What are some of Yoo Yong s poems? Who else is there for the Graceful faction?

Yulin Ling", "Wanghai Tide", etc. (all words), and the Wanyue faction also has Li Qingzhao, Li Yu, Zhou Bangyan, Ouyang Xiu, etc.

1. Describe the feelings between men and women in the citizen class.

Liu Yongci describes a lot of the feelings between men and women in the citizen class, and most of the heroines in the lyrics are unfortunate women who have fallen into the Qinglou. Liu Yong's words not only express the bold and pungent love consciousness of secular women, but also write the painful hearts of abandoned or lovelorn civilian women. For the first time in the history of words, Liu Yong's pen reached out to the inner world of ordinary women, telling them the bitterness and grievances in their hearts.

It is precisely for this reason that Liu Yong's words have become popular and popular, and the words have gained a new development trend.

2. Describe urban life and market scenery.

Liu Yongci shows the prosperous and wealthy urban life and colorful market style of the Northern Song Dynasty in many aspects. Liu Yong has lived in the city for a long time and has a rich experience of urban life, and he has used colored pens to depict the prosperity of Bianjing, Luoyang, Yizhou, Yangzhou, Huiji, Jinling, Hangzhou and other cities and the amusement scenes of citizens. These urban style paintings show the peaceful atmosphere of the society at that time as never before.

3. Describe the prison service.

After Liu Yong failed many imperial examinations, in order to make a living, he had to travel everywhere to intervene, in order to seek an official position. Liu Yonggong's words in detention are based on his personal feelings of wandering through the ups and downs of his life and wandering the rivers and lakes. The more than 60 poems in the "Movement Collection" show Liu Yong's complex mentality of pursuit, frustration, contradiction, bitterness, bitterness, and frustration in his life.

In this kind of words, Liu Yong writes about his whereabouts, expressing his parting and lovesickness in his wandering life, and the background is far wider than that of the five dynasties and the early Song Dynasty poets, and the artistic conception is more desolate, which is particularly real and touching.

The first is that Liu Yong has expanded the scope of words, which is different from previous lyricists in terms of subject matter and concept. Liu Yong wrote a lot of words describing the love of men and women, and turned the objects covered by the words to the common people in the market, and even the Qinglou, so Liu Yong's words have a strong local flavor and are very kind. The content of its expression is even more innovative, some of its words express the pungent and bold love concept of secular women, some express the painful voice of a tragic woman with a bad fate, and some express the good wishes for the life of the lower class people.

The second is that Liu Yong developed the system of long and slow words, which changed the pattern of Xiaoling's domination of the word world. In addition, Liu Yong himself is proficient in music, so he created a lot of new tunes, and later long tunes became popular, and Liu Yong contributed a lot.

The third is that Liu Yong's words use a lot of expressive techniques, and Liu Yong applies many of the monetization techniques on Xiaofu to the creation of lyrics and songs. Liu Yong's words have a lot of artistic techniques of narration and rendering, and he also uses a lot of white drawing techniques in his words, which makes his words particularly beautiful.

The fourth tone is that Liu Yongci has many linguistic expressions. His words do not have the carved habits of the Tang five pronouns, but absorb a lot of colloquialisms and colloquialisms in life, which are easy to understand. His lyrics also borrowed a lot of popular songs and new tones, which greatly expanded the subject matter of the lyrics.

Liu Yongnai is one of the "Four Great Banners of the Wanyue School" in the Northern Song Dynasty, and is called "Love Chief" in the Four Banners. His words are poignant and long, his children's love is long, and his words are unconventional, bold and uninhibited. Its words are harmonious and elegant, easy and light, and better at the integration of scenes.

Liu Ci uses a new cavity and a beautiful cavity, charming and close to feelings, rich in beauty.

Talk about my own understanding.

Liu Yong is good at writing long tones, and when the words come to Liu Yong, the writing content is much broader. Liu Yong is good at using environmental descriptions to set off his mood, and the so-called all scenes are love words.

The word to Liu Qi, the party opens the river.

His works are graceful and feminine, and he mostly expresses his true emotions directly, so he is moving.

However, this may be regarded as his shortcomings, the straightforwardness of his feelings, the elegance and vulgarity of the language (the latter is a little more, I personally think, in fact, I am talking about the latter), so that his words often make me feel that they have nothing to do with literature, gaudy and superficial.

Don't read too many of his words, I'm just in the first reading of the poem, ruining his heart in my heart, the original clear shadow of the wind and the waning moon!

His lyrics are more gorgeous, but he often uses the imagery of sycamore and fallen leaves, with the frustrated appearance of the Qinglou woman to express poignancy.

He especially likes to write about the woman in the Qinglou looking at the street behind her from the window, which represents that the woman wants to yearn for freedom, but she can't do anything about her own life experience. In this way, it is poignant.

It is generally expressed through scenery, such as rain during the falling flowers, as well as autumn and falling leaves.

Liu Yong is a poet of the Graceful School.

Liu Yong is a native of Chong'an, formerly known as Sanchang, the word Jingzhuang, and later changed his name to Yong, the word Qiqing, ranked seventh, also known as Liu Qi. Song Renzong Dynasty Jinshi, the official to Tuntian Wailang, so the world called Liu Tuntian. He claimed to be "ordered to fill in the lyrics of Liu Sanchang", wrote lyrics with his life's energy, and boasted of being "white-clothed and beautiful".

His lyrics mostly depict the cityscape and the life of courtesans, especially in expressing the feelings of detention and service, and there are many slow words. Paving and depicting, the scene is blended, the language is popular, the rhythm is harmonious, it was widely circulated at that time, it was called "where there is a well water drinking place, you can sing willow words", one of the most representative figures of the graceful school, has a significant impact on the development of Song Ci, the representative work "Yulin Bell" and "Eight Sounds of Ganzhou".

Characteristics of the school of euphemism:

The characteristics of the euphemistic school are mainly that the content focuses on children's customs. The structure is deep and meticulous, attaches importance to the harmony of the rhythm, the language is mellow, fresh and beautiful, and has a kind of soft beauty. But the content is narrower.

Since the long knowledge comic period, the words tend to be soft and beautiful, and people have formed the concept of being graceful and authentic. For example, Wang Shizhen's "Yizhou Shanren Word Commentary" takes Li Houzhu, Liu Yong, Zhou Bangyan and other lyricists as "the authentic words".

This is the view that is represented. The graceful style of words has dominated the world of words for a long time, until a large number of lyricists such as Jiang Kui, Wu Wenying, and Zhang Yan in the Southern Song Dynasty have all suffered its influence from different aspects. Those who clearly put forward the words are graceful and bold are generally considered to be Ming people Zhang Wei.

The lyrics are sung for the concerted music, entertaining the guests, and the content is nothing more than sorrow and farewell, and the girlfriend is resentful. The five generations, namely Zheng Mengkuan, have formed a fragrant and soft style of words represented by "Between Flowers" and Li Yuci.