Who is the mother of modern dance in Germany Who is the mother of modern dance

Pina Bausch, Germany's most famous modern dance choreographer, the founder of the far-reaching "dance theater" in the European art world, and known as the "first lady of German modern dance". He died of cancer on June 30, 2009 at the age of 68. Pina Bausch (German: .)

Pina Bausch (27 July 1940 – 30 June 2009) was born in Zohringen, Germany, in 1940, and began studying classical ballet and contemporary dance at the Folkwang School as a teenager, and at the age of 19 went to New York to study with modern dance masters such as Joslin Monlin and Paul Taylor, before returning to Germany in 1963. After 10 years of practice as an actress and choreographer, in 1973 at the age of 33, Pina Bausch became artistic director and chief choreographer of the Tanztheater Wuppertal dance theater in Germany. Two years later, her eponymous work, based on Stravinsky's The Rite of Spring, became an immediate sensation, with critics calling it "the most prominent of the eighty or so editions of The Rite of Spring."

Since then, Pina Bausch has continued her "dance theatre" approach, with Café Muller, The Legend of Chastity, Bluebeard, Waltz, Mazurka Fogo, Carnation, 1980, The Window Washer, and many other powerful works, touring Europe, the United States, and Asia to Japan and Hong Kong. She also "crossed over" with excellent performances in the works of the famous film directors Federico 9 9 Fellini and Pedro 9 9 Almodovar. Pina Bausch died on June 30, 2009, at the age of 68, in a hospital in Upatal, Germany.

Five days ago, she was diagnosed with cancer and passed away on Tuesday local time, and the Wuppertal Dance Theater wrote on its official **: "Just last Sunday, she was on the stage of the theater with her dance partner. ”

Who is the mother of modern dance: Isadora Duncan

Isadora Duncan (1877-1927), an American dancer and founder of modern dance, was the first artist in the world to perform barefoot on stage. Founded a free dance based on ancient Greek art, which first became famous in Europe. Later, he opened dance schools in Germany, Russia, the United States and other countries, and became the founder of modern dance.

Major works include dances based on the Marseillaise, Beethoven's Seventh Symphony, Mendelssohn's Farewell to Spring, and Tchaikovsky's Slavic March. He is the author of The Autobiography of Duncan (1927) and On the Art of Dance. Duncan was born in San Francisco on May 26, 1877.

When she was born, her parents were divorced, and she had two older brothers and an older sister.

In such a single-parent family, she lived in poverty when she was a child and moved frequently. Her mother is a **teacher, and she has given her a good ** education since she was a child, which has cultivated her interest in dance. Duncan was able to teach her friends to dance at the age of 6, and showed an aversion to the rigid and rigid classical ballet, and she was determined to base her dance on natural rhythms and movements, to interpret and perform the works of the best artists.

She disdains low-level commercial dance for the sake of living. At the age of 21, she was forced to go to England to earn a living, where she immersed herself in the study of ancient Greek art at the British Museum. She found what she considered to be the ideal form of dance expression from ancient sculptures and paintings

Dressed in a long gown and barefoot, the movements resemble the swaying sails of the trees or the churning of the waves.

She draws inspiration from the classics and pursues dances that "can express the human spirit sacredly through human movements". She believes that hail skills will tarnish the natural beauty of the human body, and dance should express life from beginning to end.

Therefore, her performance in London was refreshing to the audience.

The mother of modern dance is Duncan.

Isadora Duncan, an Irish-American dancer, was born into a poor family in San Francisco. Her initial career as a dancer was not very successful, but her perseverance in her art eventually led to her success.

Inspired by her study of ancient Greek art at the British Museum, the 21-year-old abandoned the traditional formulas of classical ballet and created a free dance that was instinctually and inspired by improvisation. The natural movements, the freedom of form, and the emphasis on the liberation of the human body are the characteristics of Duncan's free dance.

Character reviews are noisy

Duncan was not only an epoch-making dancer, but also a rare talent, and those who read her beautiful and moving "Autobiography of Duncan" must have been amazed by her profound knowledge from time to time.

It is one of the few dancers to enter the World Library, and it chronicles Duncan's lifelong struggle to gain an equal status with other arts; This also shows that "well-developed limbs and simple mind" is not really the nature of dance art. Through this autobiography, her dance ideas and practices have been disseminated all over the world.

The Mother of Modern Dance: Isadora Duncan.

At the heart of Duncan's dance philosophy is the obedience to the laws of nature and the expression of the American spirit, both of which she believes are harmoniously embodied in ancient Greek dance. The dance there is "the unity of the body's gymnastic movements and the mind", "the way of expression shared by all people", and "the greatest thing above all things in itself".

The reason why Duncan is called the "mother of modern dance" lies in her "free dance concept" that conforms to nature, her "expressive dance concept" that integrates body and mind, and her "future dance concept" that transcends historical civilization. Although Duncan did not leave a systematic approach and technique to modern dancers, her concept of dance did lead to a comprehensive and genuine revival of dance culture—a revival that returns to life, exalts life, and expresses the envy of life.