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Don't have a headache in sight-singing ear training, "Learning** is most afraid of detours - sight-singing ear training" can help you very well, professional**College teacher guidance**, you go to **Internet search"Learning ** is most afraid of detours"Just get it.
Ear training test is one of the important contents of the entrance examination of various majors in colleges and universities, through the way of sight and singing, to examine the candidate's sight score, pitch, rhythm and expressiveness, and through sight singing to understand the candidate's other ** quality. In recent years, the scale of college admissions has been expanding, the number of candidates has increased dramatically, and the solfeggio exam is also seeking efficient and high-reliability examination methods. However, from the perspective of the form of the exam and the difficulty of the proposition, the content of the exam has hardly changed much, which is restricted by the characteristics of the sight-singing major and the overall level of the candidates.
In the face of the annual college entrance examination, how should many candidates better cope with the audition exam? How to fully grasp the audition questions in your hand? The author analyzes the situation and examination form of the first college recruitment examination in the past few years, and puts forward coping strategies.
The author is a summary of his learning experience since he was a child and the accumulation of teaching experience after work. The book disc compiles the teaching materials of many famous teachers in a way that is easy for parents and students to learn and understand, simplifying the complex and explaining it in simple terms. With intuitive practical exercises, you can directly obtain knowledge, fast and convenient.
It is the preferred reference material for parents and students of beginners.
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It's the same as learning to listen and speak English.
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Listen more, but make sure you have your piano in tune.
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1. Be familiar with the staves, consolidate and strengthen the knowledge of music theory, and be proficient in reading music;
2. Practicing "singing" is the second stage, during which the most important thing is the pitch (the height of the notes) and rhythm (the breath control of the length of the note involves the basic learning of vocal music);
3. After proficiency, you need to pay attention to some marks of sight-singing works, emotional marks, slow and urgent marks, strength and weakness marks, etc.;
4. "Seeing" and "singing" can well cultivate the ability to recognize intonation, timbre, rhythm, first-class accumulation, national music passages and Western major and minor keys. "Ear training" is generally to analyze the "rhythm" of a piece of work and the strength and pitch of the piece to distinguish the time signature of the work, and cultivate the comprehensive ability to distinguish the pitch of monophony, double tone, interval, melody, melody, etc.
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1. Find the feeling of intonation.
The first task is to solve the hearing problem of the ear, and the feasible way is to listen more.
The first is to listen to instrumental music more, play the music you sing on the piano, and listen to it over and over again, so that listening repeatedly will produce a correct concept of pitch in your heart. When this concept of pitch is established, it is possible to sing silently along with the sound of the piano in the heart, and further develop to sing softly.
In fact, sometimes we don't need to compare with the sound of the piano to clearly feel the inaccuracy of the tone, because our feelings are different when we sing and when we listen to the recording, there is a difference between subjective and objective.
2. Cultivate the habit of listening to the head.
When listening to the sound, you should not think about hearing the end note, but learn to be able to sing quickly when the head comes out.
Because each note has a certain amount of time and a long end note, many people strive to distinguish the interval in the end note, which is unscientific. ** Wait for no one, we should react at the beginning of the note. Therefore, you should develop the habit of listening to the capsule.
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Ear training consists of two elements, one is sight singing and the other is ear training. Both are almost simultaneous. In a word, the purpose of ear training is to have the ability to read music and sing (or play), be able to understand **, and record **.
Let's talk about the sight-singing part first, first of all, we must master the method of reading music, there are many kinds of scores, such as simple scores and staves. At the very least, you must be able to read the sheet music and sing the 1234567's roll call clearly. This is the basis of ear training.
Let's talk about listening to the **, it's easy to say, it's nothing more than melody, rhythm, and harmony. The next level is texture and structure, and this is almost endless practice, except for the gifted.
There are many ways to train your ears in sight, as follows:
First, learn the instrument and sing the pitch while playing the instrument. Generally, I have to sing scales every day, and I'll talk about some advanced ones later.
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Ear training is ear training for learning sight singing and harmonic listening.
1. Sight-singing: cultivate the ability to read music and sing; Through the training of pitch rhythm, master the practice of rhythm memorization, and become familiar with each rhythm type.
2. Harmony and auditory training
1) Listen to a single tone or a sequence of sounds and form a tone alarm up or down. When listening to the scale, it is necessary to sing different sequences of notes in the ascending and downward phases of natural major, harmonic major, natural minor, and melodic minor, and to conduct a contrasting debate on them.
2) Listening to intervals and chords, the traditional method is to follow the degree of difficulty: first seventh, second, then third, sixth, then fifth, fourth, etc., this method can allow us to experience the difference between concord and dissonance, and we can also listen step by step according to the order of degrees such as second, third, and fourth.
3) Melody dictation, in short, ear training emphasizes grasping the nature of the interval from the aspects of color, auditory perception, distance perception, and so on.
Ear training is to cultivate the best auditory ability and music reading ability through sight-singing practice and listening training, so as to master the correct pitch, rhythm and basic music score sight-singing ability. Ear training is a comprehensive training subject, including intervals, chords, mode, tonality, rhythm, beat, melody, sight-singing, etc., as well as comprehensive exercises such as perception, understanding and expression of Yinfan Talk.
The duration of ear training
Ear training is a long-term accumulation process, it is not a quick subject, there is no shortcut, and there will be no obvious improvement in a short period of time. So it takes a long time to train your ears. The most basic students should need about one to two years of training to learn solfeggio to take the art exam, and it also needs to be based on individual circumstances.
Some people are more sensitive to acoustics, and some people have a good sense of rhythm, which can lead to different strengths for different students. Ear training is not only classroom training, but also extracurricular training for students. In the art examination, ear training is a key subject.
Whether solfeggio ear training is good or not, you can directly open 10-20 points in the exam, even if the professional results are good, it is impossible to chase back so many points, so solfeggio ear training can directly affect the student's art examination results.
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The content is usually divided into three parts: auditory training, dictation, and sight-singing. The main tasks are:
Develop the sense of hearing, enhance memory, and develop the correct sense of intonation and rhythm; In this way, students will acquire proficient reading skills and a rich vocabulary to actively use their sense of hearing in practical activities.
The training methods of ear training include: listening and singing (model singing); rhythmic percussion; auditory analysis; Dictation, etc. The training in these aspects must be combined with the theoretical knowledge of music theory, harmony, polyphony, and music form, so as to achieve the correct judgment and writing of intervals, rhythms, tunes, modes, tonality, beats, chord connections, multi-part textures, and music structures.
Ear training can be done in combination with sight-singing at the same time, or on its own.
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1. If you want to learn sight-singing and ear training well, first of all, you must sing the C major scale well. It's about carving these seven most basic sounds into your mind.
2. Learning stave is the same as learning other knowledge, there is no shortcut, you can only memorize the knowledge step by step, and then you can be proficient in reading the notation in the future, of course, the best way is to remember the position of the notes through practice, but there is also a knack.
3. Keep singing, sing a large number of new scores, and keep repeating, memorize each new score, and sing until the speed is reached, the rhythmic pitch will not be wrong, and there will be no pause in the middle.
4. The second is to record the C major scale, the new score sung and memorized with *** or other tools, and listen to it repeatedly, repeatedly.
Yes, but you have to have a Dharma master to teach you in order to get the real and correct practice. But there is one point, because you are sleeping, so even though you are practicing, it is not that you are really practicing, but the sub-primordial spirit is practicing, but he is actually not the same thing as you, although it belongs to the same body.
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