The original text of Ansai waist drum, Ansai waist drum sentence appreciation

The appreciation of the Ansai waist drum sentence is as follows:

1. Sentences: 1. Interweaving! Revolve! Coacervation! Rush! Radiation! Whipped! Sublimation!

2. What an Ansai waist drum! What an Ansai waist drum!

3. No restraint, no restraint, no occlusion. It's the strength to break free, break through, and crash away!

4. Every stare at Hu dance is full of power. Every dance is whirring. Every dance is a rapid change of light and shadow. Every dance makes people tremble, and in the intense artistic enjoyment, it makes people breathtaking.

5. It shocks you, burns you, and threatens you.

2. Appreciation: 1. Ranking: These words are progressive, which is used to explain that Ansai waist drum is a manifestation of catharsis and sublimation of life.

2. Repetition: express the author's praise for Ansai's waist drum.

3. Comparison and repetition: This sentence is a sentence in the full text that highly summarizes the life force of Ansai's waist drum. It shows the strong desire of the people of Ansai to break through the shackles and obstacles.

4. Ranking: It expresses the author's praise for the strong dance posture of Ansai's waist drum.

5. Use the ratio: layer by layer, the mountains and seas are overwhelming.

Ansai Waist Drum is an essay written by contemporary writer Liu Chengzhang. The article is written about Ansai's waist drum, and does not depict the process of a performance in detail, while Kai Mingzhu carefully selects fragments to write. First write the scene of the performance, then write the drums, and then write the drummers, and the three music Huai chapters all use "What an Ansai waist drum!"

The end and repeated chanting fully express the majestic and heroic artistic realm of Ansai's waist drum.

"Ansai Waist Drum" is a Tang poem by the Tang Dynasty poet Bai Juyi, the whole poem takes the beautiful and moving dancer as the image, describes the artistic charm of her dance, and gives a sensual beauty, which makes people can't help but indulge in it. Here's a breakdown of the poem:

1. Ansai came agitatedly and sent spring and summer everywhere.

These two sentences begin with the dynamics of the dancer Ansai's waist drum, showing Qiaoshan's youthful and cheerful mood through the dance. At the same time, the depiction of sending spring to summer is the focus of the depiction of "spring" and "summer", vividly and vividly pointing out the warm atmosphere of the pursuit of victory.

2, Hu Yan has not returned the flying people, why should Qiang Di complain about the willows.

These two sentences are based on the flying of the wild goose and the whistle of the Qiang flute that come with the dancers, thus creating a beautiful dance scene. The scene of Hu Yan and Qiang Di not only reflects her daily life, but also slightly expresses the nostalgia for the parting of her lover, and the willow becomes a symbol of their intersection, which means a soft encounter and intoxicating tenderness.

3. The spring tide brings rain and comes in a hurry, and the wild ferry unmanned boat seeps away from the horizontal.

These two lines of poetry take the gaze away from the beautiful woman and turn to the scene around her, indicating the turbulence and floating of the dance scene, conveying a sound of unease and confusion. Clouds and rain, dimness, and the desire of a single person to meet the dynamics of the dancers through the change of background, making the dancers more beautiful and dynamic.

This poem is as famous as Li Bai's "Will Enter the Wine" and Du Fu's "Happy Rain on a Spring Night", and is the best transformation of Wang Wei's art of "painting in poetry and poetry in painting".

Ansai waist drum appreciation:

1. The lyrical beauty of the combination of fiction and reality.

Ansai Waist Drum is an example of the coexistence of fiction and reality. It gives people the most powerful and intuitive audio-visual impact with a realistic description, and brings the reader into a virtual realm: writing about the on-site feelings, and writing about the powerful shock of Ansai's waist drum.

Second, the subtle beauty of the combination of hidden and explicit.

Through the unique charm of traditional music and dance performances, "Ansai Waist Drum" celebrates the life force of people, and is written roughly, cautiously, vigorously, heartily, straightforwardly, and without subtlety, which is its obvious side. However, the author also implicitly some content related to the background of the times.

3. The beauty of the perspective of the combination of large and small Liangyu.

The perspective of Ansai Waist Drum is unique, and the selectivity of perception and artistic creativity are perfectly combined. In the choice of viewing angle, choose either the large or the small. Looking at its big is integrated, and looking at its small is nuanced.

On the one hand, in order to adapt to the grandeur of the waist drum performance, the author adopts a panoramic or even overlooking perspective, so that the broad scene and far-reaching background can be seen, and we cannot see the individuals of relatively independent people and the individual of the scenery.

Fourth, the harmonious beauty of the combination of complex and simple.

The expression of "Ansai Waist Drum" is generally very concise, and all the cumbersome explanations have been omitted, only the rough line outline is seen, and only a few bright spots in the rough line outline of Jingxiao Rock are seen. But in such an overall style, in a short space, there is a surprising amount of complicated writing.

Fifth, the combination of movement and stillness sets off the beauty.

In Ansai Waist Drum", in order to increase the sense of ups and downs of the text and mobilize all means to reflect the performance of Ansai waist drum, the author deliberately arranged two transitions between movement and stillness, separating the beginning and end of the prose.