I want to ask the meaning of a word, ask what the song means, ask the meaning of the song

1. The lyrics want to express a girl's silent love for a boy, but she doesn't get a response or just her unilateral feelings. The boy doesn't like her, and then expresses that the girl is always hurt, and in the end it is an admonition. Warning girls to know how to love themselves, not to fall into the whirlpool of love without reservation, and not to always be trapped by love.

2. Lyrics: Who makes your heart move, who makes your heart ache.

Who would make you want to hug her in her arms once in a while.

Who cares about your dreams, who says your thoughts, she will understand.

Who touched you.

If a woman always waits until late at night.

No regrets to pay for your youth, she will be true to you.

Whether a woman should never ask more.

She better always be naïve for the people she loves.

Who makes your heart tick Who makes your heart ache.

Who would make you want to hug her in her arms once in a while.

Who cares about your dreams, who says your thoughts, she will understand.

Who touched you.

It's just that women are prone to falling in love.

Always trapped by love, finally fell deeper and deeper.

But a woman's love is her soul.

She can dedicate her life to the people she loves.

If a woman always waits until late at night.

No regrets to pay for your youth, she will be true to you.

It's just that women are prone to falling in love.

Always trapped by love, finally fell deeper and deeper.

But a woman's love is her soul.

She can dedicate her life to the people she loves.

As you go farther and farther, letters become scarcer and scarcer, and it has not been a while since you have received them, as if the fish in the river have swam deep into the water, and there is nowhere to hear from you. "Gradually drifting away and gradually without a book", the word "gradually" is repeated in one sentence, gradually pushing the imagination of the woman from near to far, as if to trace the footprints of her lover, and the geese are sinking and nowhere to be found. This is the hatred of the voice.

There is no book" should be the first sentence of "I don't know", and there is no reason to know, she can only immerse herself in the infinite grief of "where the water and fish sink and ask". "Wide water" is a symbol of "far", and "fish sinking" is a symbol of "no book". The three words "where to ask" express the indescribable sorrow of wanting to have no way out and no way to complain, and it is extremely painful.

Categories: Art >> Poetry and Poetry.

Problem description: A leaf falls, a leaf falls, bead foil At this time, the scenery is depressed, the moon shadow of the painting building is cold, the west wind blows the curtain, the curtain blows the curtain, and the past thinks about who can help Pei Shibo find the meaning of the first word, thank you.

Li Cunshu (885 926), the small character Yazi, was originally a native of the Turkic Shatuo tribe, given the surname Li, and was the eldest son of Li Keyong, the king of Jin. Courageous, brave and good at fighting, retreating to the Khitan in the north, destroying Yan in the east, and destroying Liang, called the emperor in 923 AD, reigned for four years, and was known as the Later Tang Zhuangzong in history. Although Cun Shu is a martial artist, he knows the rhythm of music and can make music.

Tongguang was killed by the servants in the fourth year. Four poems, contained in the "Zun Qian Collection".

Note: 褰 (qián): to uncover. Bead foil: i.e. bead curtain.

Xiao Suo: Depression, coldness.

Appreciation]: The autumn wind falls with bent leaves, and the scenery is sluggish. Touching the scenery and cherishing people, can not evoke memories of the past!

Thinking about it", the aftertaste is infinite and intriguing. This little poem is lyrical through the scene, seeing things and thinking about people. "Painting the Moon Shadow of the Building" and "Falling Leaves West Wind", the artistic conception is beautiful and the rhyme is long.

Lyrics": The returnees of the Later Tang Zhuang Sect can make their own songs, which is one of them. He has no author for this tune.

Yu Qiyun's "Selected Interpretations of the Two Song Songs of the Five Tang Dynasties": Zhuang Zong's "A Leaf Falling" is the best in the closing sentence, and the sentence "Like a Dream Makes the Same Machine" and "The Remnant Moon Falls Flowers" is allegorical in the scene, and the use of Xing is also. The sentence "thinking about the past" expresses its meaning directly, and uses the body to do it.

Nostalgia for sorrow, resentment? Ask for it in the word "consider".

I pursued very hard, but I couldn't succeed, I was very confused, and suddenly the opportunity came, but it took courage and perseverance to succeed!

It may be about how a person becomes a Buddha and what is the Zen path.

Pingle Village.

The thatched eaves are low, and the grass is green on the stream. Drunken Wu Yin is flattering, white-haired, who is Weng Yuan?

The eldest child hoes beans in Xidong, and the middle child is weaving chicken coops. I like the child to die, and the brook head is lying and peeling the lotus canopy.

Two words and one sentence, it seems to be subdued and frustrated.

In this poem, the author reflects his subjective feelings through the depiction of rural scenes, and is not just sketching purely objectively.

The author's poem is a silhouette of the life of some non-labor members in a non-labor environment in the countryside, reflecting the vibrant and interesting side of the countryside in spring. On the film.

The first and second sentences are what the author sees, and the lens is a little farther away. "The thatched eaves are low and small", Deng "Notes" quoted Du Fu's "Quatrain Manxing": "I am familiar with the low and small thatched houses, and the swallows on the river are frequent."

This is written in the Southern Song Dynasty, when the living conditions in the countryside were not very good. If you don't go near this low eaves, you can't see the activities of this house, and you can't hear the sound of people's speech. The second sentence points out that the thatched hut is not far from the creek, and the grass on the creek has returned to green, which really uses the semantic meaning of "spring grass in the pond" in Xie Lingyun's "Ascending the Pond and Going Upstairs" to show that spring is in the countryside, and the vitality is unlimited, and it is the busy farming season again.

The author was a little drunk, and walked around, until he approached the eaves of the cottage, but heard a sound of dialogue in Wu Yin, which made him feel kind and pleasant (that is, the so-called "flattery"), only to find that the adults of this family had gone to work in the fields, and only an old couple remained at home, talking about their daily routines. So I used a rhetorical question: "Whose old man is this?"

Then it turns to the depiction of the other young people in the family. In this way, the subjective and objective levels are more distinct, which seems to be more reasonable than referring to Weng Yuan as the subject of "drunk".

In the next film, the eldest child hoes beans and the middle child weaves chicken coops, both of which are written about informal labor members engaging in some side labor. This shows that the vast majority of people in the countryside are not idlers who sit back and wait for food and get something for nothing, and even children who are not yet mature have to do what they can, so the hard work of adults can be imagined. The word "lying" is indeed the most wonderful, it puts the innocent, lively, and naughty energy of the child lying on the side of the stream peeling lotus pods and eating, and the disc is set out, and it jumps on the paper, so that the characters are distinct and the artistic conception is intriguing.

It shows that only the elderly and the youngest children who have no labor force can enjoy themselves. This is actually derived from the description of "Zhuangzi Horseshoe Chapter" as "fed and frolicking, puffing up the belly and swimming", but it is more vivid, more subtle, and more vivid than that of "Zhuangzi". In particular, the author uses a side-stroke counterpoint technique to reflect a quiet and leisurely aspect of rural life, but it leaves a large amount of room for the reader's imagination to supplement.

This is the same as the end of the author's poem "Partridge Day", the so-called "peach and plum in the city are sad about the wind and rain, and the spring is in the creek and the cauliflower" is the same machine, and from the perspective of artistic effect, it is also the same.

It depicts the life of a family of five in the countryside, expresses the beauty of life and human feelings, and reflects the author's envy and yearning for a peaceful and peaceful life in the countryside.