Talk about your opinion on Peking Opera and why you like it

Peking Opera is beautiful, relatively simple: its costumes, movements, makeup, and other appearance things are very beautiful.

In-depth: its cultural heritage, singing beauty. Talking about how Peking Opera was formed, in the early years of the Qing Dynasty, Hui Opera was popular in Anhui and Jiangsu and Zhejiang.

In the middle of the Qing Dynasty, it gradually became popular throughout the country. Light.

During the year, Hubei Han artists also entered Beijing and Hui class artists performed on the same stage, Hui and Han absorbed and integrated with each other, after nearly 20 years of development and evolution, finally formed Peking Opera, in Tongzhi, Guangxu years reached its artistic peak.

Just ask the development and evolution of the past 20 years, how is it not beautiful? In other words, if it is not loved, it is not beautiful. How can it stand still for so many years? Secondly, its singing voice is divided into Xipi in Peking Opera.

Two yellow layouts. Among them, the little bends and the little bends have a unique charm, and they are not long and boring.

The performances of the actors on stage are all real kung fu.

Singing can't be lip-syncing, it's not dubbing in the later stages (except for dubbing in the early years), and it's impossible to ask a stand-in for difficult movements, let alone cut out. The eyes are in place, the acting skills are first-class, and the appearance is also explosive.

The plot is concise and does not inject water, and the scene is folded in about half an hour, which is shorter than the duration of an episode of many TV dramas. A character dies when he says he is dead, and there is no situation where a character dies for several episodes and is not dead.

The costume is exquisite, not shoddy, the color is harmonious, not spicy, and the shape is in line with the identity of the character.

To sum up, Kunqu Opera is better than many TV dramas, why not watch it?

<> How do you know about Peking Opera culture? The beauty of Peking Opera lies mainly in its singing. The variety of singing voices is a fusion of various local operas.

As a result, many schools have been produced, and they have practiced to a superb singing voice, which is really good. The prosperity of drama depends on talents and scripts. Regardless of the modern costumes, there must be new works.

For example, anti-corruption in ancient costumes, Bao Gong's judgment case, iron-faced selflessness is a good theme, which can be excavated and innovated. Modern drama has more rural changes, Shenzhen's reform, science and technology epidemic prevention, and the emergence of story characters in an endless stream, playwrights should go deep into life and shape these story characters, and the Peking Opera mask will be more exciting and rich. The people need such works, they need such newcomers.

From this point of view, the new works of Peking Opera are a bit far from the needs of the people, and they need to catch up. Throwing bricks and leading jade, looking forward to the new Peking Opera. Not only Peking Opera, but also many dramas, such as drama, Huangmei Opera, Pingju and so on.

But when it comes to being lost, it is far from being true, but the audience is smaller.

The reasons are, first, the pace of life is fast, and the people who used to listen to the opera were people who had no worries about food and clothing, so they could babble and live a slow-paced life, taste the taste of it, and study the inner culture; First, the communication channels are wide, in the past, there were only theaters, and there was a certain regionality, but now the Internet, since the first developed, you can know the world while sitting at home, and few people are willing to spend time in the theater, which movies have also been impacted; One is the opera itself, it is said that the singing voice of the opera restricts his development, isn't this the necessary condition for his existence, if all kinds of opera are classified as one kind of singing, this is not the same as killing the opera; First, it is socially oriented, various drafts give people the illusion that they can become popular overnight, and the singing voice and figure of opera need to be sharpened for a long time, which is difficult for impetuous people to accept. For opera, my personal opinion is that there is no shortage of inheritance, and there are many people who like it, so they can make some small adjustments in line with the changes of the times, and hope that Peking Opera can be better passed on.

The reason why I know each other is because when I was young, as long as there was a festival, someone would invite a Peking Opera troupe to sing Peking Opera on the stage, and at this time, there would be a lot of old people carrying stools to listen to Peking Opera here, and their appearance was very good-looking, so it also attracted a lot of children to watch, and also gained a lot of fans. It also makes people feel that Peking Opera is a very interesting performance.

