How to sing alto well, how to practice alto

1. When practicing, start with medium and low volume exercises in the midrange area, after a long period of consolidation, and then slowly develop to a higher or lower vocal range, beginners must follow the principle of easy and difficult step by step, otherwise the treble will not only not get the correct treble at the beginning, but will destroy the vocal cords.

2. The midrange area should be forward, bright, easy and smooth, and effortless, so that it can develop upwards and open the way for singing high notes. The sound in the midrange should not be forced, but should be natural, with beautiful timbre and sonic flexibility. The important area of each voice is the midrange.

3. The midrange area should be inhaled deeply, the breath should be natural, elastic, positive, and there is a support point, the larynx should be stable and relaxed, no matter whether the high or low tones are sung, the laryngeal feeling is in one position, and the sound should be sent outward, but the sound should be kept in the same tone pattern and position from beginning to end. It is often said that "the sound should be like a pearl, and each note should be threaded in a line", etc., that is, the sound should be coherent and unified.

1. Roundness. Extended Materials

1. Correct use of gas when singing:

It was sent out from the dantian, and the qi was rushed, and the voice was just over, not shouted out with the voice. After exhaling from the throat, enter the forehead, forehead and back of the head, as well as the nose resonance to achieve true resonance. The size of the nasal voice can be adjusted on its own.

But the resonance of the forehead is very large, and if it reaches a certain stage, the forehead will be very painful after singing for a long time. But the breath does not need to be inhaled very quickly, just like smelling the fragrance of flowers, gently cut and inhale.

2. The correct way to pronounce the voice when singing:

Practice to obtain the fulcrum of breathing, experience the coordination of breathing and voice, use scientific singing methods, experience and adjust your singing resonance. Learn to sing with your mouth open and your upper and lower teeth relaxed. When singing octaves, from low to high, the vowels are not sung separately, and the oropharyngeal cavity opens from small to large at the same time.

The breath is smooth and coordinated, and it makes a mellow and unobstructed sound.

The middle vocal area is the basis of singing, and without a good middle vocal area, you can't talk about everything else.

One. Gradual.

When practicing, start with the middle vocal area to medium and low volume exercises, after a considerable period of consolidation, and then slowly develop to a higher or lower range, beginners must follow the principle of easy and difficult step by step, otherwise the beginning of the high pitch will not only not get the correct treble, but will destroy the vocal cords.

Two. Pay attention to the main points.

The middle vocal area should be forward, bright, easy and smooth, and effortless, so that it can develop upwards and open the way for singing high notes.

The sound in the mid-vocal area should not be volatile, but should be natural, with beautiful timbre and flexibility.

The important area of each voice is the middle range. The middle vocal area should be inhaled deeply, the breath should be natural, elastic, positive, and supportive, and the larynx should be stable and relaxed, regardless of singing high and low tones, the laryngeal feeling is in one position, and the sound should be sent outward, but the sound should be kept in the same tone pattern and position from beginning to end.

The sound should be like a pearl, and each note should be threaded in a line", which means that the sound should be coherent and unified.

1. Roundness.

How to practice singing is difficult to sing, practice breathing first, and when the breath can be controlled, practice the opening tone, sing the middle voice area (d1 d2) mellowly, pay attention to the resonance of the chest cavity and the head cavity (pharyngeal nose), and then learn the pitch and the ...... of the change of articulation and timbre

The beauty of singing voice is not only to resonate well, mix well, and close well, but also to learn to protect your vocal cords, which are very delicate.

The voice should be good, in addition to being born, the most important thing is the acquired effort, a considerable number of men are born to mix their voices, they will turn off, they sing the high notes effortlessly, but their bass area is a mess, just like Zhang Xinzhe, Xiong Tianping, Zhang Yusheng, and others, they can't be regarded as all-round singers.

So you don't have to envy those who are talented, singing is all about skill and method rather than talent.

Therefore, if you want to practice singing well, you must, 1Practice a good sense of musicality, that is, intonation, and rhythm, listen to the singer's songs, pay attention to the tune he sings when listening, and then when you sing along, see if there is a drop or rise, imitate more, don't be afraid to imitate other people's own style, in fact, when you imitate to a certain extent, you can use the voice you imitate as a foundation to establish your own style. 2 You have to understand what is true sound and what is falsetto, which is very simple and important, it is the foundation of the foundation 3

Practice mixed voice, practice mixed voice and you can still sing the songs of Zhang Xinzhe, Lin Junjie, Tao Zhe and others, mixed voice is a mixture of true sound and false sound, this is more difficult for boys, so it is more necessary to insist on practicing, 3 practice off singing, why do some people speak so loudly and penetrating? That is, he uses the off, once you use the singing method, it can make your voice loud, penetrating and effortless, once you have practiced the above things, you should be able to self-regulate your voice, and you can even imitate the voices of several people.

The mid-bass should generally be full and affectionate. But like the treble, many people lack the resonance of the mid-bass. The bass can only be reflected by the thoracic resonance and wide voice structure, which is relatively congenital.

In my experience, it is difficult to practice a voice that can't go down in the bass, and it's good to be able to go down a few scales. If you have to record a song with a rich bass, and you can record it in the morning without brushing your teeth or washing your face, the sound will go down a lot. Therefore, people who lack mid-bass try to avoid such songs, promote their strengths and avoid their weaknesses, and people with rich mid-bass must give full play to its potential, and it is very charming to sing well in mid-bass!

