Li Shangyin s prose works, and there are those prose works

Due to the prose script used in the chapter music at that time.

It requires ornate words and accurate expressions, so the requirements for dictionaries are very high. And Li Shangyin, who is good at writing prose style, has developed the habit of using dictionaries, so it is believed that this is the reason why he likes to use dictionaries in his poetry.

Li Shangyin once compiled his prose works into 20 volumes of "Fan Nan Jia Ji" and "Fan Nan B Ji", with a total of 832 articles, which no longer exist. According to the records of "New Tang Dynasty Books: Art and Literature" and "Song History: Art and Literature", Li Shangyin's anthologies, in addition to the two self-compiled episodes, also have some others. However, none of the aforementioned anthologies have been handed down.

The articles of Li Shangyin that can be seen today are Zhu Heling, Xu Jiong, Feng Hao, Qian Zhenlun, Qian Zhenchang, Zhang Caitian, Cen Zhongmian, Liu Xuekai, Yu Shucheng and others, successively from "Quantang Wen" and "Wenyuan Yinghua".

Tang Wencui" and other books were collected and researched. Zhu Heling of the Qing Dynasty once compiled books such as "Wenyuan Yinghua" and compiled "Li Yishan's Anthology", but there were obvious omissions. Qing Xu Shuzhu and Xu Jiong supplemented on this basis, and the two shared the work of notes and notes, and the book "Notes on Li Yishan's Anthology" was completed

It is the first relatively complete annotation. Later, Feng Hao revised and adapted the "Notes on the Collected Works of Li Yishan" and wrote "Detailed Notes on the Collected Works of Fannan". The brothers Qian Zhenlun and Qian Zhenchang found more than 200 essays that were not included in Xu Zhuben and Feng Zhuben from the "Quantang Wen", and compiled them into the "Supplement to the Fannan Anthology".

The latest compilation of essays, "Li Shangyin's Chronicle and Proofreading".

Liu Xuekai, Yu Shucheng, Zhonghua Book Company.

Cao Zhi, "White Horse Chapter", "Luo Shen Fu", "Stage Fu", "Festival Tour Fu", "Jitian Fu", "Shuxing Fu", "Sense Festival Fu", "Xuan Chang Fu", "Lisi Fu", "Shi Si Fu", "Meditate Fu", "Jing Si Fu", "Gui Si Fu", "Beauty Chapter", "Mengdong Chapter", "Subtle Chapter", "Holy Emperor Chapter", "Lingzhi Chapter", "Dawei Chapter".

Tao Yuanming, "Words of Return", "Leisure Fu", "Touching the Scholar Does Not Meet the Fu", "The Biography of Mr. Wuliu", "The Story of the Peach Blossom Spring", "Waiting for the Son", "Painting Praise on the Fan", "Sacrifice to Cheng's Sister Wen", "Sacrifice to Brother Jingyuan", "Self-sacrifice Text", "The Biography of the Ancient Jin Dynasty General Changshi Mengfujun".

Fan Ye, Book of the Later Han Dynasty

Ji Kang, "Guangling San" (this is a tune), "Qin Fu", "Wine Fu", "Silkworm Fu", "Huaixiang Fu", "Sound Without Sorrow", "Theory of Health", "Theory of Answering Difficult Health", "Theory of Interpretation of Privacy", "Theory of Guan Cai", "Theory of Courage", "Theory of Difficult House", "Theory of Solving the House of No Good Luck and Evil Rebirth", "Theory of Difficult Nature and Good Learning".

Ruan Ji, "The Biography of Mr. Big", "Qing Si Fu", "Shouyang Mountain Fu", "Dove Fu" and "Monkey Fu".

Xiang Xiu, "Thinking of the Old Fu", "Difficult Health Theory".

Liu Ling, "Ode to Wine Virtue".

Xie Lingyun, "Mountain Dwelling Fu", "Homecoming Fu", "Hurt Yourself Fu", "Yimin Fu", "Tanlong Master Lai", "Yiling Wang Yizhen Notes".

Li Shangyin devoted himself to writing ancient literature in his early days, and his biographical essays such as "The Biography of Li He" and "Liu Cha" are vivid and expressive, concise and timeless. Later, because of his investment in the text of the pun, he brought everyone to order the fox and Chumen, so he studied the text of the four six, and became famous for it. In addition to the above-mentioned pun writings, the writings he wrote have the above-mentioned pun four li.

Sixth, in addition to the characteristics of emphasizing the beauty of form, it also presents a wind god that is both smooth and elegant. "Concise Table of Contents of the Four Libraries".

It is generally good to say that "Li Shangyin's puppet writing, graceful and elegant, and a different character for the Tang Dynasty". Such as his "For Puyang Gong Liu Zhiwen", "For Puyang Gong Chen Table", "Shanghedong Gongqi".

and other texts, all of which belong to Seiko without harming the meaning of the text, or to compromise the subtlety of the argument base, or to win with graceful feelings; When the sentences are mixed with prose sentences, they can be converted freely, the literary atmosphere is flying, the rhyme is sonorous, and it can be recited. In contrast, Li Shangyin "is especially good at laying down the words" ("Old Tang Book".

This biography), his "Founding Xiangguo Linghu Gongwen", "Sacrifice to Uncle Gift Situ Gongwen", "Sacrifice Pei's Sister Wen" and so on are all very distinctive, and his "Sacrifice to the Little Niece Sending Text".

The achievements are particularly prominent. The article does not use a dictionary throughout the article, only uses white descriptions such as the trivial matters of the little girl, which is sincere and poignant.

Of course, Li Shangyin also has many chapters, tables, books, and enlightenment works, "with cracks as the work, with the slender Yan as the state" (Zhu Heling's "Preface to the New Edited Essays of Li Shangyin"), blindly using dictionaries, obscure literary meaning, paying too much attention to the words, and lacking moving emotional power. This style of writing was in the Northern Song Dynasty.

In the early days, it was all the rage, forming the so-called "Xikun style" until Ouyang Xiu.

After the poetry and literary innovation master came out, the soft style of writing changed.

Li Bai's prose works include:

Spring Night Banquet from Brother Peach Blossom and Plum Garden Preface", Dapeng Fu".

Sadness and Autumn Fu "Feng Seventeen Weng Twenty-four Weng Peach Blossom Source Preface".

Jiangshang sent Lin Gong to the Venerable Master to travel to Hengyue Preface

Spring Yu Gu sent Zhao Xiliu Yan Fang Preface

Deputy Envoy of Yang Li Tibetan Use to Move the Army to Guangling Preface ("Pun Wen Guan Zhi" Mo Daocai).The so-called Youxian poem is a kind of poetry that originated from ancient myths and legends and was popular in the Han and Wei dynasties. "Youxian"The famous story begins with Cao Zhi and can be traced further back to the ballads of the Warring States period.

In its original sense, it refers to poems that sing about the wandering of immortals. In a broad sense, the scope of the poem is extended to travel with the immortals or write about one's own entry into the fairyland, and we can still see the author's personal imagination of women in the appearance of these female figures, and the imagination of a male writer for women. And that's enough to be considered"Male disguise**"Embodiment in classical Chinese **.