I have known this culture since I was a child, and I think it is very interesting, and it is a treasure of our nation.

My view on the teaching of Peking Opera.

The Ministry of Education's promotion of "Peking Opera into the classroom" has received a lot of praise, but it has also caused some waves. Some parents have suggested that this will increase the burden on students. There are also some people who have reported that most of the Peking Opera selected for the textbook is a model opera, which is not authentic.

Some teachers reported that they did not understand Peking Opera and did not know how to teach students;

In the author's opinion, the reference to increasing the burden on students is biased. Nowadays, extracurricular tutoring classes are repeatedly banned, teachers, students, and parents are very enthusiastic, and Peking Opera classes are not comparable subjects, and they are similar to the beauty of music and body, so they are not a burden at all. On the contrary, if Peking Opera can add points to the examination of musical instruments such as violin, there will definitely be no parents who say that it is a burden.

If you really want to promote the development of Peking Opera, it is also a way to add points to Peking Opera students.

With regard to the selected repertoire, it is true that among the selected repertoire, "model plays" account for a relatively large proportion. When the eight model operas were released, they did bring together the elites of the whole country at that time to create, and the artistic standard was also very high, but she was still a product of a specific period and could not fully express the essence of traditional Peking Opera. Although it is said that letting children learn Peking Opera in the classroom is just a role to throw bricks and stones, which teacher will tell the student because of his poor comprehension ability, that the multiplication formula is only 6636, and there is no 9981?

Adjusting the content of the track should be considered.

When it comes to teachers, we also believe that. Most of the teachers were also born after the age of cultural disconnects. But this is something that can be solved by asking the actors of a professional theater company to help solve it.

Teachers and students learn together and appreciate together. Isn't it the purpose of our Peking Opera to enter the classroom to be liked by someone to inherit the culture?

Although I love Peking Opera, I also feel that it is inappropriate, Chinese culture is mainly Confucianism, and learning more Mandarin is the most important. Peking Opera is a pastime, how can it be in the classroom? The rejuvenation of the nation is now focused on the revival of traditional culture with Chinese culture as the core.

Good and very supportive. Peking Opera is the quintessence of our country, and every Chinese should understand that they like Peking Opera (not only Peking Opera) and let Peking Opera (Chinese opera) continue forever.

I don't know what I am doing upstairs, but I am not in a Chinese class, but in a ** class. **The class has excluded opera for a long time**, and now it's too late to make up for it.

Peking Opera is the quintessence of our country, and every Chinese should understand and like Peking Opera, so that Peking Opera will continue forever.

The beauty is: quiet, the more you can show that your martial arts are strong, and the more you can show your confidence in victory.

The appearance concentrates and highlights the mental state of the figure, adopting a sculptural pose, which is called "appearance". There is also a period after a martial arts, the opposing sides also make their own appearances, and the "appearance" of the defeated side is called "defeat".

The appearance of opera serves two purposes:

One is to show the audience a beautiful shape;

Second, it is convenient to shoot stills.

Peking Opera, also known as Ping Opera, Peking Opera, etc., is one of the quintessences of China and is the most influential opera genre in China, with Beijing as the center and all over the country. Since the 55th year of Qianlong in the Qing Dynasty (1790), the four major Hui troupes that originally performed in the south, such as Sanqing, Sixi, Chuntai, and Hechun, which were mainly composed of Anhui artists, entered Beijing one after another, cooperated with Han tunes artists from Hubei, and at the same time accepted some repertoire, tunes and performance methods of Kunqu Opera and Qin dialect, and absorbed some local folk tunes, and finally formed Peking Opera through continuous exchanges and integration.

Comment: Fu Jin: Peking Opera is one of the important manifestations of Chinese cultural tradition.

