The earliest near style poems are, what dynasty does the near body poems refer to

Near-style poetry, also known as modern style poetry or metrical poetry, is a poetic style in China that emphasizes leveling, confrontation and rhyme. In order to be different from the ancient style of poetry, it has the name of close body; The biggest difference from ancient style poetry is that the rhythm of the near style is stricter. Emerged in the Tang Dynasty, representing poets as:

Li Bai, Du Fu, Li Shangyin, Lu You, etc. It is not only the new style poetry of the Tang Dynasty, but also the authentic Chinese poetry.

Modern style poetry refers to the rhythmic poetry style formed in the Tang Dynasty. It also has certain strict formatting rules because of its number of words, sentences, and rhyme, just like law and discipline, so later generations also call it a legal poem.

The development of near-body poetry.

Beginning from the Southern Dynasties, Bao Zhao, Yan Yanzhi, Xie Lingyun and others tried to adjust the level and highlight the rhythm during the Liu Song Dynasty, which was the "Yuan Jia style". During the Xiao Qi period, the rhythm gradually became stricter, and Shen Yue, Xie Hao, Ren Fang and other "Jingling Eight Friends" were their representatives, called "Yongming style", and it was not until the early Tang Dynasty that the form of near-style poetry was roughly completed.

According to the works such as "Shige" that are circulating today, there is still a gap between the cognition of the early Tang Dynasty and later generations, and there are many attempts to adjust different rhythms, which have not yet been finalized. It was not until the Shen Yan period and Song Zhiwen that the rhythm of the poem was completed. Shen Zhiqi was good at the seven rules, and Song Zhiwen was good at the five rules, and then the discussion of rhyme, evenness and battle style has gradually converged.

The literary style of the early Tang Dynasty was gorgeous and beautiful, and there were still six dynasties. Chen Ziang and Zhang Jiuling became popular and gradually established the Tang poetry style.

In the early Tang Dynasty, the rhythm and style gradually formed a new style, and entered the Tang Dynasty, which became the first period of Chinese classical poetry. The so-called ** period is specifically in terms of formal beauty and lyrical style, which is also the characteristic of Tang poetry by many commentators. During the Tang Dynasty, the styles and themes of Biansai and pastoral were extremely prosperous, and Wang Wei and Meng Haoran were the representatives of pastoral natural poetry; Cen Shen, Gao Shi, Wang Zhilian and others are good at the theme of side plugging.

The extreme of the Tang Dynasty belongs to the poet immortal Li Bai and the poet saint Du Fu.

That's all for me, Nozomi.

During the Yongming period of the Southern Qi Dynasty, the "sound rhythm theory" prevailed, and the creation of poetry paid attention to the harmony of tones.

Shen Yue. Harmonic. In this way, a new poetic style of "Yongming style" was gradually formed.

This new form of poetry was the beginning of the production of metrical poetry. One of the more famous poets of this period was Xie Hao (around 464-499). Xie Hao is famous for his landscape poems, and his poetry style is fresh and beautiful.

His new style poems had a certain influence on the formation of rhythmic poems and quatrains in the Tang Dynasty.

Five-word and seven-word quatrains.

Hope! Thank you sincerely!

It's hard to say this during the Tang Dynasty.

Tang Dynasty

Near-style poetry is a rhythmic style formed in the Tang Dynasty, and it is a poetic style formed on the basis of ancient style poetry that strictly abides by the Pingqian rhythm. Near-style poems are higher in format than archaic poems.

Because of the standardization of the rhythm of the sound, the basic errors of pronunciation are completely avoided. A near-body poem, as long as it is a qualified near-body poem, must have no phonological errors, and is fresh and natural, subdued, and catchy. This is a forced increase after the specification has been generated.

Ancient style poetry is relatively unresponsive, but it is only relative.

In order to create a near-body poem according to the rhythm, there is no need to consider whether there is a problem in the rhythm, but whether the writing is exquisite, whether the words are elegant and beautiful, and whether the expression is subtle and long, these are the fundamental reasons why a near-body poem is a good poem and whether it will be circulated.

Concept

Near-style poems are also known as "modern poems". The name of the poem. The general name for the lyric poems and quatrains formed in the Tang Dynasty is relative to the ancient style poems. There are strict rules on the number of sentences, the number of words, and the rhyme.

