Explanation of Li Yu s Butterfly Love Flower 5, Explanation of Li Yu s Butterfly Love Flower

The night pavilion Gao leisurely walk, at first glance Qingming, early feeling sad spring twilight.

A few rains and winds stopped, and the hazy moon clouds came and went.

Tao Li Yi is in the spring darkness, who is on the swing, whispering in a smile.

There are thousands of hearts, and there is no place in the world.

Note: 1Midnight: Late at night. Tinggao: A pavilion by the water. Gao (gao sound): swamp. Leisure: Leisurely. Don't be "closed", doubtful.

2.At first glance: just passed. Early awakening: Don't be "gradual awakening".

3.Restraint: restraint, restraint.

4.Yiyi: The appearance of flowers in full bloom. Dark: Quietly. Spring darkness: Spring passes imperceptibly.

5.Heart: Stamens. This refers to the human heart.

Interpretation: "Remote Night" explains the time, the night is not dark, but it has been night for a while. The place where he traveled was "Tinggao", a place where there were houses and pavilions on the outskirts of the city.

The lyricist has the word "leisure" on the "walk", which is dyed with a casual and careless look. The scenery of late spring, late at night, but the author is still walking alone by the water. Leisure, on the surface, means leisurely, which is set against the time scene here, but it just reflects the author's inner frustration and helplessness.

Otherwise, he wouldn't have been so late, still wandering outside, and it seems that the "leisurely walk" should contain the intention of dissipating some depression in his heart.

Only after the Qingming Dynasty, I gradually felt that the spring twilight was sad" is an unreasonable statement. It is said that "Qingming is only over", the spring is just right, but the lyricist has already "hurt the spring twilight". The last two sentences of the film are what the lyricist sees, the sound of the rain is covered by the sound of the wind, and the rain lives with the wind.

The moonlight is not very bright, there are a few clouds floating around, and the words "about staying" and "hazy" are used wonderfully. "Appointment" is very dynamic. "Hazy" is very quiet and beautiful.

The scene of the rain living with the wind and the clouds coming and the moon covering the scene, these two sentences are fresh and elegant, and the description is very charming.

The next film writes about the feelings of sad spring. The peach and plum are still in full bloom, but spring has slipped away most of it unconsciously. A secret word, attachment and reluctance.

The white drawing technique is used appropriately. When the lyricists were in reverie, they heard the soft laughter of swings nearby, and they couldn't hear what they said, but the constant warbler language was a contrast with their own gloomy sadness. These many contrasts constitute a huge helplessness and resentment in the author's heart:

How should I settle and dispose of my feelings of being sad and passing away but still passing away?

Contrasting techniques are a major feature of this word. the contrast between the "idleness" on the surface and the annoyance on the inside; the contrast between "first passing" and "early sleep"; the contrast between "peach and plum yiyi" and "spring darkness"; The contrast between one's own sadness and the "laughter" of others. All these contrasts, in general, are the contrast between reality and state of mind.

This huge contrast between reality and state of mind is piled up in the hearts of the poets, and finally there is no way to resolve the hatred, and he sighs that "there is no place in the world".

This word is written vividly, lyrical and sincere, the language is shallow and close, and it is euphemistic and moving to read, and through the scenery that the author saw when strolling in the late spring night, it expresses the poet's ups and downs of sadness and lovesickness. The whole word uses the infinite scenery to set off and hint at the changes in the emotions of the characters, creating a deep and graceful artistic conception, which is indeed extraordinary in art.

Butterfly love flower night pavilion Gao leisurely walk, at first glance Qingming, early feeling sad spring twilight.

A few rains and winds stopped, and the hazy moon clouds came and went.

Tao Li Yi is in the spring darkness, who is on the swing, whispering in a smile.

There are thousands of hearts, and there is no place in the world.

This word is said to be made by Feng Yansi, and it is said to be made by Li Guan of the Northern Song Dynasty.

This word blends the sorrow of life with the bitterness of love's love, and the prominent feature is the use of contrast, the laughter of the swinger, carefree, and the bitterness of the lyrical protagonist's lovesickness. "A piece of heart", there is no one in the world"Arrangement Office", it can be seen that it is extremely sad and bitter. Xin Qiji's "Partridge Heaven"."Idleness makes the world big"This is also the case.

One of the highlights of this word is the writing of the two sentences. It was originally an ordinary scene of sunny days after rain and a light moon rising into the sky, but the latter lord wrote it as poetic and picturesque. Say not that the spring rain stops, but say yes"The wind is about to stay"Meaningful.

People originally felt that spring passed too early and too fast, and the rain destroyed the flowers, and the spring was even more twilight. The spring breeze invites the drizzle to stop, as if it is intended to prolong the beauty of spring. This writes about the affection and empathy of the spring breeze.

After the rain, the sky is clear, and the moon rises tomorrow, and the clouds flow back and forth in the sky, sometimes obscuring the moonlight, and sometimes emitting the moonlight. The free and flowing scenery relaxes the lonely and heavy mood a lot. "Hazy moon clouds come and go"The seven characters accurately depict the flow of clouds and the moon.

The famous sentence of Zhang Xian of the Northern Song Dynasty"The clouds break through the moon and the flowers make shadows", theologically seems to have a relationship with the latter sentence.