It is the most important type of drama that emerged in the "era of local opera", and it is the product of the change of the times when Ya culture is gradually declining in the overall Chinese culture. Compared with Kunqu Opera, which transcends the aesthetic taste of a specific region, it is more a product of the culture of a specific region. Compared with the literati and doctors' tastes represented by Kunqu Opera, it is closer to the tastes of the lower and the folk, and the repertoire system of Peking Opera more fully reflects the folk or grassroots characteristics of its historical narrative.

French absurdist dramatist Jean Genet: The theme, structure, and expression techniques of Peking Opera are exquisite.

Gordon Clay, a famous British theatre theorist and stage designer: Chinese Peking Opera has become an independent and excellent art form more than any other drama in the West.

Trejeya Koyakov, a famous playwright of the former Soviet Union: Chinese drama contains the seeds of a rational and international drama, and its precise methods and methods can be applied to awaken and guide the tempered masses to strive for a better world.

Through the study of Peking Opera, we have more or less known some knowledge and introduction of opera. A rough idea. This understanding is necessary because Peking Opera is the quintessence of our country.

The ancient Chinese used to ride horses. But there is no way to express on the stage on horseback, the stage is too small, and the horse cannot gallop. Therefore, in the plot of Peking Opera, a 'horse whip' is used instead of a horse.

Besides, the horse is just an incidental process in the play, and it is not something that has much to do with the 'horse'. Even if there is a lot of related play, such as the opera "Thief of the Royal Horse", it will not lead a horse to the stage. Just using a horsewhip, the actor holds the horsewhip in his hand, and the horsewhip is slightly upward, which describes the actor leading a horse over.

This kind of performance is virtual art, which is what connoisseurs call "stylized" performance.

The actor walks slowly and logically with the horse, and the audience will also recognize that this process of mutual understanding is a form of opera performance that relies on years of mutual transmission of performance information and mutual understanding.

The actor performs the closing of the door on stage, which is all virtual, the actor just performs the action of closing the door, and the audience understands that the performance here is closing the door. The actor performs the soles of the shoes, and the audience also understands that the actions made by the actors really seem to mean 'the soles of the shoes'.

That's the beauty of virtual performances on the opera stage. A lot of times, you don't need a lot of props on stage.

The art of Peking Opera is traditional Chinese culture.

One of the most symbolic symbols is Chinese opera.

The quintessential model of culture, she has distinctive characteristics, rich connotations and exquisite skills. Whether it is the colorful long, young, good, evil vivid and distinct faces, or the colorful Peking Opera costumes with the characteristics of the times; Whether it is the colorful, melodious melody of Peking Opera; is still the "four skills and five methods" with great artistic charm; Whether it is a colorful and brilliant performance program, or a colorful and distinctive genre; Whether it is the famous characters with their own merits, or the colorful storylines that deeply portray historical figures, ......All of these are permeated with the artist's hard work and profound skills in one minute on stage and ten years off the stage, all of which have a unique and fascinating infinite charm. It has flourished for a hundred years, giving people infinite beauty and strange touches, which is really dazzling, sighing, and endlessly interesting.

Through the long-term stage practice of countless artists, the stage art of Peking Opera has constituted a set of rhythmic and standardized programs that combine virtual and real, form and spirit, mutual restraint and complement each other through the long-term stage practice of countless artists. As an artistic means to create a stage image, Peking Opera is undoubtedly a stage performance art with the highest artistic value, which can be called the most beautiful form of stage expression integrating art, dance, language and other arts. She has carried too many Chinese nations.

Excellent traditional culture, historical allusions, and humanistic spirit.

and ethics.

I think Peking Opera is a very beautiful art, I have also been in contact with it since I was a child, our family likes to watch Peking Opera, I also like to listen to it, I think listening to Peking Opera is a kind of enjoyment, the lyrics of Peking Opera are also very beautiful, I think the singing voice of Peking Opera is also very good, I think the face of Peking Opera is also very beautiful. Peking Opera is my favorite art.