I want to learn to sing, how to practice my voice

Teach you lazy people to practice vocal techniques in one minute!

Step 1: Throw the high notes.

Imitate the sound of the motorcycle when it starts - "du", there is a conversion of true and false sounds, and practice for one minute.

Step 2: Move your ears.

Pull your facial muscles up diagonally and upward, then look for that sudden startled sensation. In fact, the scalp is moving, pulling the ears to move. Do a group of ten in a group of four.

Step 3: Resonance exercises.

Stick out your tongue, curl your tongue slightly, and there is a small groove between the two sides of your tongue and your upper and lower lips, and then make a "woo... Feel the resonance all over your body. It feels like the phone vibrates, and you have to use the sound of your chest to make it, and practice for a minute.

Step 4: Dantian exerts force.

Practice the control of the dantian breath, every time you pronounce a sound, the dantian will move, hei comparison: pronounce the sound "3". Compare with and without breath. The etude is.

12345 "Hey Hey Hey".

22345 "Hey Hey Hey".

The number of times is omitted. All the way up to 102345 "hey, hey, hey".

Step 5: Raise your voice.

Maintain the feeling of the "wu" sound and pronounce the "mu" sound. Wu wu wu mu mu mu wu mu mu mu

Step 6: Dantian bites the word.

hei hei hei (dantian force) is dead to love hei hei hei (dantian force) to love when dead.

hei hei hei (dantian force) has to love when he dies.

hei hei hei (dantian force) is dead to love Practice reading a lyric.

Practice for a minute, practice like this, let go of your voice, practice articulation with the right breath feeling, give your abdomen a muscular response, and have the right breath support when singing is very helpful to break through the high notes.

Step 7: Falsetto.

Speaking in falsetto, similar to Zeng Zhiwei's voice. Combined with the lyrics read aloud, it can make the sound more magnetic and textured!

Step 8: Snoring exercises.

Plug one nostril to imitate the sound of a pig Block both nostrils to imitate the sound of a pig and practice for one minute.

This exercise can help us open up the sound channel and, more importantly, open our high position.

Step 9: Intensity exercises.

The tongue relaxes like black and white, hands are flat on the chin, and lips are closed. Then pronounce the "um" sound, which is short, explosive, and very crisp, and bursts out for a minute.

Step 10: Wolf howl.

Pronounce "wu" from bass to treble and then from treble to bass, relax your throat with a consistent vocal range, and practice for a minute.

This is the end of the efficient vocal practice, or the words that you don't want to hear, persistence is the most important, and you can see obvious results in fifteen days, of course, vocal practice requires long-term persistence, not that you don't need to practice after fifteen days of practice, I hope you also understand.

I can't guess what many people think, and to be honest, most people don't seem to value this skill, and they are often improvised.

In fact, one of the easiest ways is to use the Peking Opera "Hey, Hey, Hey" and "Ahh

Here's how to learn to sing and practice your voice:

1. Every word and every vowel should always be kept high, and the focus of resonance should always be concentrated. That way the audience will feel that you are singing effortlessly. The key is to keep the larynx steady and not open your mouth wide to switch between different vowels.

The position of the larynx remains the same, and you can sing a brighter or darker sound at will, and the resonance point of the voice is always concentrated at one point.

2. Don't bulge your tongue, if you move your tongue, your voice will change. Flattening the tongue makes more space in the mouth.

3. The position of the voice should be placed in the mask, so that it can resonate, not in the throat, but let it out. There are two things to always do: first, let go of the Adam's apple; Second, the diaphragm muscles are strong and support the stability of the voice.

Fourth, no matter whether you sing up or down, the position of the voice cannot be changed, and you must sing it with legato until the last note. The diaphragm is always strongly supported, and special attention should be paid to not moving the throat.

5. When singing, the chest should always be expanded, and the mouth should be as natural as when speaking. Singing weak notes and strong notes are in the same position, full and bright. When singing with a smile, the voice is positioned high and enters the mask resonance chamber.

