The legend or origin of the Chinese dragon, what are the origins and legends of the Chinese dragon?

The origin and legends of the dragon are:

1. Dragons originated from snakes.

Eight thousand years ago, the rainfall was abundant, the grass was abundant and the world was abundant, and it was a paradise for snakes. So people created snake bodies, camel heads, unicorn horns, turtle eyes, cow ears, and lizards.

Legs, tiger claws, fish scales, and bearded animals—dragons. Dragons are powerful enough to subdue all natural disasters.

and beasts. 2. ** to thunder.

The dragon first came from the image of lightning bending, and the ancestors through the observation of nature and celestial phenomena, believed that there was a kind of divine object in the sky that could call wind and rain, thunder and appear in the image of lightning, according to the thunder they called it dragon. Judging from the pronunciation of the dragon character, "lóng" is a record of the rumbling sound of thunder.

In the cloudy weather, whenever they saw the wind and clouds, heard the sound of rumbling thunder, and sometimes even saw the lightning that followed, the ancestors knew that it was the dragon coming. And the dragon makes them unpredictable, and sometimes very frightening, and makes them feel more and more awe. Thus, the worship of the dragon began.

The meaning of the dragon: The dragon is in traditional Chinese culture.

It is a symbol of power, nobility and honor, and a sign of luck and success.

The reason why the dragon has this cultural symbolism is that it has a lot to do with the legends and myths that the dragon soars through the clouds and fog in the sky, chases the waves when it goes to the sea, and calls for wind and rain in the world, but more importantly, because the dragon has often become a Chinese slave and a feudal society for thousands of years.

The exclusive patent of the supreme ruler is synonymous with imperial power.

Therefore, the emperor compares himself to the true dragon son of heaven, the body is called the dragon body, the clothes he wears are called the dragon robe, the chair he sits on is called the dragon chair, and the car and boat he rides are called the dragon chariot and the dragon boat. In short, everything related to their daily life is named dragon to signify the privilege of superiority.

Dragon's**. In Chinese myths and legends, it is a legendary supernatural animal with a snake body, lizard legs, phoenix claws, antlers, fish scales, fish tail, tiger whiskers at the corners of the mouth, and beads under the forehead. "The Classic of Mountains and Seas" records that Xia Houqi, Bei Harvest, Jumang, etc. all "ride the rain dragon".

There are also secretaries who "take the dragon to the four seas" and "the emperor takes the dragon in spring and summer". The predecessors divided the dragon into four types: the scaly one is called the dragon, the winged one is called the Ying dragon, the horned one is called the dragon, and the hornless one is called the dragon.

The earliest dragon-shaped pattern found in China comes from the 8,000-year-old Xinglongwa culture Chahai site (Xinglongwa culture is named after the excavation of the Xinglongwa site in the Ao Han Banner of Inner Mongolia, the Ao Han Banner is close to Liaoning Province, and the Chahai site is in Fuxin County, Liaoning) found a dragon about 19 7 meters long, stacked and placed with reddish-brown stones. The discovery of this dragon of Xinglongwa culture pushed the history of Chinese dragon worship to 8,000 years ago. In the early days, the ancients could not make reasonable explanations for most natural phenomena, so they hoped that the totems of their people would have the power of wind, rain, thunder and lightning, the majestic posture of the mountains, and the ability to swim in the water like a fish and fly in the sky like a bird.

Therefore, the characteristics of many animals are concentrated in the dragon, and the dragon gradually became"Nine is not like"This composite structure means that the dragon is the head of all beasts, the god of all.

The image of the dragon is described in many ancient books. One of them is said to be slender and four-legged, with a horse's head and a snake's tail. One said that he was dressed in scale armor, with a head with horns and five claws.

The Compendium of Materia Medica says that "dragons have nine similarities", which is an outlier that has the strengths of various animals. The small one is called Jiao, and the big one is called the dragon. Legend has it that it can be visible and hidden, small and huge, short and long.

The spring equinox ascends to the sky, the autumn equinox dives into the abyss, calling for wind and rain, omnipotent.

There are "Dragon King Products" in the Taishang Dongyuan Divine Mantra, which lists the "Five Emperors and Dragon Kings" distinguished by direction, the "Four Seas Dragon Kings" distinguished by the ocean, and the names of 54 dragon kings and 62 divine dragon kings distinguished by all things in heaven and earth. During the reign of Xuanzong of the Tang Dynasty, the dragon pond of the ancestral hall was set up, and the altar official was set up to sacrifice, and the dragon king was sacrificed to the rain master.

