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Date]: Song.
Author]: Li Qingzhao - "Huanxi Sha".
Contents]: Embroidered face Fleur smiled.
Diagonal flying duck lined with fragrant cheeks.
The eye waves are only guessed.
On the one hand, the style is deep and rhyme, and the half-note is coquettish and hateful.
The moon shifts and the shadow of the flower comes back.
Author]: Li Qingzhao (1084-1155?).Yi'an Jushi, a native of Zhangqiu, Qizhou (now Jinan, Shandong), is known for his words and has high artistic attainments.
His father Li Gefei was a famous scholar at that time, and his husband Zhao Mingcheng was a Jinshi examiner. In his early life, he was rich and devoted to the collection and sorting of calligraphy and painting gold and stone with Mingcheng. Jin soldiers entered the Central Plains, lived in the south, Mingcheng died of illness, and was lonely.
The lyrics written in the early stage mostly wrote about his leisurely life, and in the later stage, he lamented his life experience, the mood was sentimental, and some also revealed their nostalgia for the Central Plains. In terms of form, he makes good use of white drawing techniques, finds his own way, and the language is clear and beautiful. The Analects emphasize harmony, advocate elegance and emotion, put forward the theory of "not being a family", and oppose the method of composing poems and essays.
And can poetry, not much remains, some chapters feel the history of the time, the love is generous, and the style of words is different. There are "Yi'an Jushi Anthology" and "Yi'an Ci", which have been dispersed. Later generations have a compilation of "Shuyu Ci".
Today's people have "Li Qingzhao's Collection of Proofnotes". (Cihai, 1989 edition).
Notes: Embroidered face: Before the Tang and Song dynasties, women's faces and cheeks were decorated with patterns.
Hibiscus: Lotus, which means very beautiful.
Fei: "Poetry of the Past Dynasties" as "偎".
Treasure Duck: refers to the crow-shaped pattern attached to the cheeks, which can refer to the paintings of women in the Dunhuang murals, or think that the hairpin head shape is a duck-shaped treasure hairpin, hairpin, and the ornament on the head of ancient women.
Cheeks: Beautiful aromatic cheeks.
One side: the entire face.
Style: The love of men and women.
Rhyme: Peugeot. Note: Paper, refers to letterhead, poetry.
Appreciation]: This word should be an early work of Yi'an. Write about a beautiful woman who has a tryst with her sweetheart, and writes a letter to meet her again. The portrait depiction of the character adopts the method of analogy, foiling, and side depiction. The language is lively and natural, and the style is cheerful and handsome.
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On the one hand, the style is deep and rhyme.
Half a note of coquettishness and hatred.
The moon shifts and the shadow of the flower comes back.
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The moon moved, and the shadow of the flower moved with it. Here, anthropomorphic techniques are used, and the images are vivid, presenting the beautiful scene under the moon before the flowers in front of us. In her poems, there are a lot of anthropomorphic techniques, and the curtain scroll west wind person is thinner than the yellow flower, which is the use of the curtain scroll west wind...
There are also poems that we are familiar with have this usage, in "Heavenly Fairy": on the sand and on the pond, the clouds break through the moon to make flowers and shadows (flowers and shadows). Lin Daiyu is described in "Dream of Red Mansions":
When it is quiet, it is like a delicate flower shining on the water, and the action is like a weak willow supporting the wind (weak willow supporting the wind). In "Too Often Introduced", a round of autumn shadows turns to golden waves, and the flying mirror is resharpened (autumn shadows turn to golden waves).
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The shadow of the flower moves with the movement of the moon.
The verse that connects the previous and the next is: Returning to the boat at night.
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