What kind of book is Sun Guoting s book score, and are there any wonderful passages to share 5

Five Peaks True Form Scorpio.

Sun Guoting's "Book Pedigree" was written and written by himself.

In the early Tang Dynasty, the most important thing is Sun Guoting's "Book Pedigree". This 3,700-word treatise is extensive and rich in content, involving all important aspects of Chinese calligraphy, and has incisive and unique insights, revealing the essence of calligraphy art and many important laws, thus becoming a landmark work in the history of ancient Chinese calligraphy theory, marking that the development of Chinese calligraphy has entered a new and glorious stage. Sun's main theoretical contribution lies in his consistent work on Chinese calligraphy in the Book of Calligraphy"Emoticons"The essence has been scientifically and distinctly revealed, and repeated and in-depth expositions.

First of all, Sun Shi explained that the different characteristics of writing in each style of seal, subordinate, grass and chapter were mastered, and then rose to the art of writing"Then the wind god is the god of the wind, and the warmth is the moisturizer; The drum is dry, and it is leisurely and elegant. Therefore, it can reach its temperament and form its sorrow.

The special festival of testing dryness and dampness is still the same through the ages; When the body is old and strong, it is a hundred years old. "That is to say, after mastering the characteristics of each script, it is necessary to use"Rin"with"Warm"、"Drums"with"with"and other artistic means to make the writing of words have"Aeolus"with"Yeonrun"、"Dry"with"Xianya"and other opposites of masculinity and femininity, in order to sublimate to the realm of art; Only by entering the realm of this art can calligraphy be realized"Reach its emotionality, form its sorrow"The ultimate pursuit, calligraphy works can also have"Remains through the ages"、"Hundred years old (the feelings of different periods of the calligrapher's life can be seen in the book)."long-term aesthetic effects. "Reach its emotionality, form its sorrow"It is to express and embody the author's personality and emotions, that is, to express the expressiveness.

Here, Sun's words break through the foundation of the art of calligraphy, which is of great significance. Emotion - this fundamental proposition of Chinese calligraphy, before Sun, except for the Eastern Han Dynasty Cai Yong's "Pen Treatise" mentioned when expounding the mentality of calligraphy creation"If you want to read a book, you must first scatter your arms", as well as the Southern Qi Wang Shengqian's "Praise of the Pen" in the elaboration of how to embody"Radiant"mentions"Heart-to-heart"In addition, no one has ever talked about it, let alone regarded it as the fundamental pursuit of calligraphy creation, but Sun has unprecedentedly and sharply revealed the true meaning of calligraphy, an art that expresses the soul, how precious it is!

I basically agree with this point of view, every friend who learns the book leakage and ascends the Lu method must learn Sun Guoting's "Book Spectrum", at least to understand the study of sex, especially for friends who learn cursive script, "Book Spectrum" is a compulsory course.

From the point of view of the original text itself, the end of the chapter says 'the book consists of six chapters divided into two volumes'. However, from content to form, the full text is not divided into six parts; It merely outlines the origins and branches of calligraphy, comments on the biases of previous scholars when discussing books, and describes the main thrust of the Universal Declaration of Human Rights, the book's instruction manual ......It's all preamble. ”

2: The full text of Sun Guoting's calligraphy manual is more than 3,700 words. It not only tells his own experience of learning calligraphy, but also explains what calligraphy is, calligraphy is an art, and "love" is the purpose of calligraphy.

The characteristics of the five styles of calligraphy are comprehensively expounded, including specific writing methods, ink methods, and chapter methods.

3: It is a calligraphy chapter with cross-era significance, both theoretical elaboration and specific technical guidance, which is a must for every calligraphy lover. Of course, for friends who learn cursive, Sun Guoting's book score is even more important, because his length is relatively long, and it is an important textbook for learning cursive calligraphy and penmanship.

4: Sun Guoting's book pedigree provides a lot of information for friends who learn cursive. The penmanship is rich and varied, the knot is exquisite, the number of words is more, and the cursive technique can be learned more systematically, and the whole piece of discussion is done in one go, and the rhyme is vivid and smooth.

In addition, the views and comments put forward by Sun Guoting in the book score are very in place, which provides good materials for calligraphers to learn calligraphy theory.

It is because Na Heng has recorded a lot of calligraphy for the body, and each stroke is marked, you can follow the above distance mold, and you can also become a calligrapher.

It is because many calligraphers have gained peace of mind by reading this book, and only when the mind is calm, then calligraphy will be practiced well.

This is because it has a very strong academic theoretical value, and every calligrapher can learn and examine it better.

Status; After the Eastern Han Dynasty, the Three Kingdoms and the Two Jin Dynasty.

In the Northern and Southern Dynasties and the Sui Dynasty, the theory of calligraphy has evolved for a long time, and the Tang Dynasty should be a period of great achievements, and the greatness of Sun Guoting and the milestone significance of "Calligraphy" lies precisely in the completion of the task of this collection, especially in the research position and goal of calligraphy, Sun Guoting made a more comprehensive summary of the previous generations and put forward a more incisive viewpoint. Not only that, Sun Guoting's "Book Spectrum" is a huge work that connects the past and the next. On the one hand, it is his summary of his predecessors; On the other hand, in the several eras after the "Book of Calligraphy", although there were many achievements in the theory of calligraphy, most of them tended to refine a certain aspect of the theory of calligraphy, and basically did not go beyond the scope of research delineated by the "Book Book", and the content and methods of its research, and even many points of view never went beyond the "Book Book".

The second is Sun Guoting's calligraphy ontology.

Third, he has the saying that "the difference between hanging needles and dew, and the strangeness of thunder and falling stones".

Fourth, Sun Guoting's interpretation of the calligrapher's lyrical view in "Calligraphy".

Fifth, the theory of creation in the Book Pedigree.

Sixth, the theory of technical rules and the theory of book style in the "Book Pedigree".

Seventh, the concept of calligraphy learning revealed in the "Book Book".

The eighth is the establishment of the aesthetic standards of calligraphy in Sun Guoting's "Book Pedigree".

The ninth is the auxiliary discipline that is invoked in the process of writing the book.

The tenth is the way and method of writing the "Book Pedigree".

As for Sun Guoting's "Book Pedigree", I studied it probably many years ago, so I would like to talk about my personal feelings.

One is that some of the theories are correct, such as the old man and the double cultivation of Taoism (roughly meaning); Some of them have also caused controversy, such as the questioning of Wang Xi's book theory, which is still being debated today, and some of the views I think are unclear and even have obvious mistakes, such as specializing in one, which is obviously different from Zhang Xu's teaching Yan Zhenqing's "Shu Zhi Can, and Gong Zhen Cao", perhaps to find a reason for himself to be only good at cursive. Therefore, let's arbitrarily conclude the content of the book: seventy percent right, two percent doubtful, and one percent wrong.

This is already good, some are not passing)

When studying calligraphy, there are probably two keys to grasping in penmanship, one is familiarity, and the proficiency of calligraphy has reached a certain height, so the writing speed tends to be fast, that is, there is a feeling of slippery and healthy; The second is the Tibetan front technology, which should be carefully watched and thought about, without going into details. It is precisely because of this that later generations included the book pedigree in the Noh product. Of course, there are also masterpieces and divine products on it, which are much stronger than many scholars.