The original text of the masterpiece of the Hazy Poetry School

Declared North Island.

Maybe the last moment has come.

I didn't leave a will.

Leave only the pen for my mother.

I'm not a hero.

In the age when there were no heroes, I just wanted to be a human being.

Tranquil horizon.

Separated the ranks of the living and the dead.

I can only choose the sky.

Never kneel on the ground.

to show the height of the executioners.

to block the wind of freedom.

From the bullet of the stars.

There will be a blood-red dawn.

generation. Gu Cheng.

The night gave me black eyes.

But I use it to find light.

Desperate for anticipation.

Expecting for despair.

Despair is the perfect expectation.

Anticipation is the longest despair.

Anticipation doesn't have to begin.

Despair is not necessarily over.

Maybe there's only one call—

The loudest thing is the silence.

Instead of exhibiting a millennium on a cliff, it is better to have a night of pain on the shoulders of a loved one.

Suddenly, when it came out in the evening, I remembered Shu Ting's poem.

On this special day, there is only a little more sentimentality.

Beautiful dreams leave beautiful sorrows.

Heaven on earth, passed down from generation to generation.

But the heart. Can it really be turned to stone?

In order to look at the heavens.

And miss countless moonlights in the world.

Along the river peaks. The torrent of golden chrysanthemum and ligustrum.

A new betrayal is being instigated.

Instead of exhibiting millennium on a cliff.

It's better to be miserable on your lover's shoulder for one night.

Representative poets: Shu Ting, Gu Cheng, Jiang He. Representative works: To the Oak Tree, Shu Ting, Star Variations, River, etc.

The new and old representatives of the Chinese Hazy Poetry School are: Bei Dao, Gu Cheng, Shu Ting, Index Finger, Jiang He, Yang Lian, Liang Xiaobin, Meng Ke, Haizi, Muye, etc.

Representative verses of the Hazy Poetry School:

If I love you, I will never be like a climbing flower, showing off myself through your high branches.

If I love you, I will never learn from the infatuated birds, repeat the monotonous song for the green shade; It's not just like a fountain.

Maybe the last moment came, I didn't leave a will, only a pen, to my mother, I am not a hero, in an age without heroes, I just want to be a human being.

The representative poems of the Hazy School also include:

The night gave me black eyes, but I used them to find the light.

Despair for anticipation, anticipation for despair. Despair is the most perfect expectation, and anticipation is the longest despair.

Meanness is the pass of the mean, Noble is the epitaph of the noble, Behold, in that gilded sky, Float the crooked reflection of the dead.

Even if you have a thousand challengers under your feet, then count me as the thousandth and onest.

Historical merit

In an article reviewing the path taken by contemporary Chinese poetry for more than 20 years, I once commented on the hazy poetry: There are three most substantively influential efforts in contemporary Chinese poetry, namely, hazy poetry, colloquial efforts, and narrative emphasis.

Among them, the emergence of hazy poetry has brought China's new poetry tradition into line with the world again after decades of stagnation, and has gradually synchronized. Its greatest contribution was to awaken a modern consciousness. A consciousness of the modernization of new poetry.

Indeed, because most of the hazy poets experienced the spiritual crisis caused by the "Cultural Revolution" and appeared in a modernist background similar to that after the "God is dead" in the West, the hazy poets were quickly attracted to and had a strong resonance with Western modernist poetry, which also made Chinese contemporary Chinese poetry jump forward several steps and gradually came to the same starting line as Western modernist poetry.

1. Pay attention to the conceptual omission of the poem and the hint of the theme of the poem, so that the theme of the hazy poem works is vague and ambiguous. The hazy poet adopts this looming form of expression, coupled with the use of symbolism, imagery, synaesthesia, suggestion, metaphor, transformation and other artistic means, so that the theme of the work embodies the vagueness of "not is not separated, elusive is not possible", and the polysemy of "poetry is not attainable".

2. Pay attention to the artistic creation method centered on symbolic techniques, which is contrary to the traditional poetic creation method centered on metaphorical techniques. In the process of contemplation, the poet dismantles the object of observation, transports his own life into the inanimate creatures, endows him with a static life and soul, and forgets the object and the self into the realm of the same thing and the self.

When this "empathy theory" is applied to literary and artistic creation, it produces symbolic techniques. It symbolizes beauty and entrusts the hazy poet's own wandering imagination, with irreplaceable allusions, and is often used to express multi-layered themes, express complex feelings, and express abstract consciousness and emotions.

3. Pay attention to the three-dimensional combination of imagery techniques and imagery levels, and often use artistic synaesthesia (transference) techniques and artistic deformation techniques.

4。It pays attention to the internal structure and rhythm of jumping emotions and freedom, with the purpose of expressing emotions and the purpose of catharsis, so it does not pay attention to the external structure.

Because the poetry of the hazy school is the poetry of the new poetry trend, it is a heroic poetic style in China's contemporary humanities literature, which originated in the late 1960s and early 1970s, and after entering the 1980s, it had a huge impact on the poetry world and even the entire literary world, and finally brought profound ideological changes to our contemporary literary history.

