What narrative method did Luo Guanzhong take to write the Romance of the Three Kingdoms?

It doesn't matter anymore.

So what kind of writing technique is that?

1: With the official history as the skeleton, the folk stories are written in flesh and blood.

2: The narrative mode of "Three Kingdoms" is not strictly unified, and there are roughly two narrative modes: that is, the narrative similar to the historical text (the part influenced by historical facts) and the narrative similar to the text (the part influenced by folk art), and the corresponding main techniques are the first-person omniscient narrative and the third-person limited knowledge narrative; The narrative time is roughly a coherent narration of the development of historical events; The narrative structure is also basically in accordance with the plot, as pointed out by Chen Pingyuan, a famous modern Chinese scholar

Ancient China's ** basically adopted a coherent narrative in terms of narrative time, an omniscient perspective in terms of narrative perspective, and a plot as the structural center in narrative structure. (Chen Pingyuan.) The Transformation of China's ** Narrative Mode "Chen Pingyuan** Historical Essays" Shijiazhuang:

Hebei People's Publishing House.

The Three Kingdoms (the part of Shu that was largely influenced by folk art) already has a great deal of direct psychological depictions, often using suspense (Zhuge Liang's "tricks") to create a mystical and legendary color, as well as a large number of fictional plots.

The Three Kingdoms introduced many poems and texts of characters in the Three Kingdoms era, such as Kong Ming's "Longzhong Pair", before and after the "Teacher Table", Cao Cao's "Short Song Xing", Cao Zhi's "Tongque Taifu", etc.; A large number of materials in the notes of the Wei and Jin dynasties are used interspersed with texts. On the one hand, it can be used as evidence or illustration of points of view to deepen the reader's impression; On the other hand, it is conducive to the layout of the article.

<> "Romance of the Three Kingdoms" describes a 105-year history from the end of the Eastern Han Dynasty to the beginning of the Western Jin Dynasty. It mainly depicts the war, telling the story of the separatist melee in the late Eastern Han Dynasty and the political and military struggle between the three kingdoms of Wei, Shu and Wu. In the end, Sima Yan unified the three kingdoms and established the Jin dynasty.

It reflects the transformation of various social struggles and contradictions in the Three Kingdoms era, summarizes the historical changes of this era, and shapes a group of powerful Three Kingdoms heroes.

The book can be roughly divided into five parts: the Yellow Turban Rebellion, the Dong Rebellion, the Battle of Heroes, the Three Kingdoms Confrontation, and the Return of the Three Kingdoms. Against the vast background, spectacular war scenes were staged.

Editor Luo Guanzhong integrates the 36 strategies of "The Art of War", which has both the plot of "The Art of War" and the strategy of "The Art of War". The practicality of the content in it is an important reason why the majority of readers highly recommend reading it.

An important feature of the creation of the Romance of the Three Kingdoms is that it is based on history [16]. The author's purpose is to describe the history of the rise and fall of the Three Kingdoms vividly, and the intention of summing up historical lessons is very clear. It is a relatively complete account of the rise, development and demise of the three kingdoms of Shu, Wei and Wu.

**Drawing on the compilation mode of chronicles, the historical process of the Three Kingdoms dispute is the main line, and the rise and fall of the king is the center, organically organizing the historical story of nearly a hundred years. Mainly depicting the political and military struggles of the Three Kingdoms period, the author's interest lies in revealing the rise and fall of various military groups during this period.

"Romance of the Three Kingdoms" adopts simple classical Chinese, which is bright and smooth, elegant and vulgar; The brushstrokes are rich in variety, with contrast, redundancy and laterality, wavy and tortuous, swaying and richness. Over the past 100 years, the complex events and characters have been organized together in a grand structure, and the narrative is orderly, coherent, interrelated, closely connected, and advanced layer by layer. This kind of layering of articles is an important reason why the majority of readers recommend it very much.

The artistic achievements of "Romance of the Three Kingdoms" are more important in terms of military and political depiction and character building. **The best at describing wars, can write about the characteristics of each war. Pay attention to describe the application of different strategies and tactics in specific situations, and guide the play of subjective initiative in battle.

This work is very exciting, and it also tells a lot of strategies, which is very valuable for research.

Mainly because Luo Guanzhong's Romance of the Three Kingdoms is very wonderfully written, so many people recommend it.

Because this ** is one of the four famous novels, and this ** plot is rich and very well written.

