The poems of the Tang Dynasty, such as Li Bai and Wang Wei, reflect the beauty of poetry

"Painting in poems" is the artistic characteristic of Wang Wei's poetry works. Wang Wei's poems, often in the form of five rules and five uniques, are short, the language is exquisite, and the syllables are relatively soothing, which are particularly suitable for expressing the quiet landscape and the poet's comfortable mood.

People often use the phrase "there are paintings in poems" to comment on Wang Wei's poems, which indeed summarizes the artistic characteristics of Wang Wei's poems. Wang Wei's landscape idylls are numerous, and most of them have the characteristics of this poetic and pictorial fusion. The so-called "painting in poetry" refers to a high degree of imagery, that is, using language to depict a picture of life that seems to be seen and touched.

Wang Wei Profile:

Wang Wei was born in the Wang clan of Hedong, and was promoted to the Shidi in the ninth year of the Kaiyuan Dynasty (721) of Xuanzong of the Tang Dynasty, and was Taile Cheng. The right of the officials has picked up the remains, supervised the imperial history, and made the judge of the Hexi Festival. During the Tianbao period, the worship of the Ministry of Langzhong and the matter were in the middle of the matter.

When An Lushan captured Chang'an, he was forced to accept a false position. After Chang'an was recovered, he was appointed as the crown prince. During the first year of Tang Su Zongqian, he was appointed as Shangshu Youcheng, known as "Wang Youcheng".

Wang Wei Shen Zen enlightenment, proficient in poetry, calligraphy, painting, **, etc., with the name of poetry in Kaiyuan, Tianbao, especially long five words, more than the landscape and pastoral, and Meng Haoran together called "Wang Meng", because of the sincerity of the Buddha, there is a "poetry Buddha" said.

The calligraphy and painting are particularly exquisite, and later generations recommend it as the ancestor of Nanzong landscape painting. He is the author of "Wang Youcheng Collection" and "The Secret of Painting", and has about 400 poems. Su Shi of the Northern Song Dynasty commented on the clouds: "The poems of the taste of Maha, there are paintings in the poems; Looking at the painting, there is poetry in the painting. ”

Li Bai felt that "Daya has not been done for a long time, and I am declining to compete for Chen", and criticized the situation of the poetry world that "since Jian'an, Qili is not enough to be treasured". Therefore, inheriting the fine tradition and poetic style of the Han and Wei Yuefu feelings of sorrow and happiness and fate has become his innovative means to revitalize the poetic Tao, which is mainly reflected in his creative practice of vigorously formulating ancient Yuefu.

Li Bai's Yuefu poems use a large number of ancient Yuefu titles, or use their original meanings, or turn over the case to create new ideas, which can be used to make the best of the fun. Its innovation is mainly manifested in two aspects: on the one hand, it is written with ancient inscriptions, which has a distinct spirit of the times. Such as "From the North Gate of Thistle".

"Chivalrous Journey" and so on are all works of fate, expressing the author's feelings about real life, with profound meaning and sustenance. On the other hand, it is to use ancient inscriptions to write about oneself, because the theme and song title contained in the old title Yuefu have aroused the author's feelings and associations at a certain point, and he uses it to express his feelings.

Li Bai used ancient inscriptions to write his own Yuefu poems, because of the emphasis on subjective lyricism, it can better reflect the personality characteristics of Li Bai's poetry creation must be unprovoked and powerful, and its beauty is often between the sold-out and the incomprehensible, which can be said to have sustenance, or it can be said that it just expresses feelings, and wants to fall out of the sky, strange and strange. Such as "Shu Road Difficulty".

The ancient words imply that it is difficult to achieve meritorious deeds, which touched the grief and indignation of Li Bai when he first entered Chang'an to pursue the end of his meritorious deeds, so he used this ancient title to express his feelings, and repeatedly sighed that "Shu Road is difficult to go to the blue sky". Another example is "Will Enter the Wine".

The old title of this poem contains the meaning of drinking and singing, which was triggered by Li Bai, expressing the heroic spirit of "I am born to be useful", with the momentum and power of a great river, which not only brings the theme of the original song to the fullest, but also fully demonstrates the poet's wild and confident personality.

Li Bai's kind of Yuefu poems, although they are pseudo-ancient, have "I" everywhere, showing personality characteristics that others cannot imitate. Such as "Difficult to Walk".

From intonation to momentum, it is all Li Bai's style, expressing subjective feelings in the first person with nostalgia and discussion, completely breaking the traditional Yuefu narrative writing method. When poets choose the old title of Yuefu to express their feelings, they often carry out creative germination and association according to the moral and emotional tendencies of this topic in ancient words, use bold exaggeration and ingenious metaphors to highlight subjective feelings, and form a majestic momentum with unbridled writing. Li Bai brought his romantic temperament into Yuefu, so that the ancient Yuefu gained a new life, and pushed the creation of Yuefu poems to an unparalleled peak.

Li Bai integrated his personality and temperament into the creation of Yuefu poems, and formed a lyrical way of flowing clouds and water, with a sense of galloping and whirling dynamics. This sense of dynamism is often seen in the syllables of words and sentences, which is often manifested in the jagged sentence structure and the ups and downs of the rhyme, especially in the miscellaneous style of music. Li Bailefu's representative works, such as "Shu Dao Difficult", "Will Enter the Wine", and "Liang Fuyin".

etc., most of them are to.

5. Seven words are the main miscellaneous words. In terms of system and style, there is almost no substantial difference between this kind of miscellaneous style and the Song Qiao and Blind Style that prevailed in the Tang Dynasty. Li Men's creation of Yuefu poems has actually completed the fundamental transformation from the ancient style of the Han and Wei dynasties to the style of the Tang Dynasty.

