Explain the characteristics of the Warring States Policy in terms of narrative, and what are the cha

The writing style of the Warring States Policy is that there is no body for the country, and the writing is characterized by arguing and arrogant, "Warring States Policy".

For Liu Xiang of the Western Han Dynasty.

Most of the country-specific history books compiled are dated from the Warring States period.

Includes the writings of the strategists and the records of historical sources.

"Warring States Policy" is a collection of statements from the Warring States Period to the Qin and Han dynasties, in order to seek wealth or realize their own beliefs in governing the country, some strategists analyzed the internal and external situations and formulated strategies for the monarch who served for themselves in view of the situation of the countries at that time.

Summary. Hello, the characteristics of "Warring States Policy" are manifested in the following aspects: the first is rich in literary brilliance.

"Zuo Chuan" is also known for its literary style, but comparing the two, we can see that the language of "Warring States Policy" is more bright and fluent, indulgent and changeable, and full of songs. Whether it is narrative or reasoning, "Warring States Policy" often uses paving and exaggerated techniques, gorgeous rhetoric, and presents a hearty momentum. Second, "Warring States Policy" describes the characters and activities in a more specific and detailed way, which makes them more vivid and lively.

The characters described in "Zuo Biography" are probably sketches of simple strokes. Third, the strategists' rhetoric recorded in the "Warring States Policy" often cites vivid fables, which is also a literary means to help reason.

Compared with "Zuo Biography", "Warring States Policy" has new changes in literature.

Hello, the characteristics of "Warring States Policy" are manifested in the following aspects: the first is rich in literary brilliance. "Zuo Chuan" is also known for its literary style, but comparing the two, we can see that the language of "Warring States Policy" is more bright and fluent, indulgent and changeable, and full of songs.

Whether it is narrative or reasoning, "Zhanqiao Bu National Policy" often uses paving and exaggerated techniques, gorgeous rhetoric, and presents a hearty and hearty beat. Second, "Warring States Policy" describes the characters and activities in a more specific and detailed way, which makes them more vivid and lively. "Zuo Biography" describes the human and silver spikes, which is probably a sketch of a simple pen.

Third, the strategists' rhetoric recorded in the "Warring States Policy" often cites vivid fables, which is also a literary means to help reason.

It has both literary values.

It has both literary values.

"Warring States Policy" is more literary than "Left Turn".

"Warring States Policy" depicts the characters in more detail.

"Zuo Biography" is relegated to truth, and "Warring States Policy" is reminiscent.

In the eighth Warring States Policy in "Classic Conversations", the stories of the selected characters have nothing to do with "policy", and the author writes it like this.

Dear, I'm glad to answer your <>

In the eighth volume of the Warring States Policy selected in "Classic Conversations", there are indeed some stories that are not directly related to the theme of "strategy". This may involve the author's intent and literary skills. First of all, as a literary work, "Classic Conversations" does not only stick to the theme when narrating historical stories, but also enriches the storyline and increases interest through some material selection techniques and techniques.

Sometimes, these stories, although seemingly unrelated to the subject matter, can bring inspiration and insight to the reader. Secondly, the author may also be out of the exploration and expression of history and human nature, choosing some stories that have nothing to do with "policy", and showing some aspects of society and people's ideological states at that time through the characters, life details, emotional conflicts and other aspects in these stories. In general, in literary works, the theme is not the only creative purpose and value, and sometimes the author of Xunzhen can also achieve the purpose of enriching the storyline and expressing history and human nature through the details of material selection, description and character building.

I hope mine is helpful to you and have a great day!

In the eighth Warring States Policy in "Classic Conversations", the stories of the selected characters have nothing to do with "policy", and the author writes it like this.

Hello dear, now your question. When the author chooses the stories of the characters, he chooses stories that have nothing to do with "strategy", probably in order to highlight the characteristics of these characters and the value of the story itself, and at the same time, it can also show the social rough style and character image of the Warring States period through these stories. In addition, this style of writing allows readers to have a more comprehensive understanding of the history and culture of the Warring States period, rather than just the political and military aspects of Sakura.