The voice should be wide, round, and bright, but it is not made in the mouth, but the inside opens the throat.

Sixth, the teeth should be opened, the sound can be deep, chew every word at the big teeth, so that you can not open your mouth wide, use the inside to open the bite of the word, the sound is mellow, and the position of each vowel is easy to unify.

7. You have to remember to do two things: open your throat and keep your voice in place. In the low voice zone, don't push as if you were talking. When singing high notes, don't lose your place as soon as the tweeter mouth is big.

8. Don't open your mouth too much up and down, don't go too far, don't go up and down o (the vertical oval mouth shape is easy to pinch the throat!) ）。The main thing is that the inside is open, and the bite position inside is high.

9. The bel canto school requires the voice to be sung very coherently, each vowel should be in a line, the line is very pure, and the breathing position is also consistent.

10. Open the throat, the sound enters the resonance of the mask, and the diaphragm has the strength to control the breath. These three must be linked and work together. When singing high notes, on the one hand, the voice position is upwards to reach the resonance focus of the mask, and on the other hand, it is necessary to feel the feeling of the human body sitting down, feeling a force down to the chest cavity and all the way to the diaphragm.

Some of the ways to practice your voice are as follows:

Step 1: Stretch.

1. Rub your face with both hands: Gently rub your face as you would when you wash your face. Gently snoring around the eyes, mouth, and ears to soothe the facial muscles.

2. Stretch channel: The seven knots are connected and connected. We need to stretch the passage so that it is unobstructed. Close your lips, pinch your nose and blow a little harder, feel your eardrums bulge, your eyes will open to complete four sets, drink a sip of warm water and rest for 30 seconds.

Step 2: Flick your lips evenly.

1. Use your thumb and forefinger to prop up the corners of your face or mouth, relax, gently blow to make your lips pop up, keep your breath even, slow exhalation and slow inhalation The throat is completely relaxed, and the breath should be held for more than ten seconds, and the breath should be stable.

2. This action trains the vocal cords, and at the same time trains the uniform vibration of the vocal cords, the premise of singing well is that the vocal cord vibration should be stable and even, and you can slowly get a relaxed high note! Hold it for more than ten seconds at a time and do it ten times. Take a sip of warm water and rest for thirty seconds.

Step 3: Pitch off.

Imitate the sound of a motorcycle starting. Hold for 10-20 seconds in one breath to smooth the transition to true and false voices.

Step 4: Move your ears.

Pull your facial muscles up diagonally and upwards to find the feeling of sudden fright, which is actually the scalp moving, pulling the ears to move.

Step 5: Resonance exercises.

Similar to a dog sticking out its tongue and sticking out its head like Bai Wuchang, the head is slightly curled, and there is a small groove between the sides of the head and the upper and lower lips, and then "chirps".", to feel the resonance up and down the body, it feels like a mobile phone vibrating, and you have to use the sound of your chest.

This exercise can change the timbre of speaking and singing, making the timbre brighter and more magnetic, so that the sound will sound good.

After practicing for one minute, don't stick out your tongue to pronounce the sound, feel like you have to stick out your tongue, and the soles of your feet will feel vibrating.

Practice for a minute, drink a sip of warm water, and rest for thirty seconds.

Beginners in singing and vocal practice need to open the throat, use dantian singing, pay attention to breathing, etc.

1. Open your throat.

When practicing your voice, keep your feet steady, your body upright, and your eyes looking straight ahead. Open your throat (it's not that your mouth is wide open, it's okay if your lips are slightly closed, it's okay to be comfortable), He Ranyan and then kept the position of the swallow in his mouth (the place where he swallowed a mouthful of saliva) with a large piece of sugar, (Fa Ou's voice can get space) There is a certain space. Don't let your jaw strain.

When practicing voice, beginners can stand facing the wall or mirror, with their toes about 1 cm away from the corner of the wall or mirror, their hands down, and start humming or reciting lines with their eyes closed.

