Scattered music can be divided into , , .

Loose songs. It is a kind of long and short sentence song combined with **, after a long period of brewing, to the Song and Jin dynasties, and absorbed some popular folk lyrics and ethnic minority music, so it gradually formed a new form of poetry. It was popular in the north during the Jin and Yuan dynasties, so Sanqu is also called Beiqu.

It includes two main forms: small reams and sets.

Loose song or called"Qingqu"、"Lefu"。It has two basic types: reams and suites.

The so-called small order mainly refers to a single song, but it also includes:"With a curl"with"Heavy Order"。Of the two, the former refers to the union of three or less single pieces in the same house key, which use the same rhyme; The latter is composed of several small orders, which should be the same topic and tone, the content is connected, the syntax of the beginning and end is the same, and each small order can rhyme separately. As for"Suite"There are generally three characteristics of customization:

One is that the full set must rhyme the same; the second is that there is an epilogue; The third is the combination of two or more songs in the same house tune. The suite expresses relatively complex content in its long length, either lyrically, narratively, or lyrical narrative.

Although sanqu and opera are different, they are closely related. Wang Shizhen, a critic of the Ming Dynasty, believed that Yuanqu was composed of earlier ones"Words"Comes from change. Since the Jin and Yuan dynasties came to power in China, the use of Hu music was noisy, the urgency and rapid change of urgency, and the words of the past were difficult to match, so they were created"New sounds"。

It can be seen that sanqu came with the entry of the northerners into the Central Plains, and was popular in the market and alleys, and was later absorbed by the literati and became a professional creation.

The themes of the songs are diverse, and from a large number of works, we can realize the profound ideological significance of Taoism and Taoism. First of all, in the works of pastoral landscapes,"Taoism is natural"The spirit can be said to be abundant. Through the description of natural scenes, the essayist expresses his distant taste, so that the self and nature are integrated.

Secondly, in the theme of Yongwu, the author uses many imagery to embellish the fairyland and express the feelings of catechumens. Again, in the theme of Yongshi, the author sings about the quiet life of the hermit monks through longitudinal retrospection, reflecting the aesthetic emotions of Yanbo Yusuo. In terms of artistic expression, the loose songs related to the taste of Taoism are known for their artistic conception of emptiness and indifference, and their style is natural and simple, which is intriguing.

Divided into small orders and sets, Tong Care Ancient "is a small order,

In terms of structure, sanqu is divided into three categories: minor ream, middle tone, and long tone.

Sanqu, one of the genres of ancient Chinese literature, flourished in the Yuan Dynasty and was the literature of the same generation as Tang and Song poems. It is also known as "Yuefu" or "Jinlefu". It is a kind of Chinese ** literature that originated from the new voice of the empty folk and is a new poetic style that is appreciated by both the elegant and the vulgar at that time.

There are several types of loose songs, such as small rings, sets of songs, and bands in between. Later, with the rhythmization and de-citizenization of loose songs, it lost the vivid and vivid civic cultural blood with distinctive personalities, and became almost indistinguishable from Song poetry, and then declined, failing to prosper and continue to later generations like Tang and Song poetry.

The name of Sanqu was first seen in the literature, which was Zhu Youdun's "Chengzhai Yuefu" in the early Ming Dynasty, but the Sanqu mentioned in the book refers specifically to Xiaoling, and does not include the number of sets. After the middle of the Ming Dynasty, the scope of sanqu gradually expanded, and the number of sets was also included. At the beginning of the 20th century, after the publication of a series of treatises by Wu Mei, Ren Ne and other composers, sanqu was finally established as a complete stylistic concept that encompasses small orders and sets.

The production of sanqu is very similar to the production of words, and it is produced from Chinese folk folk slang songs.

It is a genre that can stand on its own. It has three characteristics: first, in terms of language, it needs to pay attention to a certain rhythm, and absorbs the characteristics of free and flexible oral language, so it often presents a state of colloquialism and the scattering of a certain part of the syllables of the song.

Second, in terms of artistic expression, it uses the clever paragraph form of "Fu" to lay out and narrate more than near-style poems and words. The third is that the rhyme of the loose song is more flexible, it can be rhymed evenly, and the words can also be lined in the sentence. There can be more or less lining words in the north song, and there is a saying that "the lining is not three" in the south song.

