What is the truth in the poem? Can you put it in layman s terms? Thank you

The flat voice is flat, and the sound is flat.

Pingsheng is basically the first and second tones of Mandarin.

Shangsheng is basically the three tones of Mandarin.

The de-sound is basically the four tones of Mandarin.

The incoming voices were scattered and merged into the one, two, three, and four tones of Mandarin.

Therefore, it is not right to say that one or two sounds are flat, and three or four sounds are flat.

But some of the words are now pronounced once or twice in Mandarin.

For example, the word "one" is pronounced in ancient times, but in Mandarin, it is a sound.

There is also the word "Fu", which was pronounced piuk in ancient times, but Mandarin is a second tone.

You just have to remember that there are only two ways to do poetry:

A: Peaceful, mediocre, mediocre.

b: Pingping, Pingping.

The rest are upgrades and variants.

A word has one sound, two sounds, three sounds, and four sounds, one and two tones are flat, and three and four tones are 仄.

One is called Yin Ping, the second is called Yang Ping, the third is the upper sound, and the fourth is the going sound.

To put it simply, among the four tones in Mandarin, the first and second tones are flat sounds; The third and fourth tones are the sound of the swords.

The first sound of Hanyu Pinyin is Pingsheng, such as A. Two, three, and four are the sound of the piano, like the piano you live.

One and two are flat.

Three and four are the same.

It is the pinyin syllable of a word, one or two tones are flat sounds, and three or four tones are slang sounds. Do you understand?

The first and second tones are flat sounds; The third and fourth tones are the sound of the swords.

平仄 is a Chinese pronunciation.

The generalization of "straight" and "tortuous" in poetry is the rule of poetry rhyme and beauty.

Chinese has tones, and the tone of the tone is coordinated and matched, which can make the poems read with the best beauty. In the long-term development of ancient poetry, people actively explored the method of matching Pingxuan, and by the Tang Dynasty, a rigorous and perfect rhythm was formed.

The ancients divided the "tone" of Chinese character pronunciation into four categories, each of which was represented by the tone of a character itself: 1. "Ping" itself is a straight tone, and the Chinese character with the same tone is called "Pingsheng"; 2. "上 (pronounced shǎng)" itself is a "high-low-middle" tone, and the Chinese character of the same tone is called "Shangsheng"; 3. "Go" itself is a "high-low" tone, and the Chinese character with the same tone is called "go sound"; 4. In ancient times, the pronunciation of "in" was short and urgent, and the Chinese character with the same pronunciation was called "into".

Among the four ancient tones, only the flat sound is straight and is classified as "flat"; Up, go, and enter are either turning or short, and they are classified as "". —This is the "Pingxuan" of the old rhyme.

Modern Mandarin is based on Beijing pronunciation, Beijing dialect.

It is a blend of northern ethnic minorities.

voice, there is no "voice"; There has been a change in the flat sound, one is completely straight, represented by the pronunciation of the word "yin", called "yin ping", and the other is slightly upward, represented by the pronunciation of the word "yang", called "yang ping". The original incoming voices have been changed to different tones. Therefore, Yin Ping and Yang Ping are "Ping", and Shangsheng and Go to sound are "Qi".

This is the "Pingxuan" of the new rhyme.

Near-body poetry. The rhythm stipulates the level of each word in a poem, and the words with qualified tones need to be selected according to the rhythm.

A simple example: one of the five uniques.

The first two sentences of the grid are equal to (proportional sentences).

Pingping, (Ming Zheng Jin Su Zhu).

It's mediocre. (In front of the jade house).

Pingqian is a tone. In ancient texts, the pronunciation of Chinese characters is divided into four tones: "Ping, go up, and enter", and Ping refers to the flat sound, and the Qi refers to the three tones of the upper and lower tones.

Corresponding to today's pronunciation, Ping is one or two tones in our Mandarin, the pronunciation is straight and melodious, and the pronunciation is three or four tones, the pronunciation is tortuous and frustrating.

The ancients used the Pingqian to distinguish the four tones, and then developed the Pingqian relationship to write poems, so that the pronunciation of the near-style poems (ancient poems that abide by the Pingqian rhythm) fluctuated, clear, and had better recitation—this is the origin of the Pingqian rhythm.