This is because the emotions expressed in the poetry of the hazy school are relatively hazy, and they can create a better social atmosphere for people, and can also make people pay more attention to such poems, so they can achieve the rise and get such high attention.

The rise of hazy poetry in the late 70s, first of all, there were some lyrical poems in the poetry world, focusing on the beauty of imagery and language, and many readers exclaimed "I can't understand it", thinking that it was hazy, strange, unacceptable for a while, and there were people who attacked it.

Representatives of the Hazy School of Poetry Hail Cong people: Bei Dao, Gu Cheng, Shu Ting, Index Finger, Jiang He, Yang Lian, Liang Xiaobin, Meng Ke, Haizi, Muye, etc.

Since 1980, a new school of poetry has emerged in the poetry world, known as the "Hazy School". A group of young poets with Shu Ting, Gu Cheng, Beidao, Jiang He, etc. as pioneers, the "Hazy Poetry School" did not form a unified organizational form, nor did it publish a manifesto, but it originated from Yingying, with its independent and common artistic ideas and creative achievements, constituting a "rising poetry group".

At first, their poems seemed to be in the tradition of modernism or postmodernism, but soon they broke new ground and went further into a kingdom of their own.

Generate background

The poetry school that emerged in the late 70s and early 80s is represented by Bei Dao, Shu Lianqiaoting, Gu Cheng, Jiang He, Yang Lian, etc. As a creative group, hazy poetry caused controversy in the literary world at that time.

The three levels of the spiritual connotation of the "Hazy Poetry School" are: one is to expose the darkness and social criticism, the second is to find light in the darkness, reflect and explore consciousness, and the strong heroism, and the third is to pay special attention to "people" on the basis of humanism.

The "Hazy Poetry School" rewrote the traditional mode of simply describing "reality" and ** policy in poetry, and took poetry as an important way to explore life, which reached an unprecedented height in a philosophical sense. In a sense, the rise of the "Hazy Poetry School" is also the rise of the tree of life in Chinese literature.

The representative poets of the post-hazy poetry school include Haizi, Luo Yihe, Xichuan and so on.

1. Hai Zi, most of his poems have a fresh and natural style, based on traditional Chinese culture, integrating his own emotions and life aspirations into it, showing a romantic, sensual and idealistic atmosphere, often expressing his love and pursuit of nature and life.

2. Luo Yihe, his poems have the characteristics of strong stream of consciousness and scattered imagery, showing the reflection on the times and the individual's feeling of no fierce wheel and material resources, such as "Summer Night", "Heart Rain" and so on.

3. Xichuan, his poems have a strong realist color, and he is especially good at describing the living conditions of cities and urban people, such as "City", "Snowy Night Night Walking" and other works.

Post-hazy poetry is an important genre in the history of Chinese literature, which emerged in the 80s of the 20th century, advocating the rejection of traditional imagery, meaning and other elements, emphasizing the self-deconstruction of language and the expression of poets' inner emotions in poetry.

Hazy poetry takes the inner spiritual world as the main object of expression, and adopts the artistic strategies and methods of overall image symbolism and gradual intention to disguise feelings, so that the poetry text is between expressing itself and hiding itself, presenting some characteristics such as vague and hazy poetry, vague and subtle poetry, rich in allegorical meaning, and multiple meanings on the theme. Hazy poetry pays attention to self-expression, pays attention to conciseness, suggestion, subtlety, and pays attention to the management of imagery.

The poets of the Hazy School are a group of messengers with a strong desire for the bright world, and they are good at expressing their dissatisfaction and disdain for the dark side of society through a series of trivial images, opening up a new world and space for modern image poetry. Hazy poetry is a very important literary genre in the new era, which is the product of a group of young people whose self-consciousness began to awaken in the later period of the "Cultural Revolution", using the form of poetry to reflect on reality and pursue the independent aesthetic value of poetry. The new and old representative poets of the Hazy Poetry School mainly include:

Beidao, Shuting, Gucheng, Jianghe, Yang Lian, Duoduo, Index Finger, Meng Ke, Fang Han, Liang Xiaobin, Haizi, Muye, etc.

1. Representative works of Hazy Prefecture Xishi: "Everything" and "To the Oak Tree".

2. Hazy poetry emerged in the late 70s and early 80s of the 20th century, and is a new poetic art trend that emerged with the comprehensive recovery of literature, represented by pioneers such as Shu Ting, Beidao, Gu Cheng, Liang Xiaobin, Chaji Peijianghe, Index Finger, and Meng Ke. Hazy poetry, with the inner spiritual world as the main object of expression, uses the overall image symbolism, the artistic strategy and method of gradual intention to disguise the feelings, so that the poetry text is between expressing itself and hiding itself, presenting some characteristics such as vague and hazy poetry, vague and subtle poetry, rich in allegorical meaning, and multiple interpretations and meanings of the theme.