straight, and "Qi" means tortuous. According to the rhyme books revised from the Sui Dynasty to the Song Dynasty, such as "Cut Rhyme" and "Guang Rhyme", Middle Chinese had four tones, called Ping, Shang, Go, and Enter.

In addition to the flat voice, the other three tones have variations, so they are collectively called the voice.

There is a certain format for the use of plainness in poetry, which is called metricism. Pingsheng and Pingsheng refer to the rhythm of poems composed of Pingsheng. Pingqian is an attempt to dualize the four tones.

The four tones are the four tones of ancient Chinese. Pingqian is based on the four tones, with incomplete inductive method to generalize, flat refers to straight, Qi refers to twists and turns. The upper voice, the lower voice, the sound is the voice, and the rest is the flat sound.

The Mandarin sound disappears, and the sound is classified into the upper two tones in the sound and the Yin Ping and Yang Ping in the Pingsheng sound, which leads to the error of using Mandarin to judge the poetry Pingxuan.

Pingqian in ancient Chinese:

The tones of ancient Chinese are divided into four tones: 平, 上 (shǎng), go, and enter. "Ping" refers to the flat sound of the four tones; "Xu" refers to the sound of the four tones, including up, go, and in. Bijin.

Tradition: According to the traditional saying, the "Jade Key Song" of the Ming Dynasty released the vacuum: The flat voice is not low, the upper voice is high, the wisdom is repentant, the voice is fierce, the voice is clear and the mourning is far away, and the voice is short and urgent. To put it simply, the key to distinguishing between the uneven is "uneven is the unequal".

The metrical poems are as follows:

There are only four types of five words, and these four types can form two couplets. Namely:

Ping Ping, Ping Ping;

Peaceful, mediocre, mediocre.

From the intricate variation of these two couplets, the four flat forms of the five laws can be formed. In fact, there are only two basic formats, and the other two are just slight changes from the basic format.

Five-law rise-up.

Ping Ping, Ping Ping; Peaceful, mediocre, mediocre.

Ping Ping, Ping Ping; Peaceful, mediocre, mediocre.

Chunwang (Tang Dynasty Du Fu).

The country is broken by mountains and rivers, and the city is deep in spring. When I feel the tears, I hate the birds.

The beacon fire lasted for three months, and the family letter was worth 10,000 dollars. The whitehead is shorter, and the hairpin is overwhelming.

In the other way, the first sentence is changed to 仄仄仄平, and the rest remains unchanged.

Five-rule flat style.

Peaceful, mediocre, mediocre. Ping Ping, Ping Ping;

Peaceful, mediocre, mediocre. Ping Ping, Ping Ping;

Mountain dwelling autumn twilight (Tang Dynasty Wang Wei).

After the new rain in the empty mountains, the weather is late in autumn. The bright moon shines among the pines, and the clear spring stone is upstream.

The bamboo noise returns to the Huannu, and the lotus moves the fishing boat. Feel free to rest in spring, and the kings and grandchildren can stay.

In the other formula, the first sentence is changed to 平平仄仄平, and the rest remains unchanged.

The Seven Laws are an extension of the Five Laws, and the extension is done by adding a two-character prefix to the top of the five-character sentence. Equalize on the level, add the flat on the top.

The list of the rules of the lyric is as follows:1. Rhyme with the first sentence of the five rules.

In the middle of the peace, in the middle of the flat (rhyme).

中仄中平仄, 平平中仄平 (rhyme).

2. The first sentence of the five rules rhymes.

中仄中平仄, 平平中仄平 (rhyme).

In the middle of the peace, in the middle of the flat (rhyme).

3. The first sentence of the five rules does not rhyme.

In the middle of the peace, in the middle of the flat (rhyme).

中仄中平仄, 平平中仄平 (rhyme).

4. The first sentence of the five unique sentences rhymes.

In the middle of the Pingping, Pingping (rhyme).

In the middle of the flat and flat, in the middle of the flat (rhyme).

5. The first sentence of the five absolute sentences does not rhyme.

In the middle of the flat flat, the flat key defeats the flat (rhyme).

In the middle of the flat and flat, in the middle of the flat (rhyme).

6. The first sentence of the five absolute flats rhymes.

Ping Ping, Zhong Ping Ping (rhyme).

In the middle of the Ping Ping, Ping Ping Ping Ping (rhyme).

7. The first sentence of the five absolute flats does not rhyme.

In the middle of the flat and flat, in the middle of the flat (rhyme).

In the middle of the Ping Ping, Ping (rhyme) noisy Li.

The oblique tones of metrical poetry require that the oblique tones in the sentence first match, that is, "the oblique tones in the sentence alternate with each other". The pings in metrical poetry are alternating within a certain unit rather than within a single word, depending on the meaning structure and rhythmic structure of the poem. Of the seven words, the flat oblique tone alternates with the first four words, and each two words are a unit; The latter three words can be divided into:

Five, sixth, seventh and oblique or.

Five, six, seven and oblique crossing. A five-word sentence can be considered as seven words truncated with the first two characters. This line has eight lines, and every two lines are called a line.

<> the first and second sentences are called the first sentence, the third and fourth sentences are called the third sentence, the fifth and sixth sentences are called the neck, and the seventh and eighth sentences are called the last sentence. The first sentence of each sentence is called a couplet, and the second sentence is called a couplet. The relative oblique tone of each couplet is the opposite of the flat oblique tone of the couplet, but in reality, the flat oblique tone of the seven characters in the couplet is the same as the first.

The two, four, and six characters are reversed, and the fifth is the first.

Second, the flat oblique tone of the four characters is reversed. The dissonance of the plain is called dislocation, which is one of the greatest taboos of the poem.

The third principle of poetic tone is that the tone between couplets is sticky. That is, in prescribed poems, the level and inclination of the upper and lower couplets are the same between the two adjacent couplets. In practice, seven words only need to be combined with two sentences in the first.

Second, the fourth and sixth words have the same flat and oblique tones. Similarly, the flat and oblique tones of the two and four characters are the same. The flatness in the line is not sticky, which is called loss of stickiness, which is also a taboo in the poem. The fourth rule of the rhythm of a flat poem is to have clear feet.

The foot is the last word in every line of the poem. The rhyming foot is called the foot; Feet that don't rhyme are called white feet. The foot sound is sharp, and the rhyme is opposite to the white foot.

Because metrical poems all have rhyme, the rhyme of metrical poems is rhythmic, and the white feet are oblique. The rhyme foot and the white foot are oblique at the same level, called the step foot, which is not allowed in canonical poetry You may feel that this article is too brief, but the purpose of this article is to outline the requirements of metrical poetry so that we can grasp the metrical poem as a whole. I'm just a tour guide and if you want to ask for my profession, I'm definitely not qualified.

Generally, it is to ensure that the first word of each poem is a sound, and it is necessary to pay attention to the fact that the rhythm can be discarded in front of the artistic conception. It has to be regular.

I think we need to pay attention to what Pingqian is, and for the use of many words, we must first look up the specific meaning, and we can compare some excellent ancient poets.