Traditional Chinese opera is a more vibrant argument

The roles of the drama are divided into four major professions: life, dan, purity, and ugliness. Chinese opera is very useful"Singing and fighting"The four artistic means are specialized"Hand-eye-body steps"Five techniques to represent the character.

The Mother of Chinese Drama: Kunqu Opera Oriental Opera: Peking Opera Mei: Mei Lanfang Cheng: Cheng Yanqiu Xun: Xun Huisheng Shang: Shang Xiaoyun's red face represents loyalty and bravery; A yellow face represents deceit.

Li Kui axe split fake Song Jiang.

The above three passages are: BCA, respectively from BAC View:

Chinese opera is broad and profound, and it is splendid. The charm of local opera is strong, and traditional opera is appreciated by both elegant and vulgar customs. However, with the continuous emergence of new forms of entertainment, so that everyone has a variety of entertainment options, if you want to continue the excitement of Chinese opera, you must continue to innovate the traditional repertoire, actors and audiences should start from a small age, avoid faults, and improve the publicity of opera.

Opera is not animals and plants, animals and plants themselves have the desire to survive, human beings cut it down, hunt it, and it will find inaccessible places to live. Opera itself has no vitality, it relies on the Chinese from generation to generation, and modern Chinese people deliberately destroy it, will opera also escape to a place inaccessible to live? In the quiet valley, I suddenly remembered the sound of gongs and drums, and when I looked at it, there was no one around, so it was not haunted?

Popular means that it is always closely related to people's lives and thoughts at the moment.

Sensitive topics such as dreams and feelings.

The traditional repertoire itself is based on the environment in which people used to live.

It has relatively distinct characteristics of the times.

And these are more alienated from modern people's concepts.

This is also the reason why the popular ** is more vigorous.

Chinese opera is mainly a synthesis of three different art forms: folk song and dance, rap and burlesque. It originated from primitive song and dance and is a comprehensive stage art style with a long history. After the Han, Tang to Song, Jin to form a relatively complete opera art, it is composed of literature, dance, art, martial arts, acrobatics and performing arts, about more than 360 kinds.

It is characterized by the convergence of numerous art forms in a single standard, reflecting their individual personalities in a common nature. After a long period of development and evolution, Chinese opera, together with Greek tragedy and comedy, and Indian Sanskrit opera, has gradually formed a Chinese opera Baihuayuan with five major opera genres as the core: Peking Opera, Yue Opera, Huangmei Opera, Ping Opera and Henan Opera. According to incomplete statistics, there are about 360 kinds of operas in various ethnic regions in China, and there are tens of thousands of traditional operas.

Other well-known types of opera are: Kunqu Opera, Pendant Opera, Cantonese Opera, Huai Opera, Sichuan Opera, Qin Opera, Shanghai Opera, Jin Opera, Han Opera, Hebei Bangzi, Henan Yue Tune, Henan Pendant, Hunan Flower Drum Opera, etc.

In fact, many smart people now combine popular ** with ancient opera, and such a hybrid is the most vigorous, because it has both historical accumulation and modern pioneering consciousness.

From my understanding, the quintessence of Peking Opera vigorously promoted by the Empress Dowager Cixi has basically no future, but Tianjin's cross talk has returned to people's field of vision with the efforts of Guo Degang and others, Feng Gong and Niu Qun don't talk about cross talk anymore, because they don't make much money, or there are very few works to create well, so they transform into sketches, Feng Gong's sketches are not good, as can be seen in the 2009 Spring Festival Gala, the lack of creative sources, at present, many artists are behind closed doors, there is no innovative thing.

Pop will continue to be popular, Jay Chou, Fang Wenshan, Lin Xi and others will integrate classical poetry and traditional culture, effectively avoiding the kitsch of pop ** (new mandarin duck butterfly pie) and short life, I think that pop music will continue to develop later, and we must continue to tap the connotation of traditional Chinese poetry.

I am bullish on the latter.

It's not anyone's side of the story.

It takes time to prove.

Seeing that letter Jun Zhen or something, what he said was one-sided, not like a person who understands drama.

What is the state of Peking Opera now, I don't like it much, but people who can sing Peking Opera are very favored.

And what is the situation of pop music, there are a lot of people who like it, a lot of people who can sing, and there is nothing outstanding about singing pop music.

Upstairs makes sense, but in today's society, the old is not as good as the new, and it is difficult to guarantee that traditional art will not "go extinct" in this situation. Of course, if they exist, in essence, traditional Chinese drama is better (in reality, it depends on the artistic concept of the new generation).

I think Chinese opera is more infectious.

Traditional Chinese opera, because it has existed for six or seven hundred years [can be verified], the history of popular ** is not long, I dare not say that it is still popular in six or seven hundred years, and it may not be comparable to the current traditional opera.

Pop ** is a fast food culture that keeps up with the times, there are very few works with vitality, its main feature is to keep up with the changes of the times, in terms of the system, pop ** will always exist, but the works of a certain era will not be more than the works of traditional opera, the appreciation of traditional opera requires a very high artistic accomplishment, which also determines the niche scope of the works to appreciate it. In terms of audience, pop** is much larger than traditional opera.

I think the combination of traditional opera and pop ** is more vigorous.

Those who are loved by listeners and audiences and can be widely accepted by the public have more vitality.

Popular**: Suitable for young people or some middle-aged friends.

Opera: Suitable for elderly friends or adults in the countryside.

Vary.

It shouldn't be the Chinese discussing this issue, pop ** is originally foreign, it should be foreigners discussing opera or pop ** which is more vigorous?

I think it's Chinese opera.

Because it is an intangible cultural heritage