The so-called "Pingxuan" is that each Chinese character has four tones of Ping, Shang, Go, and Enter, and in order to facilitate the use of it, it is simplified into two tones of Pingqian in the poem, and Ping is divided into two tones of Yin Ping and Yang Ping, and Qi is divided into three tones of Shang, Go and Enter. Therefore, there are five tones: yin, yang, up, go, and in.

It is not an easy task to master Pingxuan, as far as modern Chinese is concerned.

The first and second tones are yin and yang sounds, and the upper and lower voices are the voices. However, the phonetic characters of ancient Chinese have all been transferred to the "one, two, three, four" sounds of modern Chinese. Therefore, there are no phonetic characters in modern Chinese, and there is no problem with the words that turn to Shangsheng and Desheng, because Shang, Go, and Zun are all sounds.

However, it is more troublesome to switch from the sound character to the character in Yin Ping and Yang Ping. For example, the words "one, eat, press" and other characters in modern Chinese are all yinping, but in ancient Chinese, they are all phonetic characters, if you want to memorize the phonetic characters of ancient Chinese, it is somewhat difficult for those who learn to write rhythmic poems.

However, it is easier to distinguish the sound of Pingqian if you use local dialects, because in the south, the pronunciation of the phonetic characters of ancient Chinese is still retained in the dialects of Wu, Min, Cantonese, Jiangxi, Hunan, Hubei, and Sichuan. There are also Shanxi, Inner Mongolia and other places in the north, and the pronunciation of the phonetic characters is also retained in the dialect. Therefore, according to the pronunciation of the dialect, it is easier to use a formula analogy to distinguish the flat sound, that is, use:

Bing, Ping, Sick, C, and "these five words are used to read the five tones of "Yin, Yang, Shang, Go, and In", similar to the table:

It can be seen that the word "Bing" is the sound of Yin Ping, and the word "Ping" happens to be the sound of Yang Ping, and so on.

Pingqian is the tone of words used in Chinese poetry. "Ping" means straight, and "Qi" means tortuous. According to the rhyme books revised from the Sui Dynasty to the Song Dynasty, such as "Cut Rhyme" and "Guang Rhyme", Middle Chinese had four tones, called Ping, Shang, Go, and Enter.

In addition to the flat voice, the other three tones have variations, so they are collectively called the voice.

This refers to the pronunciation of the word, which is called metrical rhythm. There are four tones in our modern dialect, namely: āá is the first tone ā (also known as "Yin Ping"), the second tone á (also known as "Yang Ping"), the third tone ǎ (also known as "Shang Sheng"), and the fourth tone à (also known as "to sound"), the ancients called Yin Ping and Yang Ping together as "Ping Sheng", referred to as "Ping"; The upper sound and the lower sound are collectively called "Qi Shengzi", which is referred to as "Qi Sheng", so that you can write the rhythmic poems in ancient poems.

The basic requirement of metrical poetry is that the opposite of the couplet is called "right", and the adjacent sentence is the same, which is called "sticky". For example:

The day is at the end of the mountain - it is peaceful.

The Yellow River flows into the sea - Pingping, Pingping.

Want to be poor - Pingping.

To the next level - a mediocre one.

Middle Chinese had four tones, called ping, shang, go, and enter. In addition to the flat voice, the other three tones have variations, so they are collectively called the voice.

There is a certain format for the use of plainness in poetry, which is called metricism. Pingsheng and Pingsheng refer to the rhythm of poems composed of Pingsheng. Pingqian is an attempt to dualize the four tones. Pingqian is based on the four tones and is summarized by incomplete induction.

The Mandarin sound disappears, and the sound is classified into the upper two tones in the sound and the Yin Ping and Yang Ping in the Pingsheng, which leads to the error of using Mandarin to judge the poetry Pingxuan, and you need to check the rhyme book.

Pingqian refers to the tone of words. In ancient times, it was flat, up, going, and entering. Ping is the sound of flat, up, going, and entering is the sound. Now in Mandarin, Pingsheng is divided into Yin Ping and Yang Ping, ie.

1 and 2 tones; On and off the sound that is.