The lining characters are obviously colloquial and slang, which plays a role in making the meaning of the song clear, lively, and exhaustive.

The status of the loose song:

In addition to the fact that poetry was still in the "authentic" position in the Yuan Dynasty, a new style emerged in the poetry arena, which was Sanqu. It stands out from traditional poetry and represents the crowning achievement of poetry creation in the Yuan Dynasty.

Loose songs are divided into three categories: small reams, sets, and over-songs. Different types of loose songs have music cards, and belong to a certain palace tune, in the number of words, the number of sentences and other aspects have their own regulations, among which the small order was first derived from the Tang Dynasty wine order, by several small orders combined, the number of sets is characterized by a full set of rhyme, the length is longer, with the song between the small order and the number of sets, the song card is no more than three.

Classification of loose songs.

It is generally believed that the dissipation song is divided into two forms, the small order is short and concise, the set of songs is graceful and luxurious, and the song with the song is a special form between the two, but no matter which form it is, each song has a song card, and belongs to a certain palace tune, and has its own regulations in terms of the number of words, the number of sentences, and the level.

Xiaoling is also known as "Ye'er", the earliest originated from the Tang Dynasty's wine order, which is characterized by a single piece of music, few short words, and a kind of heavy small order is mainly composed of several small orders, this kind of small order with the same title and tone, the same content, the first syntax is also the same, each small order can be a separate rhyme.

The number of sets, also known as the Great Order, is developed from the Tang and Song dynasties and the Song and Jin Dynasty Zhu Zhao Zhi Gong tunes, which are characterized by: the whole set of rhymes is the same, there is an epilogue, and more than two songs in the same palace tune are interspersed, and the length is longer; The music with the past is composed of different songs in the same house tune, but the music cards are no more than three songs, which is a small music group.

There are three types of loose songs: minor, middle, and long.

1. Xiaoling is one of the tonal styles, which refers to words with short length. Small orders are usually made of short words within 58 words, such as "16-character order", "such as dream order", etc., but not all of them are small orders, such as "100-character order", that is, there are as many as 100 words.

2. One of the intonation styles. Because of its moderate length, it is called. It is usually based on 59 characters to 9 crosses as the middle tone, such as "Breaking the Array", "Han Zhen Fisherman's Pride", "Su Curtain Cover" and so on. But there are also less than 59 characters, such as "Seven Ladies", that is, 58 characters.

3. Long tune, one of the intonation styles. Refers to a long song in a tune. In the Ming engraving version of "Similar Talks and Guessing the Grass Hall Poems", the long tone of more than 91 characters seems to be unfounded, but because it has been passed, it is generally used.

Expansion of Sanqu's knowledge:

Sanqu, one of the ancient Chinese literary genres, flourished in the Yuan Dynasty and was the literature of the same generation as Tang and Song poems. It is also known as "Yuefu" or "Jinlefu". It is a kind of Chinese ** literature that originated from the new folk voice, and it was a new poetic style that was appreciated by both the elegant and the vulgar at that time.

Sanqu is also known as "Qingqu" and "Yuefu", and it can be divided into two categories:

Reams and suites.

Xiaoling, also known as "Ye'er", is the earliest in Sanqu.

The system of life. Generally speaking, Xiaoling is a single song, but it also includes "with songs" and "heavy Xiaoling". "With a song" is a combination of three or less single songs, but they must be in the same house tune, and ** connected, with the same rhyme.

"Heavy head small order" is composed of the same title and tone, the content is connected, and the beginning and end syntax are the same several small orders, the number of branches is not limited, and each song can rhyme with a rhyme. And each head can be established independently. There are three main characteristics of the suite's system:

It is composed of more than two songs in the same palace tune, and those with different palace tunes and the same pipe color can also be "borrowed from the palace". Generally speaking, there should be an epilogue. The full set must rhyme with the same rhyme.

Due to its length, suites can contain more complex content, so they can be used for both lyrical and narrative purposes.