Singing bass should relax the chest and voice, and some resonance can be strengthened by sighing, and some breath can be added to the really low place to produce oral resonance, and the sound will feel thicker. But either way, people with naturally strong voices have a lot more room to play.

Singing alto should be polished more, including spitting out words and ventilation are all aesthetic cherry blossoms, of course, this is related to feeling the singing skills, listen to the "Cai Qin" more in the middle and bass.

Further reading: Singing and soaring high pitch techniques.

1. Breathing and posture.

If we have the opportunity to scream at something very surprising, we must remember that shouting posture and use it to sing the high notes, and that's right. Singing a high note is different from singing a low note in that it presses the air into a thin line and hits the vocal cords. When the force of the diaphragm has been used to the apex and pressure cannot be applied, the waist force must be used.

As mentioned earlier, the lobes of the lungs are larger than the apex, that is, the lower part is larger than the top, and the upper apex is expanded outward by the ribs.

With waist force, you first use your hands to cross your waist (you don't need to pay attention to the abdominal muscles at this time, it will work naturally when you inhale), inhale the air ridge to the surrounding of the waist, feel the front and back waist swell, and then close the air in (open your mouth wide), force the waist and ribs inward, and push the chest upward, you will feel the pressure pressing the upper mouth, which is the use of waist force'Method.

As mentioned earlier, F2 - G2 We use the contraction of the abdominal muscles to increase the pressure, and when we reach A2, we use waist strength, and when we reach B2, because we only need a small amount of qi (but we need to use high-pressure qi), we only need to open the upper lip as if we yawn, and we want to show a little of the upper teeth, and the tip of the tongue is flat on the lower teeth, and we can sing B2 down. From B2 flat or above to Hi GHC or above, the method is the same as B2 flat. Here's another example to illustrate singing a high note with the power of the waist production.

Singing a high note with the strength of the waist is equivalent to filling a long balloon with a pinch, and the upper half of the training will be full, which is like the diaphragm has risen to the top and cannot rise again. We inhale our waist to the fullest, and then the whole waist and the open ribs underneath it are pulled inward, and the chest is protruding, as if we were pinching a balloon with our hands, creating a strong, rising airflow that is what we use to sing high notes.

Singing bass should relax the chest and voice, and some resonance can be strengthened by sighing, and some breath can be added to produce oral resonance in a really low place, and the sound will feel thicker. But in any case, people with naturally strong voices have a lot more room to play. Singing the alto should be polished more, including the words and ventilation are beautiful, of course, this is related to the feeling of singing, and the middle and bass listen to "Cai Qin".

When singing a song with a bass alto, it should be sung an octave.

Turn on the voice before singing, and sing again after the voice is turned on.

Breath is insufficient, and swimming can exercise lung capacity.

Practicing sit-ups regularly to exercise your abs is a great benefit for singing high notes.

Drinking some boiling water can help turn on the sound. When the sound is turned on, the throat will not be uncomfortable.

Everyone's vocal range is different, some people are born with a high pitch, and pitch is something that needs to be practiced, (but be careful, you can't be too tired and will sing your voice bad,)

In addition, I will teach you a simple and easy-to-learn technique of soaring high notes: sing with a toothpick between the corners of your mouth, don't fall off, it is easy to sing high notes (called open inner mouth).

In fact, whether singing is good or not is mainly pitch and rhythm.

With these two points, you can only sing, but feelings are the highest level.

Art is endless, for love is the shore.

In addition, vocal range, pitch, and falsetto can all be greatly improved through practice. Be sure to pay attention to moderation when plucking pitch exercises, otherwise the vocal cords are easily injured.

Pitch is often the ear, when you sing, in fact, the ear is more important, we often ignore the ear when singing, we must listen carefully to sing out of our own voice, in order to grasp the pitch and emotion (must have heard, people who sing with headphones, ** sound overshadows their own voice, so out of tune).

Then you have to listen to the original song more, and you must also listen carefully to the singer's voice with your ears, the human ear is born with the ability to distinguish, you have to distinguish the accompaniment and vocals from the **, and even to each layer of musical instruments in the future.

Practice your ears first, and then talk about anything else. Take your time, you can do it!

This can't be arbitrarily defined, you have to be trained and observed for a period of time after the teacher has practiced your voice and listened to it, and if you can't rap the high notes, you are not a soprano, you have to examine all aspects of timbre. The eldest daughter is easy to sing high, because you don't have a good grasp of the pitch. Good at using the brain to connect and not in a hurry.

If you are tired of singing, it may be because your breath is not adjusted well, it is recommended to consult a professional teacher, who can help you go to the next level.

1. When the alto sings, the breath sinks into the dantian, and the stomach is pressed with the hand, but to ensure that it does not sink, try to practice the voice in this way, and practice until it has been in this state, (but don't say it, you still have to practice more to find the feeling,) even talking can be done.

2. When singing, you must throw the voice out of the abdominal cavity, and it feels like floating from the head to the ceiling. If possible, you can borrow a piano to practice your voice.

3. The resonance during singing is the result of the coordination of the entire resonance organ. The resonance of the head cavity is mainly in the high notes, so the baritone will raise his head to sing in the high part to achieve a better resonance effect.