How to look at the literary criticism of the artist school critics

Methods of Linguistic Criticism.

Take Grandma Liu three into the Grand View Garden.

As an overall structure, the words in the excerpt interact not only with each other as an organized symbolic structure, which is influenced not only by context (context), but also by the context and other factors that have appeared. As the main body of criticism, through the analysis of the text language, the structure of the article is sorted out and the true intention of the author is discovered, and the image of each character is explored from the perspective of Liu Grandma and the language, and the context, semantics, signifiers, and information role of the text language are extremely important factors that constitute the image and form the structure, so the author's intention must be explored through the linguistic analysis of this article.

Shu Ting. Female Consciousness in Poetry

Methods of Socio-Historical Criticism.

By examining the social and historical conditions under which the works are produced, and paying attention to the background of the times in which the works are produced, the main value of literary works lies in their social cognitive function and historical significance, and the background of Shu Ting's works is the feminist movement.

and feminism.

The diffusion of thought, Shu Ting's hazy poetry.

It actively promotes the enlightenment of women's consciousness, calls on women to pursue self-worth and equality of social status, and emphasizes the relationship between literature and social life. The basic principle of this method of literary criticism is that analyzing, understanding and evaluating works calls for the independent personality of women.

Highlight women's self-worth, publicize women's sense of subjectivity, reflect women's sense of responsibility, carry out literary criticism with women as the center, and attach importance to ideological tendencies and the social role of literary works, so as to carry out literary criticism.

The development of literary thought and literary criticism has changed dramatically as never before.

Literary criticism is an important part of literary activity.

Since the existence of literary works and their dissemination, consumption and reception, literary criticism has been born and developed, and constitutes an indispensable and important content of literary theory and a motive, guiding and constructive factor in the whole of literary activities, which not only promotes literary creation, influences the development of literary thought and literary theory, but also promotes the dissemination and reception of literature.

This is especially true after the gradual maturity of literary criticism.

There are two kinds of literary criticism: literary criticism in a broad sense belongs to the category of literary theory research, which is not only an indispensable and important content in the study of literary theory, but also a motive, guiding and constructive factor in the overall literary activities, which not only promotes the creation, dissemination and reception of literature, but also affects the development of literary thought and theory.

Literary critics should have these main conditions: aesthetic sensibility, rational analysis ability, and a frank and crude historical vision of literature.

When critics make aesthetic appreciation and value judgments, they must abandon and forget class sympathy and political prejudices, and make an objective and fair evaluation of literary and artistic works with an attitude of seeking truth from facts and telling the truth.

Literary criticism not only does not touch on the shortcomings of literary and artistic works, but also fails to reveal the beauty of literary and artistic works. In this way, there is a greater need for the appearance of real critics and the emergence of loud literary criticism. In the words of Qian Gurong in "On the Problem of Literary and Art Criticism":

True literary criticism should be a study of the relationship between art and life, art and the mind, and life and the mind in a work of art. "Although critics, like philosophers, thinkers, and writers, cannot provide society with some kind of wealth that can be directly applied, the reflections they provide for the progress of human consciousness have always been accumulated and continued as intangible wealth.

The subjective role of critics is not only manifested in guarding the spiritual home of human beings, but also actively constructing a healthy and orderly order of literary and artistic criticism. The paradigm research and constructive research of literary and art criticism are more important than the subversion of various theories, and only by establishing a disciplinary paradigm can the true meaning of interdisciplinary research be obtained.