Compared with poems and words, sanqu has the following characteristics in the form of poetry: It is the same as words, it is in the form of long and short sentences, but it can be lined in addition to orthography, which is more flexible and more suitable for the use of spoken language. Lining words are generally added at the beginning of a sentence or in a sentence, but not at the end of a sentence.

The rhyme is different from the rhyme of poetry and words, and the rhyme of the northern dialect is used at that time. The method of co-rhyme is to rhyme through and not change the rhyme. However, with the four-tone communication, the rhyme can be reused.

The form of the battle is relatively rich, in addition to the poems, the words of the even sentences as the outside, three sentences, four sentences, can be right, as well as the next sentence pair, the bead pair and other titles, so that the loose song in the words and sentences in the jagged change, with a dignified and rigorous bearing. In addition, sanqu also has formal characteristics such as "wutou" and "haiku". In short, sanqu is a form of poetry with strict rhythms, which is more free than poems and words, but it is also more complex in some aspects.

The structure of the sanqu is: sanqu (left and right structure) and koji (monolithic structure).

The structure of the sanqu is: sanqu (left and right structure) and koji (monolithic structure). The phonetic pronunciation is: Pinyin is: sǎnqǔ.

What is the specific explanation of sanqu, we will introduce it to you through the following aspects:

1. Explanation of terms [click here to view the details of the plan].

散曲 sǎnqǔ. (1) A style of song, without Binbai Kejie, it is convenient for cappella: the content is mostly lyrical, scene-writing, and there are two forms: small order and loose set. It prevailed in the Yuan, Ming and Qing dynasties.

2. Citations and Explanations.

A form of koji. It was prevalent in the Yuan and Ming dynasties. Like poetry, it can be used for lyricism, scene writing, and narrative, and it is easy to sing a cappella without a white hand, which is different from drama. There are two types: loose sets and small orders. Sometimes it also refers specifically to Xiaoling.

3. Chinese dictionary.

As far as operas are concerned, those that are not white and are only used for a cappella are called loose songs. Flourished in the Yuan Dynasty, it is divided into two kinds: small orders and loose sets. Translation of words in English verseorsongformfromyuan, mingandqing

Fourth, the network explained.

Sanqu (Chinese Literature) Sanqu, one of the genres of ancient Chinese literature. It flourished in the Yuan Dynasty and was the literature of the same generation as Tang and Song poetry. It is also known as "Yuefu" or "Jinlefu".

It is a kind of Chinese ** literature that originated from the new folk voice, and it was a new style of poetry that was appreciated by both the elegant and the vulgar at that time. There are two basic forms: small reams and sets. Later, with the rhythmization and de-citizenization of loose songs, it lost the distinctive and vivid cultural blood of the citizens, and became almost indistinguishable from the Song Ci, and then declined, failing to prosper and continue to later generations like Tang and Song poems.

Poems about loose songs.

Song of the Willow Branches: March Wind and Scattered Dust".

Verses about the san song of the potato reed.

Light as scattered dust, dark tassels, clear dust, dark tassels, clear and scattered.

Words about sanko.

caustic

Idioms about sanko.

Nine songs, ileal meander, sudden migration, low salary, bends, bends, scattered, difficult, twists, birds, beasts, ice, leaves, and people.

Words about loose songs.

The ice leaves are scattered, the birds and beasts are scattered, and the difficult twists and turns are scattered.

Sentence formation about loose songs.

1. The various dispersion curves calculated in this paper are beneficial to the application of ultrasonic lamb wave.

2. The idea of seclusion is one of the important themes of Yuan Sanqu.

3. The study of the development and staging of Yuansanqu has always been one of the topics of greatest interest to music theorists.

4. However, in classical poetry, each rhyme must not be universal, and the wrong use of a rhyme will be laughable and generous, while the loose song can be mixed with the rhyme, which greatly liberates the author's hands and feet, and makes the number of poems broader.

5. By comparing the vertical displacement of each guided wave mode on the surface, it can be assumed that the signal received in the field is the guided wave mode with the largest displacement, so that the theoretical dispersion curve corresponding to the field measurement results can be obtained.

What are the two parts of the loose socks? （）

a.Reams and sets.

b.Great Orders and Miscellaneous Dramas.

c.Tunes and lyrics.

d.Koshin good liquid slippery order and heart.

Correct Answer: a