Problems in the development of Chinese opera, how did opera develop?

The most prosperous period of opera should be the Qianlong period of Kangxi, when it was popular to listen to opera, and the rulers liked chaos and balance, so it was natural that the spring and grinding society would develop, and the status of the opera at that time was very high.

The opera developed according to some songs and dances, because the songs and dances are relatively monotonous, so some movements are added.

Opera is developed through the strengthening of traditional culture and the inheritance of culture, and it is a very powerful type of traditional Chinese culture.

The opera is easy to understand, and the content of the singing is also very down-to-earth and quietly congratulates the knowledge, and the pat tells some historical stories, which are deeply loved by people, and each place has a different opera, and now the development is very good.

The second reason is that the way art is disseminated is more traditional. You must know that the art of opera and quyi is transmitted through the way that the master passes on orally. This teaching method obviously has some contradictions with the modern social communication method, and the inheritance method of opera is not suitable for the development of today's society.

Because there are fewer and fewer people learning opera, and young people don't like to watch opera, in the future, we should strengthen the protection and publicity of opera, and schools should also hold opera activities to promote the importance of opera to students.

The reason for the decline is the impact of foreign pop culture, which cannot enter the lives of modern young people, so in the future, he will continue to integrate modern pop elements, innovate the form and content of performances, etc., to meet the needs and aesthetics of young people.

At present, the art of opera has not received much attention, and we have a certain lack of preservation and development of traditional culture, and most of the younger generation are more following the trend. With the revival of the traditional culture of the Chinese nation, the art of opera should receive more attention, and the art of opera needs to be inherited and developed.

The content comes from the user: Zhu Tian Burning Yu.

A review of the current situation of Chinese opera.

Chinese opera has undoubtedly declined compared to the past.

The first is the difference in audience.

In modern times, opera is in a period of competition.

After the founding of New China, a number of excellent repertoire emerged, such as the Beijing opera "Will Be Harmonious".

Dao, "The Legend of the White Snake", Pingju "Qin Xianglian", Yue Opera "Liang Shanbo and Zhu Yingtai", Kunqu Opera "Fifteen Guan", etc., the famous historian Wu Han also wrote the historical Peking Opera "Hai Jui's Dismissal". Later, a series of excellent works were launched one after another, such as Peking Opera "The White-Haired Girl", "Red Lantern", "Surprise Attack on the White Tiger Regiment", Yue Opera "The Legend of the West Chamber", Ping Opera "Liu Qiaoer", Shanghai Opera "Ludang Tinder", Henan Opera "Chaoyanggou" and so on. After the "Gang of Four" was smashed, a large number of traditional operas that were loved by the masses but were suspended or criticized, such as the Peking Opera "Xie Yaohuan", the Puxian Opera "Chuncao Chuang Tang", and the Lv Opera "Sisters Are Easy to Marry" were also re-staged.

The art of opera has developed to this day, through different eras, constantly adapting to the needs of the new era and new audiences, maintaining and carrying forward the traditional artistic characteristics of the nation, and the issues of "modernization" and "opera" raised by the opera circles have become a problem of active practice in the new historical period.

As a spiritual product of the Chinese people, drama and opera have continued and developed for so many years, which shows that it is suitable for China's national conditions and that the Chinese people need such spiritual products. At present, the current situation of drama and opera in China is not caused by drama itself, but the change of modern people's lifestyle and concept, the increase of spirituality, entertainment products and leisure methods, and the emergence of a large number of film and television works, resulting in a decrease in the number of drama and opera performances, resulting in a decrease in the number of young people's exposure to drama and opera, and some teenagers have not even been exposed to drama. However, the demand for drama and opera is still very strong, and some plays are staged in many cities in China, and it is difficult to get a ticket for a thousand dollars many times.

In addition, China's vast rural areas favor drama, whether it is the northern region where the development is slightly lagging behind, or the coastal areas where the economy is first, this vast stage needs drama, people in these places like this form of pleasing to hear, and also like these familiar stories, the change of lifestyle has not diluted their love for traditional drama, as long as the performance is appropriate, it will still be recognized by people. Therefore, during the traditional Chinese New Year every year, most parts of China are difficult to invite troupes and actors. Shang Changrong believes that classics are not unfashionable, as long as the vitality of drama and opera is well explored, and its unique characteristics are brought into play, the younger generation will fall in love with the quintessence of China, but this requires the joint efforts of every drama person.

Among them, it is more necessary for each drama person to judge the situation, appropriately add new fashion elements in accordance with the logic and law of artistic development, and then excavate and develop on the basis of each drama genre's own uniqueness, change the negative into positive, and introduce a competition mechanism, motivate themselves at all times, go out more to compete with other dramas, give full play to their own characteristics in the competition, and win back the lost audience with their strength.