What is the difference between storytelling and commentary? What is the difference between drama and

If the orange is born in Huainan, it is orange, and in the north of Huai, it is orange". This ancient saying is used to describe the relationship between storytelling and commentary, which is very appropriate. Storytelling and commentary are forms of "storytelling" that are spoken in vain, and their names vary depending on the region.

In the north, the Beijing-Tianjin area calls it a commentary, while the northeast calls it a commentary; In the south, Jiangsu, Zhejiang, and Fuzhou are called commentaries, while Hubei, Sichuan, and other places are still called commentaries. The reason why there is a difference between "commentary" and "commentary" in the title may be that various commentaries popular in the Jiangnan area and Fujian and other places directly inherit the performance tradition of "Pinghua", that is, "commentary" since the Yuan and Ming dynasties; The various commentaries that are popular in the north and southwest are mainly due to the "rap" of drum books, or the formation of titles from bibliography to performances, including genres, is deeply influenced by drum books.

Zhang Cixi, "The Flyover of the People's Capital") Therefore, "commentary" constitutes the main body of commentary; Without "commentary", the art loses its charm. Whether it is a storytelling or a commentary, it is necessary to have a storytelling background. This kind of foundation is divided into two types, one is taught orally by the teacher-teacher relationship, which is called "Dao'er work", and the other is perfunctory from the development of literary works, called "Moke'er".

The foundation of traditional commentaries is mainly based on the former, which is passed down from generation to generation of commentators; The commentaries we often listen to now mostly adopt the latter form, like many of Shan Tianfang's commentaries, which were adapted by him himself, and were not taught to him by his teacher.

Let's talk about the similarities and differences between storytelling and commentary in some aspects:

First of all, let's talk about their formation and early representatives. At the beginning of the Qing Dynasty, two major systems were formed: the southern commentary, represented by Yangzhou and Suzhou commentary, and the northern commentary, represented by Beijing commentary. Specifically, Yangzhou Commentary is a form of music that inherits the artistic tradition of storytelling in the Ming Dynasty and speaks in Yangzhou dialect.

At the end of the Ming Dynasty and the beginning of the Qing Dynasty, there were professional storytellers. Volume 11 of "Yangzhou Painting Boat Records" has the following record: "Commentaries are flourishing in the south of the Yangtze River, such as Liu Jingting, Kong Yunxiao, Han Guihu and others.... …The county is known as a stunt, Wu Tianxu's "Three Kingdoms", Xu Guangru's "Eastern Han Dynasty", Wang Deshan's "Water Margin", Gao Jingong's "Five Beauties", Pu Yunyu's "Qingfeng Gate", Fangshannian's "Jade Dragonfly", Cao Tianheng's "Good and Evil Map", Gu Jinzhang's "Jingnan Story", Zou Bixian's "The Legend of the Flying Snake", and Lie Chen Si's "Yangzhou Dialect", all of which are unique.

Suzhou commentary is a form of music that uses the Suzhou dialect (Wu language) to speak the table. At that time, there were Yao Yuzhang and Yao Shizhang who were good at saying "Water Margin", Huang Yongnian who was good at saying "Green Peony" and "Five Meanings", Lin Hanyang who was good at "Heroic Martyrs", and Xu Wenan who was good at "Three Kingdoms". The Northern Storytelling was initiated by Wang Hongxing, and the late Ming and early Qing dynasties were its pioneering period.

Other tribes still have Jiang Zhenming's Wu Futing, Ha Fuyuan, etc., specializing in the book "Yongqing Shengping"; Shan Changde, Deyuechuan, Zhang Zhilan, Cao Zhuoru, etc. are famous for "Liao Zhai".

1. Storytelling is commentary, and there is no essential difference between the two.

In the northern language family, it is commonly called storytelling, such as the Beijing-Tianjin-Tang area; In the southern region, it is mostly called "commentary", such as Jiangsu, Zhejiang and Shanghai; There are also those called "commentaries". At the beginning of the Qing Dynasty, two major systems were formed: the southern commentary, represented by Yangzhou and Suzhou commentary, and the northern commentary, represented by Beijing commentary.

2. Storytelling is a kind of Han folk art. Usually a performer performs a rap, which perfunctory historical and modern stories through artistic means such as narrating plots, describing scenes, simulating characters, and commenting on affairs. Generally speaking, it is said in the past and today, and then commented on, which is called a book commentary.

3, such as Shan Tianfang's "White Eyebrow Hero", Tian Lianyuan's "Yang Jiajiang", "Hai Qingtian", "Li Yuanba's Biography", "Luo Cheng's Biography", and Sun Yi's "Romance of Time Change" are all classic programs of storytelling. Storytelling is generally broadcast on the radio.

The better one is Shan Tianfang, because his popularity is relatively high, his voice is slightly hoarse, his voice is particularly unique, and there are many excellent storytelling works.

Mr. Shan Tianfang's storytelling language is very distinctive, and his storytelling is very good at shaping the character of the character, and the personality of each character is shown through different language styles. For example, Xu Liang's Shanxi dialect in "White Eyebrows"; The thin-necked, big-headed ghost room Shu'an spoke with a leaky voice; The southern accent of the Holy Hand Xiu Shi Feng Yuan is vividly expressed, it is simply an auditory feast.

Pingju is an opera, just like Peking Opera, Henan Opera, and Yue Opera, they are all operas. It is mainly prevalent in Beijing, Tianjin, Hebei and Northeast China. There are different actors and actresses who perform men, women and children, some singing, some acting, some costumes, and some modern.

The famous repertoire includes "Flowers as the Matchmaker", "Liu Qiaoer", "Jinsha River", "Xiangyang Store" and so on. Famous artists include Xiaobai Yushuang, Wei Rongyuan, Ma Tai, Xin Fengxia, Zhao Lirong...

Storytelling is a quyi, which belongs to quyi like cross talk, drums, single strings, and allegro. Storytelling is mostly in the form of storytelling, performed by one person, whether the characters in the story are men, women, young and old, or thousands of troops, all rely on the different tones and directions of the storytellers. Famous commentaries include "Romance of the Three Kingdoms", "Sui and Tang Dynasties", "Yang Jiajiang", "The Biography of Yue Fei" and so on.

Famous artists include Yuan Kuocheng, Shan Tianfang, Lian Liru, Tian Lianyuan, Liu Lanfang, etc.

Commenting on dramas can sing, commenting on stories just saying; There are many people who comment on the drama, and one person who reviews the story says; Fans of drama like to listen to singing segments, and fans of storytelling like to listen to "buckle".

Storytelling, also known as storytelling, storytelling, Cantonese and other regions of Guangdong, commonly known as speaking, in ancient times, is an ancient traditional Chinese oral speaking performance art form.

In the early days, a person sat behind a table, using a folding fan and a waking wood (a square inch sized piece of wood that can be struck on the tabletop). It is often used at the beginning of the performance or during the pause, as a reminder to the audience to be quiet or to warn the audience's attention, so as to enhance the performance effect, hence the name) as a prop, wearing a traditional long robe, telling speeches and commenting on stories.

Storytelling is also called commentary.

A category of quyi.

One person performs, only speaks but does not sing.

In the past, there were many long stories, but now there are also medium and short stories.

There are Beijing Commentaries, Suzhou Commentaries

Yangzhou Commentary, Sichuan Commentary, etc.