Can a design sketch be a structural sketch ah 40?

No, I took the exam last year, design sketching is to add my own design and ideas, while structural sketching is a test of basic knowledge and skills, that is not involved in anything.

Logically speaking, it can't be equated, design sketch pays more attention to the use of design elements, the combination of your imagination design sense and sketch, and structural sketch as long as the structure is drawn clearly, you can add some structural sketches to your design sketch, but not a complete structural sketch.

You can add all kinds of elements you want to add to it, it is said that it is a part of the design and structure sketch, you can add a little bit appropriately, but you can't completely draw it like a structural sketch. But in fact, it depends on your teacher's opinion, each teacher has a different understanding, and the things taught to students are also different.

1 University Course: Yes. At the beginning of freshman design sketching, most people have no foundation, no need for light and shade, if you are sure, you can add light and shade, the contrast is strong, and there is no need for close-up.

It's best not to draw this relatively simple way, you can refer to the method of isomorphic graphics, find an object first, and then use displacement instead of positive and negative techniques to enrich the picture effect, and the score will be relatively high!

The main thing is to see if your painting is interesting, design sketch is to give people a sense of interesting, for example, if you paint a picture from the crack of the door to see the still life on the table, this is very different from the general still life sketch, this is very interesting, this is the design sketch painting, if the painting is good.

If it's for the exam, it's better not to.

Designing sketches is also a test of your thinking and creative ability on the basis of reflecting your basic skills.

Design sketches are generally expressed from a special angle and exaggerated perspective, and it would be better if they could convey certain feelings.

Yes, design sketching pays more attention to the basics of sketching while focusing on design.

No, design sketches mainly express your creativity.

Yes, draw the structure first, then the shadow.

You're only half right, it's okay to start drawing structures, but as you keep improving your level, you have to try any method of expression, hehe.

Progress should be gradual.

The design sketch mainly depends on your ideas, and the specific way to express it depends on the requirements of the assignment, if there are no requirements, it can be used.

A design sketch is not just a structural sketch. The design sketch is first and foremost made up of design elements inside.

Let me tell you a secret: the most important thing in design sketching is the relationship between black, white and gray, the expression of texture, and the in-depth shaping of parts.

Step 1: Determine the width and height of all objects, draw the basic outline of each object, and pay attention to the position of the object and the occlusion relationship between the front and back.

Step 2: According to the perspective relationship between the front and back of the object, deepen the part of the color near the front to enhance the perspective effect between the objects.

Step 3: Use a long straight line to outline the outline of the object, pay attention to the position of the vertices of the cube, and correctly grasp the perspective relationship. Draw the structural shape lines of the slice cylinder and the cube.

Step 4: Then, according to the illumination direction of the light source, draw the basic outline of the projection surface of each object, and pay attention to the grasp of the projection shape. Draw the line dividing the background from the plane at the same time.

Step 5: Distinguish the light and dark of the object as a whole, determine the boundary line between light and dark of each object, and arrange the overall line of the dark part. At the same time, draw the overall line of the projection surface, pay attention to the depth change of the tone of the projection surface, and the line should have a virtual and real change when drawing.

Step 6: Strengthen the overall tone of the projection surface of the object and enhance the three-dimensional sense of the picture. Use short straight lines to draw the textured tones of the object's background interlining. Notice the shades of the tone and the direction of the lines.

The characteristic of structural sketching is that lines are used as the main means of expression, and there is no change in light and shadow without light and shade, or some light and dark relationships can be appropriately interfered, and the structural characteristics of the object are highlighted. In addition to the visible appearance, it also draws the invisible inner coherent structure and the invisible external outline.

Why does the structural sketch abandon the depiction of light and shadow changes, and deliberately emphasize the structural characteristics of the essence of the object? This is determined by the purpose of its training. As we know, painting and sketching is aimed at cultivating modeling ability, training correct observation ability and ability to depict three-dimensional images on a flat surface, and reproducing the image of objects with artistic language.

