Where is the practice of Du Fu s Ascending ?

Du Fu's "Ascending" appreciation is an appreciation and analysis of this poem. Written in the poet's later years in Kuizhou, through the scenery of the Autumn River seen by ascending, he expressed the sorrow of his life and fate and the chaos of the current situation, and poured out the poet's complex feelings of wandering, old age, illness and loneliness, which was impassioned and touching.

The first four sentences describe the scenery, describing the sights and stories of ascending, closely following the seasonal characteristics of autumn, and depicting the empty and lonely scenery by the riverside. The last four sentences are lyrical, writing about the feelings of ascending, focusing on the author's own life experience, expressing the sadness of poverty, old age and illness, and living in a foreign land. The language of this poem is concise, the whole poem is dual, and there is still a sentence in one or two sentences, which fully shows that Du Fu's grasp and use of poetic language and rhythm in his later years has reached the realm of roundness.

A brief analysis of the poems of ascending.

The poet looked up at the boundless and bleak wooden leaves, looked down at the rushing and rolling river, and expressed his feelings deeply while writing the scene. "Boundless" and "endless" make "Xiao Xiao" and "Rolling" more vivid, which not only reminds people of the sound of falling trees and the turbulent state of the Yangtze River, but also invisibly conveys the feeling that Shaoguang is fleeting and ambition is difficult to pay. Through the gloomy and sad couplets, it shows the power of the supernatural pen.

1. This poem was written in the autumn of the second year of the Great Calendar of the Tang Dynasty (767). At that time, it had been four years since the Anshi Rebellion ended, but local warlords had risen up again and fought with each other for turf. Du Fu originally entered the Yanwu shogunate, relying on Yan Wu, but unfortunately Yan Wu died of illness soon after, so he lost his support, so he had to leave the Chengdu thatched cottage that had been in operation for five or six years, buy a boat and go south, originally wanted to go directly to Kuimen, but because of illness, he stayed in Yun'an for a few months before arriving in Kuizhou.

If it weren't for the care of the local governor, he wouldn't have been able to live here for three years. And in the past three years, his life is still very difficult, and his health is also very poor.

This poem was written by a fifty-six-year-old poet in this extremely embarrassing situation. On that day, he climbed the high platform outside the White Emperor City in Kuizhou alone, climbed high and overlooked, and had mixed feelings. What you see in your hope is what you feel in your mind; The bleak scenery of the Autumn River triggered the emotion of his life experience, and infiltrated the sorrow of his old illness and loneliness.

As a result, there is this masterpiece known as "the first of the seven words of ancient and modern times".

2. This is a seven-character poem that best represents the desolate and vast scene in Du's poems. The first two couplets write about the scenery of climbing and hearing, and the last two couplets express the feelings of ascending. The scenery is selected by the feelings, and the feelings are allegorical in the scene, which fully expresses the poet's complex feelings of wandering for many years, worrying about the country and sadness, and being old and sick and lonely.

The style is majestic and high, impassioned, high-spirited, ancient and modern.

This poem is very special, its four couplets rhyme, all of them are work pairs, and the first two sentences, and the sentence is self-right, which can be described as "in a piece, every sentence is law, and in a sentence, every word is law". As far as the scene is written, there is a fine brush (first couplet), which writes the shape, sound, color and state of the six kinds of scenery of wind, sky, ape, nagisa, sand and bird, each scene is only described with one word, but it is vivid and vivid, refined and expressive; There is a large freehand (jaw couplet) to convey the charm of autumn. lyricism has a longitudinal time to write, writing the memories of "often being a guest"; There is also the ink of the horizontal space, and the "solo stage" after writing the "ten thousand miles" itinerary.

From wandering all his life, he wrote about the drifting of his soul and bones, and finally attributed the hardships of the times to the root of his misery. The use of such intricate techniques expresses the poet's sadness and sadness, old age, illness and loneliness into a gloomy and tragic expression. It is no wonder that Hu Yinglin of the Ming Dynasty said in "Poems" that the whole poem "has fifty-six characters, such as corals under the sea, thin and indescribable, deep and unfathomable, and the essence is full of light, and the strength is ten thousand."

Through the chapters, syntax, and calligraphy, there is no one in the past, and there is no one to learn in the future. However, this poem should be the first of the seven words of ancient and modern times, and it does not have to be the first of the seven words of the Tang people."