Song Taizu followed the Tang Dynasty system of sacrificing five dragons. In the second year of Song Huizong's Daguan (1108), the five dragons in the world were all crowned kings. The god of the green dragon is the king of Guangren, the god of the red dragon is the king of Jiaze, the god of the yellow dragon is the king of Fuying, the god of the white dragon is the king of Yiji, and the god of the black dragon is the king of Lingze.

In the second year of Tongzhi in the Qing Dynasty (1863), the dragon god of the canal was named "the god of the dragon king who should divide the water in Yanxuxian", and the governor of the river was ordered to pay tribute in time. In "Journey to the West", the dragon kings are Ao Guang of the East China Sea, Ao Qin of the South China Sea, Ao Yan of the West Sea, and Ao Shun of the North Sea, known as the Dragon Kings of the Four Seas.

Regarding the origin of the dragon, after a long period of research and research, people have finally reached a relatively unanimous consensus: the dragon is a complex of a variety of animals, and it is a symbol of totem worship formed in primitive society.

The dragon is the head of all beasts, the god of all powers. So, what are the legends and stories about dragons? Do dragons really exist?

There are many explanations for the origin of the dragon, and after a long period of research and research, people have finally reached a more consistent consensus: the dragon is a synthesis of a variety of animals, and it is a symbol of totem worship formed in primitive society. Many people believe that the origin of the dragon should not only be a contribution of the ancestors, but has its profound cultural heritage, is the synthesis of the ancestors of several powerful creatures living on the earth, and some people believe that the creatures in the zodiac are real, and there will not be only one dragon is apocryphal.

It may be that the dragons in the memory of the ancestors are not exactly the same as the dragons in our traditional culture, but there is obviously a certain inheritance in the middle.

Shang and Zhou periods. The dragons of the Shang and Zhou dynasties were relatively simple, clumsy, and rugged, and it is confirmed from the records in the historical books and archaeological discoveries that most of the dragons at that time were rounded, with heads and tails connected. Large-eyed, giant, without pronounced horns and limbs.

Spring and Autumn Warring States. The Spring and Autumn Period and the Warring States period handicrafts have developed to a certain extent, and the arts and crafts have also appeared in a prosperous situation, the dragon of this period has developed in the direction of realism from the modeling, and the content is relatively rich, there are the combination of dragons and phoenixes and people, the combination of double dragon figures, and so on. In addition, there are some dragon patterns, which are set off with moire.

It's even more mysterious.

During the Warring States period, the dragon's body was long and curved, with two claws, a long tail, and ears, and the dragon's horns had begun to branch.

Qin and Han dynasties. The dragons of the Qin and Han dynasties changed greatly in terms of shape, and appeared in the form of snakes and beasts. The beast-shaped dragon inherited the dragon shape of the Warring States period, while the snake-bodied dragon began to appear in the Western Han Dynasty and gave it a high political status, using the dragon as a symbol of the emperor's power and benevolence.

The dragon of the Western Han Dynasty and the dragon of the present period are basically the same, it gathers other animals such as snakes, tigers, fish, etc., first separated, and then recombined, it is characterized by a large head, huge eyes, sharp teeth, snake body, fish scales, open mouth, and began to have elbow hair, have wings, can fly. The body shape has already possessed artistic beauty, and its posture is vivid, majestic and heroic.

Sui and Tang dynasties. The dragon of the Tang Dynasty not only pursued the perfection of the shape, but also emphasized the vivid expression of the dragon.

The finishing touch" is an allusion to the repentance of the Tang Dynasty. According to legend, the Southern Liang painter Zhang Seng Miao painted four dragons, and after pointing the eyes of two of them, they broke through the wall and flew away, which also fully reflects that the dragon in the Tang Dynasty was very charming.

During this period, there were also many patterns of fish turning into dragons, such as "gilt fish turning into dragon pattern plate" and "carp jumping over the dragon gate".

The dragon horns of the Sui and Tang dynasties were similar to the antlers of a deer: the location was in the eye area. The hair is scattered back.

Claws and three toes, dorsal fins, wings, and plump legs, mostly based on soaring dragons. In the post-Tang period, Tuanlong appeared. This pattern was later mostly applied to embroidery techniques.