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What are the methods of practicing the sound of trousers in the booth are introduced as follows:
Commonly used vocal practice methods include: basic exercises for "humming", vowel exercises, legato exercises, pause exercises, and exercises for the combination of legato and pauses.
1. Basic exercises of "humming".
Closed-mouth humming refers to the use of the "n" and "m" voices", with the lips closed. During the training, the muscles of the chin, throat and mouth should not be stiffened, the mouth should be in the state of singing vowel A, the lips should be gently closed, and the upper and lower joints should be opened in parallel.
The softening is lifted up with the correct inhalation action, the pharyngeal cavity is arched, the upper and lower teeth are separated, so that the breath fills its space, and the nasopharyngeal cavity and thoracic canal should be opened and relaxed to obtain a smooth resonance cavity.
2. Vowel exercises.
In addition to humming exercises, it is more about vowel exercises, "ah" is easy to find bright spots, "oh" is easy to find nasal resonance. "Uh" is easy to find the strength of the pharyngeal tube, "Yi" is easy to strengthen the poor tone of the vocal cords and mountains, and "woo" is easy to find the resonance of the head cavity.
Most of them are vowels that are easy to sing and work best on their own. Then use the same position and feeling to bring out the other vowels, and if you feel that the voice is tight and the throat is heavy when singing, then it is best not to sing like "clothes" for the time being.
3. Legato practice.
The main expressiveness of the singing voice lies in the coherence and beauty of the voice, and only a coherent voice can sing a moving melodic line. In order to make the sound more coherent, you can make the range of the exercise relatively wider, and the practice can be more difficult.
4. Pause practice.
Stuntain singing is also known as staccato singing. It is required to sing clearly, shortly, flexibly, elastically, and with a strong sense of concentration. When practicing, you should pay attention to the flexibility of one word and one tone and the coherence of one word and one sound.
5. Practice the combination of legato and pause.
On the basis of the basic mastery of legato and puntal singing, you can add the practice of combining legato and punt, which is conducive to the unity of the singing state, the punctuation seems to be a "point", and the legato is like a "dotted middle line", so that the position of the sound is unified with the dot and line, and the breath is kept uniform and smooth.
The principles of training include:
First, voice practice should be carried out on the basis of specific and certain theoretical knowledge, that is to say, theory should be used to guide practice.
Second, it is necessary to combine the specific vocal conditions of the voice practitioner.
Third, it is necessary to combine the laws of audio language art and the phonetic characteristics of Putonghua, and emphasize the use of words to bring sound, not to memorize words soundly.
Fourth, the range of training should be greater than the range used, and fifth, the training should be in a positive state, do what you can, and step by step.
In addition, it is also very important to closely link the training of basic skills with practical application. It is necessary to improve the quality of the voice and the ability to pronounce through practice, broadcasting, recitation, and speech practice, and we must not be biased.
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