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The Cultural Dynasty Congress is the abbreviation of the National Congress of Literary and Art Workers of China. In July 1949, the All-China Congress of Literary and Art Workers was held in Beiping amid the sound of the People's Liberation Army's overwhelming march into the southern provinces, when New China was about to be born and a glorious page in the history of the Chinese nation was about to be opened. The convening of this congress marked the end of the literary history of the new democratic revolution and the beginning of the literary history of the socialist period.
The preparatory work for the Cultural Congress was carried out in Beiping, which had not long been liberated. In February 1949, a large number of literary and artistic workers from the North China Liberated Region came to Beiping, and soon many literary and artistic workers from the Kuomintang Autonomous Region also arrived in this ancient cultural capital one after another. On March 22, the North China Culture and Art Working Committee and the "North China Literary and Art Association" held a tea party to entertain people in the literary and artistic circles in Pingping
Initiating the convening of a national congress of literary and artistic workers to establish a new national organization of literary and artistic circles. This initiative was unanimously endorsed by all participants.
After more than three months of preparation, the Cultural Congress opened on 2 July. A total of 824 delegates of various nationalities attended the conference (note: the original number of delegates invited by the Preparatory Committee was 753, but after the opening of the conference, the number of delegates actually attended the meeting increased to 824 (see the article "Preparations for the Conference")), representing about 70,000 new literary and artistic workers and tens of thousands of old opera and opera artists scattered in the vast urban and rural areas.
Comrade personally came to the conference to speak, Comrade ** delivered a congratulatory speech on behalf of the Communist Party of China, and Comrade *** made a political report to the conference. Guo Moruo, general chairman of the conference, made a report on "Striving for the People's Literature and Art of Building New China" at the meeting, and Mao Dun and Zhou Yang, vice chairmen of the conference, respectively made reports on the literary and artistic movements in the nationalized areas and the liberated areas. The conference listened to a series of reports and special speeches by representatives from all walks of life, conducted heated discussions and exchanges, and produced the "All-China Federation of Literary and Art Circles" and the departmental associations of literature, drama, film, dance, and fine arts, as well as the Association for the Reform of Chinese Opera, the Association for the Improvement of Quyi, and other organizations, which ended successfully on 19 July.
This meeting of the Cultural Congress is a general division of the literary and artistic armies of all walks of life. It was not only the meeting division of the two literary and artistic workers who had been forced to separate the Kuomintang ruling areas and the revolutionary base areas since the defeat of the Great Revolution, but also "the meeting division of the representatives of the new literary and artistic forces and the representatives of the old literary and artistic forces who were in favor of transformation, and the meeting of the three parts of the literary and artistic army in the countryside, in the cities, and in the troops."
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The Cultural Dynasty Congress is the abbreviation of the National Congress of Literary and Art Workers of China.
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The Cultural Dynasty Congress is the abbreviation of the National Congress of Literary and Art Workers of China. National Conference of Literary and Art Workers.
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National Cultural People's Congress.
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A congress of literary circles?
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