3, 4 tones; The intonation has disappeared (it remains in some dialects, mostly in the southern dialects), and in Mandarin it has been sent to a second tone.

In the poem, to put it simply, according to the law of "for": ......PingCarry out. Of course, there are also requirements such as "sticky" and the prohibition of "three flat tails", combined with the restriction of rhyme, basically from the first sentence to determine the flat form of the whole poem!

Pingqian is actually the rhythm, that is, the sound of the sound and the sound of the voice!

The flat room corresponds to each other, so that the poems can be sung or recited more charming!

In ancient poetry, the emphasis on the level is the specific expression of the fluctuating rhythm of the tone, and there is a certain format when it is used, which is called the rhythm. Pingsheng and Pingsheng refer to the rhythm of poems composed of Pingsheng. Pingqian is an attempt to dualize the four tones. The four tones are the four tones of ancient Chinese.

What is the meaning of "Pingxuan" in ancient poems?

Ping Qi Interpretation: Ping Sheng and Ping Sheng (up, go, into three sounds). It generally refers to the rhythm of poetry composed of plain and flat.

To put it bluntly, it is the tone and rhyme that are more emphasized in ancient metrical poetry. Using modern Chinese pinyin to contrast, the first tone and the second tone are claimed to be yin ping and yang ping, collectively known as ping sound; The third and fourth tones are claimed to be the upper and lower tones, and belong to the swords.

Ping refers to the first tone, and the long sound refers to the first.

II. The third and fourth tones are pronounced with short sounds.

That's all for me. If you don't like it, don't spray.

Go buy the book, "Introduction to Poetry and Rhythm".

Pingxuan, that is, the tone. Now there are one, two, three and four sounds, and in ancient times there were five sounds: Yin Ping, Yang Ping, Shang, Go, and Enter.

Ping: Yin and Yang Ping.

Xu: Up, go, in.

Yin Ping is the first sound now, and Yang Ping is the second sound. Up and going are three or four tones (either the third or the fourth, the ancient language is different from the present, and it can't be so clear).

The tone has disappeared in Mandarin. But it belongs to the tone of the voice.

Rhythm is the characteristic of poetry, and Pingxuan is the rhythm of poetry.

The tones of ancient Chinese are divided into four tones: 平, 上 (shǎng), go, and enter. "Ping" refers to the flat sound of the four tones; "Xu" refers to the sound of the four tones, including up, go, and in.

Ping refers to the first and second tones in Hanyu Pinyin, and 仄 refers to the three and four tones in Hanyu Pinyin.

What is the meaning of "Pingxuan" in ancient poems?

平 is a flat sound, which is equivalent to one and two tones in han pinyin.

仄 is the sound of 仄, which is equivalent to the three tones and four tones in Han pinyin.

Summary. Pingqian is the tone of words used in Chinese poetry. "Ping" means straight, and "Qi" means tortuous.

What is the meaning of "Pingxuan" in ancient poems?

Pingqian is the tone of words used in Chinese poetry. "Ping" means straight, and "Qi" means tortuous.

It refers to the rhythm of a poem composed of plain words.

Clever memorization of the mantra:

1. Rhythmic poetry: the five laws are equal: the first and second words of the first sentence are all flat sounds. Five rules from the beginning: the first and second words of the first sentence are all voices.

Ping Ping Ping (rhyme).

Seven rules are equal: the second word of the first sentence must be flat. Seven rules from the beginning: the second word of the first sentence must be in a voice.

2. Quatrain: The first sentence of the seven jue flat rhymes. The first sentence of the Seven Absolute Flat rhymes. The first sentence of the Seven Absolute Sentences rhymes. The first sentence of the Seven Absolute Sentences does not rhyme.

The first sentence of the five absolute flats rhymes. The first sentence of the five absolute flats does not rhyme. The first sentence of the five absolute rhymes. The first sentence of the five absolute sentences does not rhyme.

The four tones of Mandarin are divided into yinping, yangping, uphang, and desheng. In ancient times, the tone of "pingsheng" was divided into yin ping and yang ping in Mandarin. In ancient Mandarin, the tone of "Shangsheng" was partly changed to a devoiced voice, and partly it was still a shangsheng.