The name of near-body poetry has been very popular in the Ming Dynasty in China, for example, the Ming dynasty Dong Qichang's "Preface to Yuan Boying's Poetry Collection": "This autumn, Boying (Yuan Kelizi Yuan Shu) sent a volume of near-body poems from Suiyang, which also weighed nine to and belonged to the remaining order. ”

Category. Viewpoint 1: There are three kinds of quatrains (five words and four sentences, six words and four sentences, seven words and four sentences), rhythmic poems (five words and eight sentences, seven words and eight sentences), and rhythm (more than ten sentences), which are based on the rhythm of rhythmic poetry.

The metrical of the quatrain is a half-rhyme poem. The rhythm is the extension of the rhythm).

Viewpoint 2: Quatrains include quatrains (four sentences each, the abbreviation of five words is five quatrains, and the abbreviation of seven words is seven quatrains. ), rhythmic poems (generally each poem has eight sentences, the five words are referred to as five rules, the seven words are referred to as seven laws, and those with more than eight sentences are called long laws or row rhythms. ）。

China's near-style poetry was formed in the Tang Dynasty.

Near-body poetry. It is also known as modern style poetry and rhythmic poetry, which is a kind of Han poetry genre that pays attention to plainness, luck and leakage, and rhyme. In order to be different from the ancient style of poetry, it has the name of close body; It refers to another poetry genre formed after the early Tang Dynasty.

Broad near-style poetry was formed during the Northern and Southern Dynasties and reached its peak in the Tang Dynasty.

Yongming style" is also known as "new style poetry", this kind of poetry requires strict four tones and eight diseases, and strong gliding tone rhyme. Yongming is the name of Emperor Wu of Qi in the Southern Dynasty, so the germination began during this period.

Near-style poetry refers to a form of poetry that appeared after the late Tang Dynasty.

1.Definition of proximity poetry

Near-style poetry is a form of poetry that emerged after the late Tang Dynasty, which is characterized by strict rhythm, standardized rhyme, and a close connection between each sentence and context. It is different from ancient style poetry and rhythmic poetry, and is an important stage in the development of traditional Chinese poetry.

2.The historical background of the near-body poem

The emergence of near-style poetry is inseparable from the political, economic, and cultural changes in the Tang Dynasty. The political turmoil and social contradictions in the late Tang Dynasty led to a change in the style of literature, and poetry gradually evolved from ancient style poetry and lyric poetry to modern style poetry. In addition, with the decline of the Tang Dynasty, the weakening of the scholar group and the rise of the burghers, near-style poetry became the main means of personality expression and social lyricism for the majority of literati.

3.Representative writers and representative works of near-body poetry

At the end of the Tang Dynasty and the Song Dynasty, near-body poetry became the mainstream of the literary world, and many famous poets wrote a large number of near-style poems. Among them, poets such as Wang Zhilian, Li Shangyin, Cen Shen, Bai Juyi, and Lu You are recognized as representatives of near-body poetry. Their works such as "Climbing the Stork's Tower", "Jin Se", "Liangzhou Ci", and "Farewell to the Ancient Grass" are known as classics in the history of Chinese literature, and have had a profound impact on the poetry creation of later generations.

4.The development of near-body poetry and the influence of the noisy key fight

Near-style poetry reached its peak in the late Tang and Song dynasties, but with the invasion of the Yuan dynasty and the rise of the Ming dynasty, it gradually declined. However, near-body poetry has an irreplaceable place in the literary tradition of later generations. Its normative rhythm, tight structure, and emotional expression have had a profound impact on later literary creation.

At the same time, it also cultivated a group of outstanding poets and aesthetes, and contributed to the development of literature and art in later generations.

To sum up, near-style poetry is a form of poetry that appeared after the late Tang Dynasty, and its strict rhythm and standardized rhyme have had a profound impact on the literary creation of later generations.

Near-style poetry refers to a form of poetry that became popular after the Tang Dynasty and reached its heyday in the Song Dynasty. Compared with ancient style poems, near-body shirt poems pay more attention to rhythm and rhythm, and pay attention to the control of word count, rhyme, and level. Near-style poems are relatively flexible in form, and can adopt different forms such as five-character poems, seven-character poems, or Zhaojing quatrains, rhythmic poems, etc., and mostly take scene writing and lyrical themes as the theme, the language is concise and vivid, and the meaning is far-reaching.