Li Bai's poetry has a strong romantic spirit.

Its characteristics are mainly reflected in the following four aspects.

1) Strong subjectivity and romanticism.

Li Bai is a sober realist, and his poetry is based on real life and the strong voice of the times. Most of Li Bai's poems are lyric poems, in which the poet does not express life calmly and meticulously, but focuses on expressing his fiery inner feelings, and he shows his distinctive originality with strong subjective colors and romantic feelings.

2) Use rich and peculiar imagination to express emotions.

The romanticism of Li Bai's poetry is also reflected in the fact that he is also good at using rich and peculiar imagination to describe images and express feelings. He sometimes uses the dream fairy world to capture surreal imagery, create a beautiful ideal world, and express his thoughts and feelings of despising darkness and pursuing light. Such as "Sleepwalking in the Sky and Leaving Farewell".

3) Skillful use of rhetoric to express a fiery sense of passion.

The use of bold exaggeration, novel metaphors, and anthropomorphic techniques are also common artistic techniques used by Li Bai to express romantic feelings. Sometimes, he uses both exaggeration and metaphor, "The white hair is three thousand zhang, and the fate is like a long ("Qiupu Song" its fifteenth) and "Yanshan snowflakes enter the table" ("North Wind Travel"), all of which are famous sentences with metaphors in exaggeration.

4) The language is plain and straightforward, and it is straightforward.

Li Bai's poetic language is straightforward. That is, the so-called "clear water out of hibiscus, natural carving." Those lyrical poems that express the heart directly, such as "The road is like the blue sky, I can't go out alone" ("Difficult to Walk" II), I am born to be useful, and my daughter will come back after being scattered ("Jiangxia Gift to Weinan Lingshui"), all of which are straightforward, natural and heroic language.

Answer: Poetry and poetry, language sentence structure, chapter law.

One: love of nature.

Two: the pursuit of ideals.

Three: bold and peculiar imagination.

Four: Qingqi beautiful words.

The dominant style of Li Bai's poetry is heroic and unrestrained.

The characteristics of Li Bai's poetry: heroic and unrestrained, fresh and elegant, rich imagination, wonderful artistic conception, wonderful language, romanticism, and clear ideas.

Li Bai's poems are majestic and elegant, and his artistic achievements are extremely high. He eulogized the mountains and rivers of the motherland and the beautiful natural scenery, and his style was majestic and unrestrained, handsome and fresh, full of romantic spirit, and achieved the unity of content and art. He was called "the immortal" by He Zhizhang, and most of his poems mainly describe landscapes and express inner emotions.

Li Bai's poems have the artistic charm of "the pen falls into a storm, and the poem becomes a weeping ghost and god", which is also the most distinctive artistic feature of his poetry.

The characteristics of Wang Wei's poetry: fresh and distant, natural and refined. Wang Wei's poems depicting natural landscapes such as landscapes and pastoral fields and singing about secluded life are painted with shadows and shapes, and have the wonder of freehand and expressive, form and spirit.

With a fresh and distant, natural and refined style, Wang Wei has created an artistic conception of "painting in poetry, poetry in painting" and "Zen in poetry", and has set up a banner in the poetry world.

Li Bai is a romantic poet, and Wang Wei pays more attention to reality.

Li Bai's poems are atmospheric and chic, with the attitude of immortals, while Wang Wei's poems are "paintings in poems, and poems in paintings".

Li Bai's poems are unrestrained, and Wang Wei pays attention to landscape poems.

Li Bai is elegant and bold, and Wang Wei is ethereal and natural.

Li Bai: Poetry immortal.

Wang Wei: Poetry Buddha.

The stylistic characteristics of Wang Wei's poetry are as follows:

1. The artistic conception of the landscape idyllic is lofty, light and quiet, and there is a sense of freehand and expressiveness, and the magic of both form and spirit. With a fresh and distant, natural and refined style, Wang Wei has created an artistic conception of "painting in poetry, poetry in painting", and set up a banner in the poetry world.

2. The poems are bright and beautiful, heroic and majestic. Wang Wei's works, such as "From the Army" and "Longxi Journey", which are based on the theme of military travel and border life, are all magnificent and flying works. Ye Qingqing's "Watching the Hunt" vividly describes the scene of hunting, and "Yimen Song" sings about the chivalrous spirit of historical figures.

3. The poem for a friend is subtle, deep and sincere. In Wang Wei's farewell and chronicle poems, there are often good sentences written about the scene, such as "distant trees take travelers, and the lonely city is the sunset", "the desert is lonely and the smoke is straight, and the sun sets on the long river", etc., which are all famous sentences that have been recited for a long time.

Poetry Influence:

Wang Wei is one of the representatives of the Chinese landscape idyll, who not only inherited and developed the tradition of writing landscape poetry pioneered by Xie Lingyun, but also absorbed the plain and mellow beauty of Tao Yuanming's idyll, and then pushed the landscape idyll to a new height, so it occupies a very important position in the development of Chinese poetry.

Most of Wang Wei's landscape poems were written in the later period, and compared with his predecessors, he expanded the content of such poems, added its artistic style, and made the achievements of landscape poetry reach an unprecedented height, which is his outstanding tribute to classical Chinese poetry.

Wang Wei's poems were famous during his lifetime and in later generations. The poems of Liu Changqing in the Tang Dynasty, the Ten Talents of the Great Calendar, and even Yao He, Jia Dao and others were all influenced by Wang Wei to varying degrees. Until the Qing Dynasty, Wang Shizhen's charm said that in fact, Wang Weishi was also the ancestor.