In addition to cultivating modeling ability, the ultimate purpose of structural sketching is to train designers to look at and understand design objects with three-dimensional thinking. When painting a product, we should first observe the product in all directions, and even take it apart to study, so that there will be a three-dimensional spatial concept of the product. Only by observing all the surfaces can we understand the structure, and it is possible to depict and grasp the object from various imaginary angles and redesign and combine them without the concrete object.

That's what structural sketching is all about. This learning process is not affected by changes in light and shadow, but is only related to structural features. Therefore, the study of structural sketching simply abandons the light and shadow factors, emphasizes the essential structural features, and can better express its design auxiliary functions.

As far as the essence of structural sketching training is concerned, it is still to improve the ability of art modeling, so as to not only be able to sketch skillfully, but also to express the image formed in the process of designer's creative thinking in the way of structural sketching.

In the teaching of structural sketching, in addition to cultivating students' ability to accurately depict, analyze and shape structure, it is more important to cultivate the coordination ability of eyes (observation), heart (understanding) and hand (expression), so as to understand nature and discover design ability through sketching. Gradually master the method of accurately expressing your design intentions, and intuitively express your design ideas and design images. This kind of training is quite different from chiaroscuro training in terms of means of expression.

The requirements for shape, perspective, proportion, etc., are similar to those of chiaroscuro.

How to draw a sketch of a structure

1. Observe the object and set the composition form on the screen: triangle.

2. Determine the large proportion of the shape, draw the internal structure of the object, and check the shape and perspective accuracy of the object.

3. Keep the lines at the beginning of the draft, as auxiliary lines, and draw the ups and downs of the shape of the object step by step.

4. Use thick lines to show the spatial position of objects, and pay attention to the virtual and real changes of lines. The main part of the picture can be painted a little more realistically, and the secondary part can be painted a little more virtually.

5. Repeatedly use lines to express your shape until it is approximate, and pay attention to the comparison of lines in space to strengthen the sense of space.

6. Adjust the picture from the whole.

The sketch structure consists of two aspects: the physiological structure and the physical structure. Learning to sketch is first of all forming, and then of structure. Below the Beijing Studio Training Camp, I will give you a detailed introduction to what is the structure of a sketch.

Physiological structure: The internal relationships of the object itself are called physiological structures, which are illustrated in sketches, such as: the growth trend of bones and muscles; Clothes are interspersed with folds, cabbage leaves grow in layers, etc.

There are also some light through the observation of the appearance of the ant can not be seen, which needs to be understood with the help of some anatomical diagrams, if you learn sculpture may come into contact with anatomical experiments, according to research Leonardo da Vinci did a lot of human and animal dissection at that time, used to study its internal structure.

Physical structure: The block-surface relationship that exists on the surface of the object, which is attached to and generalizes the physiological structure, and the block-surface expressed with the help of light and shadow is the physical structure, and you can imagine that each block-surface is a set of tones.

Aside from color and light and shadow, we are painting structure, and we can only draw good works by applying the theoretical knowledge of structure to actual sketch paintings.

In short, whether it is to draw sketch geometry, sketch still life, human head, or architectural landscape, you must first learn structural analysis, and if the structure is drawn correctly, the sketch painting will be drawn correctly.

Structural sketching requires the objective object to be imagined as a transparent body, and the structure of the object itself is expressed, which is actually training our imagination and ability to grasp the three-dimensional space.

Structural sketching is an important course in design teaching, which is the foundation for cultivating students' modeling ability and design thinking ability. For beginners, the key to learning structural sketching is to understand the structure of the object and draw the shape of the object accurately.

Structural sketches, also known as "body sketches". This kind of sketch is characterized by using lines as the main means of expression, without light and shade, without light and shadow changes, and emphasizing the structural characteristics of the prominent objects. With the aim of understanding and expressing the structural nature of the object itself, the observation of structural sketching is often combined with measurement and reasoning, and the application of the principle of perspective is used throughout the process of observation, rather than focusing only on the intuitive way.

This method of expression is relatively rational, and can ignore the external factors such as light and shadow, texture, volume, and light and shade of the object.

It's not right for you to think so, wow, drawing a structural sketch is to practice a good shape...!

