What do you think of Mr. Ma Lianliang s artistic life?

Ma Lianliang is obsessed with Jia Honglin, and at the beginning of his career, setting up an idol for himself is also a goal, but when he became popular, he unconsciously surpassed his original goal, and he was still not arrogant or impatient, constantly surpassing himself and continuing to improve, which is really valuable. It is precisely because of Ma Lianliang's pursuit of a higher realm of Peking Opera art from beginning to end that he was able to establish the art of the Ma School.

Mr. Ma Lianliang is very persistent and serious about art, he knows that the audience is not only watching him alone, he requires the whole troupe of actors to be very particular, he does not hesitate to hire the best supporting roles, and the actors' costumes are required to achieve "three whites" - white collars, white water sleeves, white boot soles, and even dragon sets.

Mr. Ma Lianliang's performance, the combination of hands, eyes, body and steps, accurate and rigorous, dignified and chic, the complex feelings contained in the characters, the rhythm of the distinctive terrain outside, the formation of a unique artistic charm of the horse style.

Mr. Ma Lianliang is very rigorous in his work, and always presents the most perfect side in front of the audience, he is a role model for our young people to learn.

There are not many actors who can tie up the audience, and riveting like Mr. Ma, who does not focus and does not play with his life, can achieve such a strong artistic effect, which is enough to see the height of Mr. Ma's art. However, he distanced himself from the audience, and this "unattainable" escapement artistic ability is his greatest remarkability.

Mr. Ma Lianliang's acting can be said to be both in and out of the play, and his "chic" is related to his extreme relaxation on stage.

Among all the Peking Opera masters, Ma Lianliang's team is the strongest, and he even often invites famous actors to participate in his performances. Wang Youqing, Ma Liankun, Liu Lianrong, Ma Fulu, Ru Fuhui, and even Ye Shenglan and Zhang Junqiu have carried knives for him. Mr. Ma has never been afraid of others stealing his protagonist's style, so he is a person who is truly responsible for art and the audience.

Watching other famous dramas may be out of personal preference for that famous artist, but watching Ma Lianliang is just watching a play, even if you are not interested in Ma Pai, he also lets you see that all of them are wonderful when they are born and ugly!

The singing of Ma Lianliang, the founder of "Ma Pai", is based on Tan Xinpei's singing, combined with its own conditions, absorbs the strengths of each family, boldly breaks through traditions, develops its own strengths, and creates different singing methods.

In my heart, Mr. Ma Lianliang is not a person in the red dust, he is the immortal of the heavenly lord of the sound law, and he has come to the mortal world to experience calamities, so his life has ups and downs. The old man passed away quietly like "a gust of wind left a swan song for the ages".

Ma Lianliang's art, singing, reading, doing, and dancing, are all very good, and the biggest feature is that the recitation is very good, and the portrayal of the characters is very good.

Ma Lianliang's art has reached its peak, and there is no one before or since.

Judging from "Dragon and Phoenix Chengxiang", which has the highest performance rate, Ma Pai is one of the hottest genres today, and there are many people who love Ma Pai, which can be said to be popular before his death and red after his death!

The master of the old art after Lao Tan.

His art is so good, and his character is good.

The golden voice sings, the sound of nature.

Chic and generous, life in the play.

When the world was all Tan Yu's lineage, Master Ma squeezed out of it. It can be seen that his strength.

A gust of wind left behind a swan song for the ages.

Unparalleled horse art!

Sheep's Horn Mourning", "To Leave the Thorn Qingji", "Spring and Autumn Pen", "Lintong Mountain", "String of Dragon Balls", "Heavy Ears Go to the Country", "Ten Old An Liu", "Ganlu Temple", "Heroes Meeting, Borrowing the East Wind", "Qing Official Book", "A Handful of Snow", "Nine Watch Days", "** Shi", "Meilong Town", "Imperial Tablet Pavilion", "Ten Daoben", "Sitting on the Floor to Kill Regrets", "Qingfeng Pavilion", "Sanniang Godson", "Three Character Classic", "Fenhe Bay", "Wujiapo", "Mulberry Garden Society", "Fan Zhongyu", "White Python Terrace", " Fire Bull Array", "Rouge Treasure Fold", "Burning Mianshan", "Weishui River", "Zhuangyuan Spectrum", "Thief Scroll", "Broken Arm Storytelling Foolish Tour", "Baolian Lantern", "Bead Curtain Village", "Iron Lotus", "Fighting Yan Song", "Guangtai Village", "Sangu Thatched House", "Famen Temple", "Da Dengzhou", "Nanyang Pass", "Dingjun Mountain", "Yangping Pass", "Rouge Tiger", "Su Wu Shepherd", "General Xianghe", "Hai Rui Dismissal", "Zhao's Orphan", "Ten Lao An Liu" costume drama and "Cuckoo Mountain", " More than every year" and so on. Film Material:

Clip of "Three Stores" from the movie "Three Stores" in Shanghai Xu Yuantang.

In the 40s of the 20th century, Ma Lianliang filmed the films "Borrowing the East Wind", "Fishing and Killing Home", and "Swimming in the Dragon and the Phoenix" in Hong Kong

After the 50s of the 20th Jian Qingji, he filmed "Heroes, Borrowing the East Wind", "Qin Xianglian", "Borrowing the East Wind" 1Ma Lianliang, "Flowers and Birds" (album).

2.Ma Lianliang's painting - wealth and glory.