Qu Yuan s Poetry and Brief Appreciation, Qu Yuan s Poetry Introduction to Qu Yuan

I admire Qu Yuan very much, let's take a look. Learn!

1. Qu Yuan's poems: "Lisao", "Tianwen", "Fisherman, Qu Yuan", "Nine Songs, Mrs. Xiang", "Nine Songs, Mountain Ghosts", "Nine Songs, National Martyrdom", "Nine Songs, Donghuang Taiyi", "Nine Songs, Dongjun", "Nine Songs, Hebo", "Nine Songs, Shao Si Ming", "Nine Songs, Da Si Ming".

2. Qu Yuan (c. 340 BC-278 BC), poet and politician of Chu during the Warring States period of China. Born in Zigui, Danyang, Chu State (now Yichang, Hubei). Mi surname, Qu family, name Ping, word original; It is also from the cloud name regular, and the word is even.

A descendant of Qu Bian, the son of Xiong Tong, King of Chuwu. As a teenager, he was well-educated, well-informed, and ambitious. In his early years, he was trusted by King Chu Huai, and served as a leftist disciple and a doctor in Sanlu, and was also in charge of domestic and foreign affairs.

He advocated "American politics", advocated the internal promotion of meritocracy, the cultivation of the law, and the external force to unite to resist Qin. Because he was excluded and slandered by the nobles, he was exiled to the northern Han and Yuanxiang valleys. After the state of Chu was defeated by the Qin army, he sank in the Miluo River and martyred the state of Chu.

Qu Yuan's main works include "Lisao", "Nine Songs", "Nine Chapters", "Tianwen" and so on.

Qu Yuan (340 BC, 278 BC) was a poet and politician of Chu during the Warring States period. Mi surname, Qu family, name Ping, word original; It is also from the cloud name regular, and the word is even. Born in Danyang (present-day Zigui, Hubei) in about 340 BC, he was a descendant of Qu Bian, the son of Xiong Tong, King Wu of Chu.

Qu Yuan is the first great patriotic poet in Chinese history, the founder of Chinese romantic literature, and is known as the "ancestor of Chinese poetry" and "the ancestor of Cifu".

He is the founder and representative author of "Chu Ci", opening up the tradition of "vanilla beauty". The emergence of Qu Yuan marked the beginning of a new era of Chinese poetry from collective singing to individual originality. He was called the "Soul of Poetry" by later generations.

Introduction:

Generally speaking, "Lisao", "Tianwen" and "Nine Songs" can be used as representatives of the three types of Qu Yuan's works. "Nine Chapters", "Far Travel", "Buju", "Fisherman", "Conjuring" and "Big Move", its content and style can be listed as a group with "Lisao", most of them have something to evidence, righteousness to show, and focus on expressing the author's inner feelings.

Lisao is a magnificent poem cast by Qu Yuan with his own ideals, encounters, pains, passions and even his whole life, which shines with a distinct personality brilliance, which is the focus of Qu Yuan's entire creation.

Tianwen is a poem composed by Qu Yuan based on mythological and legendary materials, focusing on the author's academic attainments and his view of history and nature. "Nine Songs" is a piece of music for the gods of Chu State, which has been processed and polished by Qu Yuan, and is full of a strong breath of life in the expression of the characters' feelings and the description of the environmental atmosphere.

Qu Yuan's short poem is "Nine Songs: Ritual Soul", and its original text is as follows:

Cheng Lixi can drum, pass on the dance.

The concubine advocates the grace and tolerance.

Spring orchid and autumn chrysanthemum, long and endless.

Translation:

The sacrificial ceremony has been completed, and the big drum is beaten tightly, and the flowers in the hands are passed and danced alternately;

The beautiful woman sings calmly.

In the spring, the orchid is offered in the autumn, and the chrysanthemum is offered in the autumn, and it goes on and on until the end of the ancient times.

Poetry appreciation

At the beginning, it was first pointed out that it was "Chengli", which made it related to the various articles of "Nine Songs". After the ritual is completed, a dense drum beat is played, and the flowers are passed to each other, and the dance is alternated. The beautiful girl sang in a sleepy voice, and her singing voice was slow and calm.

This is a short but enthusiastic scene of entertainment after the worship of the gods has been completed. And the spring for the orchid, the autumn for the chrysanthemum, how people hope that the good life can be like this month after month, year after year.

Therefore, from spring to autumn, everyone will tell the gods and spirits with the flowers of the season, and promise to make a wish for the long and eternal worship, expressing the pious heart of people to worship God and serve God, and it is also full of joy.

The living objects and living environment of the gods in "Nine Songs" are full of the lush vitality of various fragrant plants, highlighting the longing for beautiful things and the praise of endless life. In this sense, "Chunlan and Qiu Ju, forever and forever" can be used as the main theme of "Jiuwang Song" to worship the gods and pray for blessings.