The most likely thing to do for the art college entrance examination is sketching...If the sketch type is not good, the score will not be too high, and even if the drawing is super good, it will not be too high......

Generally, the structure is drawn first and then the light and shade are drawn, and if you want to get a high score, you can draw the structure step by step!!

Structural sketching is all about letting you know the structure. The grasp of the turning of the object. Structural sketching also needs to pull the spatial relationship between virtual and real.

It can be said that structural sketching is the foundation. It is okay not to draw the structure directly on the light and shade. But there is a lack of understanding.

If you're confident that you'll be able to guarantee that the structure of the body is okay every time, then you can ignore the structural sketch. There is also a structural sketch that is also a form of expression. A really good structural sketch is better than a self-righteous work of light and shade.

If you think that studying art is for the college entrance examination. Ignore what I'm saying. Let's practice taking the exam, and you don't need to use your brain to draw hundreds of pictures of it!

Structural sketching emphasizes the use of the principle of perspective (objects can be understood as transparent). This kind of sketch uses lines as the main means of expression, with no light and shade or little light and shade. Emphasize the structural features of the object.

The purpose is to understand and express the structural nature of the object itself. It is possible to ignore external factors such as light and shadow, texture, volume, and light and shade of the object.

Structural sketching is based on lines, and accurate, powerful and beautiful lines can make the picture full of vitality and enrich people's visual effects, so how are the lines handled?

With a long straight line, I grasp the feeling that it is big.

Most of us paint geometric objects and still lifes, which are relatively simple, and the outer contours are mostly long straight lines. Grasp the overall feeling of the object, and then use long straight lines to reflect the length and width ratio of the object, the size ratio and the relationship between the front and back, etc., so that the picture as a whole.

Second, find a point. We usually call it "grasping the two ends and bringing the middle", because the point is generally at the beginning and the end, if the point is found accurately, the body will be grasped, and here, the factors contained in the point are: the place where the body turns and the place where the body turns at the end. Such as:

Sphere, in the sphere, there are countless turns, there are also countless points, so how to find the points? We can only find the highest and lowest turning points of the object, so it is easier to draw a sphere, and if we can accurately understand the position of the point, even the most complex object becomes simpler.

Third, the interspersing of lines.

After the basic point is found, the change is to connect the points with lines to make the shape clear, and the lines we are talking about are not rigid lines. Rather, they are interspersed with each other, and there are places to come out and places to go back. That is, we have long said "the ins and outs", the interspersed lines must conform to the laws of its shape and structure, otherwise it is easy to turn the back to the front, and the front to the back.

The reason for the formation of this perspective relationship is not because the front is not emphasized, and the back is not empty, but the lines are interspersed wrongly, so it is necessary to distinguish the relationship between the front and back, the relationship between the virtual and the real and the spatial relationship of the lines.

Fourth, the performance of lines.

Line is the most important artistic language and expression in structural sketching, which is very clear in terms of shaping shapes, expressing volume and space, and expressing emotions. Expressive and generalizable. At the beginning of learning, it is necessary to strengthen the proficiency of the lines first, and do a lot of line exercises.

Improve the quality of the line, that is to say, to achieve practice makes perfect, "skillful" line quality, the quality of the line is definitely powerful, easy and free, loose and tight, virtual and real, thick and thin, deep and shallow, with the change of shape and change. Make the whole in the change, and change in the whole. In this way, our lines are full of life and movement.

Structural sketching, as the name suggests, is to focus on structure, so when painting, the first thing to grasp is the accuracy of the form. If the shape is not accurate, then what kind of structure is there to talk about. Therefore, when painting, you must use more triangular structure, that is, you must always pay attention to the connection between each point in the picture, as long as you find each point correctly, then the structural sketch is not a problem.

Hello, I think you need a process of adapting slowly now, since your sketching skills are very good, then don't worry, what you should do next should be: put your mind at ease, don't be impatient; Calm down and use the knowledge you have learned to observe the still life, such as the shape of the highlight, the change of light and dark gray next to the highlight, etc., you need to carefully observe the still life, in order to find the shortcomings of the problem, I hope that after a period of time you will see your own progress, come on, believe in yourself.