, Ouyang Xun, Yan Zhenqing, Liu Gongquan, Zhao Mengfu, what is the difference between the regular sc

Zhao Mengfu: A calligrapher of the Yuan Dynasty, his representative work "Three Gates" is good at regular script, calligraphy characteristics: natural brushwork, beautiful and soft.

Wang Xizhi: The calligraphy characteristics of the representative work "Lanting Collection Preface": the chapter is natural, and the charm is spiritual.

Liu Gongquan: Tang Dynasty calligrapher, representative work "Mysterious Tower Tablet" calligraphy characteristics: thin should be upright, strong bones.

Yan Zhenqing: Tang Dynasty calligrapher, representative work "Duobao Pagoda Tablet" calligraphy characteristics: rich and full, expanded and upright.

"Yan" refers to Yan Zhenqing, and "Liu" refers to Liu Gongquan. "Yan tendon willow bone" means that the calligraphy style of the two of them is as strong and powerful as tendons and bones, but there are differences. It is also commonly known as excellent calligraphy. From "Sacrificial Stone Bachelor's Text": "Manqing's pen, Yan muscles and willow bones."

Yan Zhenqing's regular script reflects a prosperous style, with a lofty atmosphere; Liu Gongquan learned Yan Zhenqing, and dissolved his own new ideas, so that his words avoided the horizontal and vertical situation, and took the balance and thinness, chasing the Wei stele to cut the iron momentum, the dot painting is crisp and beautiful, the bone strength is strong, the knot is tight, and many scholars in later generations take the willow character as a model.

Liu Gongquan's regular script has Ouyang Xun's brushwork, often interspersed with some strokes closely, so that the width is particularly open, the strokes are fine, the edges and corners are sharp, although the pen is from Yan Zhenqing, and Yan Zhenqing's thick and broad is different, especially heroic and compelling.

Ouyang Xun, Yan Zhenqing, and Liu Gongquan of the Tang Dynasty, together with Zhao Mengfu (fǔ) of the Yuan Dynasty, were known as the Four Masters of Regular Script, and had great achievements in calligraphy. Among them, Ouyang Xun is known as "the first regular script of the Tang Dynasty", Yan Zhenqing's regular script is extremely dignified and majestic, Liu Gongquan's regular script is clear and vigorous, and the body is rigorous, and Zhao Mengfu's regular script is very mellow and delicate.

Ouyang Xun was a calligrapher of the famous Zhou Sui Tan in the Tang Dynasty, and he enjoyed a high reputation in the calligraphy world during the Sui Dynasty. Later, in the Tang Dynasty, he was already in his old age, and he was still teaching calligraphy in the "Hongwen Hall". His "European Style" adopts the strengths of each family, and is rigorous and neat in style.

It is one of the four masters of Chinese regular script, and its representative work is "Jiucheng Palace Liquan Ming".

Yan Zhenqing is a representative of calligraphy innovation in the Middle and Tang dynasties, and he is regarded as the pioneer of the use of round pens, which has a profound influence on later generations of calligraphy. His calligraphy is known as "Yan Ti", the style and penmanship are very unique, dignified and majestic. He has a large number of works, and it is said that there are more than 130 kinds of works that have been handed down, among which "Duobao Pagoda".

Oriental Painting Praise Monument" "Magu Immortal Altar Record".

and so on.

Liu Gongquan learned Wang Xizhi at first.

calligraphy, and intensive study of Ouyang Xun, Yan Zhenqing's penmanship, and then became its own family. His regular script body is strong and strong, and compared with the "Yan Body", his "Willow Body" is slightly thinner. He lived to be 80 years old and went through a total of seven emperors.

There are many works that he has handed down, including "Mysterious Tower Tablet", "Shence Army Tablet" and "Diamond Sutra".

and so on.

Zhao Mengfu was the most famous calligrapher, painter and poet of the Yuan Dynasty, and his calligraphy had a profound influence in the early Yuan Dynasty. He was originally Zhao Song.

A declining nobleman, he was later favored by the emperor of the Yuan Dynasty, and the official was a bachelor of Hanlin. His achievements in art are extremely high, and the regular script is a must, and the calligraphy of "Zhao Ti" is mellow and delicate, and the knots are rigorous. Most of his works are in line, among which "Red Cliff Fu".

It is also a classic.