2. Sing with Duan Tan Dantian.

Open your mouth to a certain extent, and then sing with your dantian qi. The gas must be resisted! And pay attention to the conversion of treble bass, true and falsetto!

3. Pay attention to inhalation and exhalation.

Gently open your voice to adapt to the environment: Vocal practice should also follow the order of Zen Yin from weak to strong, starting with the simplest bubble sound and gradually adapting to it. The opening and closing of the mouth bubbles fully massage the throat, and the light hum gradually opens up the vocal range.

When vocalizing, always remember that the upper abdomen (near the soft ribs) maintains the state of elasticity expanding to the surroundings after smelling the flowers and inhaling, and as long as the vocalization is forced, think about the upper abdominal soft ribs expanding to the surroundings, and feel that the upper abdomen is sinking downward, and do not force the force.

Exhalation, that is, to use the power of the diaphragm to keep the feeling of waist and abdomen expanding, number, using the strength of the waist and abdomen to hold. Start with 1 and count to 60 to pass.

1. When practicing voice, keep your feet steady, your body upright, and your eyes looking straight ahead.

2. Open your mouth to a certain extent, and then sing with dantian qi. The gas must be resisted! And pay attention to the conversion of treble bass, true and falsetto!

3. Figure out the parts and sensations of force, if the throat can be completely opened when singing, then the singer's own feeling should be that the throat has both outward expansion and the force to make the Adam's apple downward.

4. Inhale, imagine yourself in a beautiful garden, and smell the fragrance of flowers deeply, which is the inhalation of singing.

5. Inhale naturally through the nose and mouth at the same time.

6. Exhalation, that is, to use the power of the diaphragm to keep the feeling of waist and abdomen expansion, count the numbers, and use the strength of the waist and abdomen to hold. Start with 1 and count to 60 to pass.

In the process of vocal practice, the function and state of the vocal organ are adjusted according to the appropriate standard of voice effect and vocal organ muscles.

Basic exercises for "humming".

When starting to practice the sound, it is beneficial to practice humming first, because it is easy to pronounce this sound to achieve a high position and a forward, bright, and focused effect. When practicing humming, first of all, the upper and lower lips should be naturally closed, and the inside of the mouth should be opened, as if the mouth is closed and yawning, and the sound will be expanded to the high position, frontal sinuses, and sinuses, but do not block the sound in the nasal cavity, otherwise it will produce a nasal sound.

Exercises for vowels

In addition to humming exercises, it is more important to practice vowels, such as a, i, o, u, e and other single vowel exercises, and you can also use mixed vowel exercises such as ma, me, mi, mo, mu, etc.

Legato exercises

It is often said, "You can't sing if you don't have coherence." "The main expressive power of the singing voice lies in the coherence and beauty of the voice, and only a coherent voice can sing a moving melodic line.

Stuttering exercises

Stuntain singing is also known as staccato singing. It is required to sing clearly, shortly, flexibly, elastically, and with a strong sense of concentration. When practicing, you should pay attention to the flexibility of one word and one tone and the coherence of one word and one sound.

Exercises that combine legato and stuttering

On the basis of the basic mastery of legato and puntation singing, you can add the practice of combining legato and punt, which is conducive to the unity of the singing state, the punctuation seems to be a "point", and the legato is like a "line", so that the position of the sound is unified with the dot and line, and the breath is kept uniform and smooth.

Exercises that keep the resonance position the same

In the "humming" exercise, we have said that the best way to find the resonance position is to experience the "humming" feeling, if this resonance focus is found, then all other notes should be closer to this humming position, so as to achieve the high position of singing, so that the voice up and down are unified.

Exercises in vocal flexibility

This practice is mainly to adapt to the fast, fluid requirements of song singing, in order to achieve a more active coordination of body, throat, and breath.

Combined with word sound practice (word practice).

It is required to be imaginative, meaningful, pictured, expressive, musical, and emotional according to the meaning of the words. Strive to achieve accurate words, with affection, with emotion, and slowly transition to singing songs.