The representative writers of near-body poetry include Du Fu, Bai Juyi, Li Shangyin, Su Shi, Xin Qiji, Lu You, etc.

The near-style poetry in the history of Chinese literature refers to a new style of poetry that began to emerge in the middle of the Tang Dynasty, which is the product of the combination of traditional culture and the background of the times. Compared with ancient style poetry, modern style poetry pays more attention to the norms of rhyme and rhythm, and also pays more attention to the artistic conception and expressiveness of poetry. The main features of near-body poetry include:

1.Formal norms of poetry: Near-style poems pay attention to the rhythm, rhyme and rhythm of poetry, the most common of which are five-character quatrains and seven-character quatrains.

There are strict requirements for the number of words, rhyme and level of each poem, and the form is very standardized. 2.The poetic conception is profound:

The creation of near-body poetry should be innovative, emphasizing the artistic conception and expressiveness of poetry. Near-body poets pay attention to expressing their emotions and thoughts through formal techniques, so that the poems are more vivid, vivid, sensual, and intellectual. 3.

Words as the element: The balance creation of near-body poems focuses on the use of words, emphasizing the accuracy and texture of words, so as to make the imagery of poetry more vivid, vivid, sensual, and intellectual. Near-style poetry is an important stage of development in the history of Chinese literature, which not only created a new form of poetry, but also provided an important reference and influence for the later development and creation of literature.

Summary. Hello dear, near-body poetry refers to a form of poetry formed during the Tang Dynasty. It is characterized by regular rhyme, balanced word count, concise sentence structure, and profound artistic conception.

In the process of the development of Tang poetry, near-body poetry gradually became the mainstream, and many famous poets such as Bai Juyi, Du Fu, and Wang Wei created many beautiful near-body poems. It had a wide influence not only in the Tang Dynasty but also in later generations, and became an important chapter in classical Chinese poetry.

Hello dear, near-body poetry refers to a form of poetry formed during the Tang Dynasty. It is characterized by regular rhyme, balanced word count, concise sentence structure, and profound artistic conception. In the development of Tang poetry, near-body poetry gradually became the mainstream, and many famous poets such as Bai Juyi, Du Fu, and Wang Wei created many beautiful near-body poems.

It not only imitated it in the Tang Dynasty, but also had a wide influence in later generations, and became an important chapter in classical Chinese poetry.

Hello dear, the following additions; The development of near-style poetry in the Tang and Qing dynasties has been highly praised and respected by the literary circles of previous dynasties, and has gradually become one of the mainstream forms of Tang poetry. The development of near-style poetry is related to a large number of cultural exchanges, and the literati of the Tang Dynasty advocated classical culture, and through contact with classical literature, they created this beautiful form of poetry, and constantly innovated their limbs. There are many types of close poems, including quatrains, rhythmic poems, and rhythmic poems.

Near-body poetry occupies an important position in the history of poetry, which is not only a medium for poets to express their emotions and thoughts, but also reflects the cultural heritage and spiritual pursuit of the entire era.

Summary. Although near-style poetry was formed after the Tang Dynasty, there were similar forms in the early Tang Dynasty, such as "quatrains" and "rhythmic poems", but they had not yet fully developed into the style of near-style poetry at that time. Over time, near-style poetry gradually became the dominant form of poetry, reaching its peak during the Song Dynasty.

The emergence and development of near-style poetry not only reflected the social, political, cultural and other changes at that time, but also provided an important foundation and reference for later generations of literary creation.

Hello [Xian Block Manuscript Flower], near-style poetry refers to a form of poetry formed after the Tang Dynasty, as opposed to ancient style poetry. It is structurally more standardized, usually consisting of four or eight sentences of Jane's early filial piety, each sentence of five or seven words, and requires rhyme. The emergence and development of near-body poetry marks a new stage in the history of ancient Chinese literature.

Although near-style poetry was formed after the Tang Dynasty, in fact, there were similar forms in the early Tang Dynasty, such as "quatrains" and "rhythmic poems", which only appealed to the style of near-style poetry that had not yet fully developed into the style of near-style poetry at that time. Over time, near-style poetry gradually became the dominant form of poetry, reaching its peak during the Song Dynasty. The emergence and development of handwritten poems not only reflected the social, political, cultural and other changes at that time, but also provided an important foundation and reference for later generations of literary creation.