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The basic characteristics of literary artistic conception are mainly in the following three aspects:
1) Contextual blending. This is the expressive characteristic of artistic conception creation. For example, the word "Qinyuan Spring Changsha" is a model of using the artistic technique of scene blending to create artistic conception. The words of the upper rhyme of the present tour focus on writing the scene, and there is love in the scene; The next rung remembers the past with lyricism and sees the scene in love.
2) Reality and fiction coexist. This is the structural feature of the artistic conception to create the rolling spring. For example, in "Mo Shang Sang", the poet uses the description of the abnormal reaction (real) of the walker, the boy, the cultivator, and the hoe to highlight the incomparable beauty of Luo Shi (virtual).
Another example is "Pipa Xing", the poet writes about the moon in the river three times, but the purpose of describing the moon is to set off the feelings of the characters. "If you are drunk, you will say goodbye to the miserable farewell, and when you don't say goodbye, the vast river will soak in the moon", which sets off the poet's bleak state of mind when they are separated. "The east ship and the west boat are silent, but I see the autumn moon in the heart of the river", which brings out the beautiful and moving sound of the pipa, and attracts people to shout the effect of preparing liquid.
Go to the estuary to guard the empty boat, go around the boat and the moon is bright and the water is cold in the Zhengwu River", which sets off the lonely and sad state of mind of the pipa girl. The scenery is real, and the feelings set off by the scenery are virtual. This is similar to the rendering in Chinese painting.
3) Infinite charm. This is the aesthetic characteristic of the artistic conception. For example, Li Shangyin's poem "Jin Se" said that this situation can be recalled, but it was already lost at that time.
There is a border outside the borders, although there are them, they are ethereal and difficult to find. Such an artistic conception is like seeing flowers in the fog, which can make people more evocative and arouse people's infinite aesthetic imagination space.
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Artistic conception refers to the artistic realm formed by the integration of the life picture depicted in literary and artistic works and the thoughts and emotions expressed.
Artistic conception refers to the kind of poetic space presented in lyrical works, where scenes are blended, virtual and real are born, and the rhythm of life is active.
Artistic conception refers to the kind of image system presented in lyrical works, where scenes blend and virtual reality coexist, and the aesthetic imagination space that it induces and develops. He, like a literary archetype, is also a sock crack of the higher form of the literary image.
The composition of the artistic conception is based on the spatial environment, and it is through the grasp and management of the environment that "the situation and the scenery converge, the image and the image are connected", which is not only the basis for creation, but also the basis for appreciation.
"Artistic conception" is one of the basic categories of artistic dialectics, and it is also an important issue to be studied in aesthetics. Artistic conception is an artistic realm that combines the subjective category of "meaning" and the objective category of "realm".
The content of this category of artistic dialectics is extremely rich, "meaning" is the unity of emotion and reason, and "realm" is the unity of form and god. In the process of the two unifications, reason, form and spirit penetrate each other and restrict each other, forming an "artistic conception".
Artistic conception is a Chinese word, pinyin is yì jìng. It refers to the artistic realm formed by the integration of the picture of life depicted in literary and artistic works and the thoughts and emotions expressed. Determined by the author's aesthetic concept and aesthetic evaluation level, there are differences between truth and falsehood, existence and non-existence, large and small, deep and shallow, and the latter is divided into large and shallow due to the different aesthetic concepts and aesthetic evaluations of the appreciators.
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