The main purpose of the Romance of the Three Kingdoms is nothing more than the cultural tradition of loyalty, filial piety, and righteousness, especially the promotion of righteousness. Since Wang Mang usurped the Han Dynasty, and Liu Xiu of the Eastern Han Dynasty went to the Three Kingdoms, the moral frustration of loyalty and righteousness rose and was flaunted as a standard of behavior. Liu Bei wants to uphold righteousness in the world, Sun Quan shows the true colors of righteousness, and the characters and stories of the Three Kingdoms show a strong color of righteousness, which is really in the romance.

The Manchu Qing Dynasty entered China and proclaimed itself a righteous act, and several emperors who founded the country appreciated the Romance of the Three Kingdoms book, the purpose of which was to imprison the Han people and be loyal to the Qing Dynasty royal family based on righteousness. As a result, the Romance of the Three Kingdoms has become a well-known reading material for women and children.

In order to express the political and moral ideals of writers and the broad masses of the people, this ideal was mainly expressed through the comparison of the three political groups of Wei, Shu, and Wu.

It is to carry forward the Chinese cultural tradition, promote morality, and tell us that we must be righteous for others.

Luo Guanzhong took the characterization and historical story description of the Three Kingdoms period as the starting point to express his desire for world unity.

1. The thoughts and feelings of the benevolent and righteous king and the people with lofty ideals to build an ideal country and return to world peace. Through the praise of the Shu Han regime and its characters in the Three Kingdoms, the author Luo Guanzhong's expectations for the ideal monarch and his colleagues, as well as his disappointment in the Zhang Yuan uprising and the early Ming uprising, are highlighted. The author combines the real society with the history of the Three Kingdoms, and integrates emotions into the famous ** "Romance of the Three Kingdoms".

By depicting the political, military, and diplomatic struggles between Wei, Shu, and Wu, Romance of the Three Kingdoms reveals the darkness and decadence of the society at that time, blames the cruelty and ugliness of the rulers, and reflects the disasters and sufferings of the people in the turbulent era.

His greatest hope is to be able to return to peace and achieve reunification, and he longs for his ideal monarch and his ideal country.

In order to summarize the rise and fall of history, the rules are beaten.

According to the encyclopedia, Luo Guanzhong wrote "Romance of the Three Kingdoms" to summarize the law of the rise and fall of history. Or day: "If you join for a long time, you will divide it, and if you divide it for a long time, you must be together" is a kind of historical cycle theory or fatalistic thinking.

The Romance of the Three Kingdoms (also known as "Romance of the Three Kingdoms" and "Popular Romance of the Three Kingdoms") is a long chapter of Hui Historical Romance created by Luo Guanzhong in the late Yuan Dynasty and early Ming Dynasty based on Chen Shou's "Three Kingdoms" and Pei Songzhi's annotations and folk tales and legends of the Three Kingdoms.

Summary. Reading the book "Romance of the Three Kingdoms" has benefited me a lot. The Romance of the Three Kingdoms, one of China's four great masterpieces, is an important literary masterpiece in China's ancient history.

"Romance of the Three Kingdoms" depicts nearly 200 characters, the most successful of which are Zhuge Liang, Cao Cao, Guan Yu, Liu Bei and others. "Romance of the Three Kingdoms" focuses on the struggle between the three ruling groups of Wei, Shu and Wu during the Three Kingdoms period. It tells a series of stories that took place between the late Eastern Han Dynasty and the unification of the Jin Dynasty.

Reading Zao Xun's book "Romance of the Three Kingdoms" has benefited me a lot. The Romance of the Three Kingdoms, one of China's four great masterpieces, is an important literary masterpiece in China's ancient history. "Romance of the Three Kingdoms" depicts nearly 200 characters, the most successful of which are Zhuge Liang, Cao Cao, Guan Yu, Liu Bei and others.

The Romance of the Three Kingdoms focuses on the struggle between the three ruling groups of Wei, Shu and Wu during the Three Kingdoms period. It tells a series of stories that took place between the late Eastern Han Dynasty and the unification of the Jin Dynasty.

The words of the cherry blossom type are said to be the first word of the Romance of the Three Kingdoms, and the first chapter of the opening chapter is "Banquet Taoyuan Heroes Three Righteous Righteousness Kill the Yellow Turban Heroes for Their First Meritorious Service". This time, there is a story that everyone is familiar with, that is, the Taoyuan Three Knots, and the idiom Taoyuan Spine Lu Knots is also left.

Speaking of the general trend of the world, it will be together for a long time, and it will be divided for a long time.

Use this sentence to dominate the whole article.